Corpus Christi Watershed

“What earlier generations held as sacred, remains sacred and great for us too…” Pope Benedict XVI (7 July 2007)

Brebeuf Hymn Index

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Page 352 EUCHARIST
Pange Lingua Gloriosi (“Sing, my tongue, the Savior’s glory”) by St. Thomas Aquinas
Translation: Fr. Edward Caswall, Oratorian
FIRST TUNE: “St Thomas (Webbe)” • 87 87 87


Page 353 EUCHARIST
Pange Lingua Gloriosi (“Sing, my tongue, the Savior’s glory”) by St. Thomas Aquinas
Translation: Fr. Edward Caswall, Oratorian
SECOND TUNE: “Runnells” • 87 87 87


Page 354 EUCHARIST
Pange Lingua Gloriosi (“Sing, my tongue, the Savior’s glory”) by St. Thomas Aquinas
Translation: Fr. Edward Caswall, Oratorian
THIRD TUNE: “Picardy” • 87 87 87


Page 355 EUCHARIST
Pange Lingua Gloriosi (“Sing, my tongue, the Savior’s glory”) by St. Thomas Aquinas
Translation: Fr. Edward Caswall, Oratorian
FOURTH TUNE: “Davost” • 87 87 87


  1. Organ Only; Voices Removed
Page 356 EUCHARIST
Pange Lingua Gloriosi (“Sing, my tongue, the Savior’s glory”) by St. Thomas Aquinas
Translation: Fr. Edward Caswall, Oratorian
FIFTH TUNE: “Westminster Abbey F” • 87 87 87


  1. Equal Voices •
  2. Soprano •
  3. Alto •
  4. Tenor •
  5. Bass
Page 357 EUCHARIST
Pange Lingua Gloriosi (“Sing, my tongue, the Savior’s glory”) by St. Thomas Aquinas
Translation: Fr. Edward Caswall, Oratorian
TUNE: “Breton” • 87 87 87

  1. PDF Score #1

  1. Live Recording A •
  2. Organ Only; Voices Removed
Page 358 EUCHARIST
Pange Lingua Gloriosi (“Hail, the body bright and glorious”) by St. Thomas Aquinas
Translation: Robert Campbell of Skerrington
FIRST TUNE: “Runnells” • 87 87 87


Page 359 EUCHARIST
Pange Lingua Gloriosi by St. Thomas Aquinas
Translation: Textus originalis Latinus
FIRST TUNE: “Runnells” • 87 87 87


Page 360 EUCHARIST
Pange Lingua Gloriosi (“Hail, the body bright and glorious”) by St. Thomas Aquinas
Translation: Robert Campbell of Skerrington
SECOND TUNE: “Gaufestre” • 87 87 87


Page 361 EUCHARIST
Pange Lingua Gloriosi by St. Thomas Aquinas
Translation: Textus originalis Latinus
SECOND TUNE: “Gaufestre” • 87 87 87


Page 362 EUCHARIST
Pange Lingua Gloriosi (“Hail, the body bright and glorious”) by St. Thomas Aquinas
Translation: Robert Campbell of Skerrington
THIRD TUNE: “Ad Perennis Vitae Fontem” • 87 87 87


Page 363 EUCHARIST
Pange Lingua Gloriosi (“Hail, the body bright and glorious”) by St. Thomas Aquinas
Translation: Robert Campbell of Skerrington
FOURTH TUNE: “St Leonard” • 87 87 87


Page 364 EUCHARIST
Pange Lingua Gloriosi (“Hail, the body bright and glorious”) by St. Thomas Aquinas
Translation: Robert Campbell of Skerrington
FIFTH TUNE: “Lauda Anima” • 87 87 87


  1. Organ Only; Voices Removed
Page 365 EUCHARIST
Pange Lingua Gloriosi (“Hail, the body bright and glorious”) by St. Thomas Aquinas
Translation: Robert Campbell of Skerrington
SIXTH TUNE: “Oriel” • 87 87 87


Page 366 EUCHARIST
Pange Lingua Gloriosi (“Hail, the body bright and glorious”) by St. Thomas Aquinas
Translation: Robert Campbell of Skerrington
SEVENTH TUNE: “Hyfrydol B7” • 87 87 87


  1. Live Recording A •
  2. Temporary Recording
Page 367 EUCHARIST
Pange Lingua Gloriosi (“Hail, the body bright and glorious”) by St. Thomas Aquinas
Translation: Robert Campbell of Skerrington
EIGHTH TUNE: “Austria B7” • 87 87 87


Page 368 EUCHARIST
Pange Lingua Gloriosi (“Hail, the body bright and glorious”) by St. Thomas Aquinas
Translation: Robert Campbell of Skerrington
NINTH TUNE: “Picardy” • 87 87 87


Page 369 EUCHARIST
Pange Lingua Gloriosi (“Hail, the body bright and glorious”) by St. Thomas Aquinas
Translation: Robert Campbell of Skerrington
TENTH TUNE: “Dulce Carmen” • 87 87 87


  1. Live Recording A
Page 370 EUCHARIST
Pange Lingua Gloriosi (“Hail, the body bright and glorious”) by St. Thomas Aquinas
Translation: Robert Campbell of Skerrington
ELEVENTH TUNE: “Regent Square” • 87 87 87


  1. Equal Voices •
  2. Soprano •
  3. Alto •
  4. Tenor •
  5. Bass
  1. Live Recording A
Page 371 EUCHARIST
Pange Lingua Gloriosi (“Hail, the body bright and glorious”) by St. Thomas Aquinas
Translation: Robert Campbell of Skerrington
TWELFTH TUNE: “Breton” • 87 87 87


  1. Live Recording A •
  2. Organ Only; Voices Removed
Page 372 EUCHARIST
Pange Lingua Gloriosi (“Of Christ, his body glorious”) by St. Thomas Aquinas
Translation: Historic Roman Catholic Translation • 1599AD

Alongside the Latin—with textual accents—is printed a Roman Catholic (rhyming) translation of great historical interest. The version printed in the Brébeuf Hymnal is quite rare, and we were not able to obtain permission to post excerpts online.

Page 373 EUCHARIST
Pange Lingua Gloriosi (“Sing, O my Tongue, devoutly sing”) by St. Thomas Aquinas
Translation: Historic Roman Catholic Translation • 1687AD

Alongside the Latin—with textual accents—is printed a Roman Catholic (rhyming) translation of great historical interest. The version printed in the Brébeuf Hymnal is quite rare, and we were not able to obtain permission to post excerpts online.

Page 374 OUR LADY
Quem Terra, Pontus, Aethera
6th century

Title after 1631AD: “Quem Terra Pontus Sidera”
In addition to providing the Latin version with accent marks, the Saint Jean de Brébeuf Hymnal commissioned English translations from Latin scholars to help congregations appreciate these ancient prayers. Until the Brébeuf Hymnal appeared in 2018, literal translations for many of these hymns had never been made.


Page 376 OUR LADY
Quem Terra, Pontus, Aethera (“Whom earth and sea and sky proclaim”)
Translation: Very Rev’d Dominic Aylward, OP
FIRST TUNE: “Eisenach” • 88 88 (LM)


  1. Equal Voices •
  2. Soprano •
  3. Alto •
  4. Tenor •
  5. Bass
Page 377 OUR LADY
Quem Terra, Pontus, Aethera (“Whom earth and sea and sky proclaim”)
Translation: Very Rev’d Dominic Aylward, OP
SECOND TUNE: “Duguet” • 88 88 (LM)


Page 378 OUR LADY
Quem Terra, Pontus, Aethera (“Whom earth and sea and sky proclaim”)
Translation: Very Rev’d Dominic Aylward, OP
THIRD TUNE: “Whitehall” • 88 88 (LM)


Page 379 OUR LADY
Quem Terra, Pontus, Aethera (“Whom earth and sea and sky proclaim”)
Translation: Very Rev’d Dominic Aylward, OP
FOURTH TUNE: “Melcombe” • 88 88 (LM)


  1. Equal Voices •
  2. Soprano •
  3. Alto •
  4. Tenor •
  5. Bass
Page 380 OUR LADY
Quem Terra, Pontus, Aethera (“Whom earth and sea and sky proclaim”)
Translation: Very Rev’d Dominic Aylward, OP
FIFTH TUNE: “Kempen” • 88 88 (LM)


  1. Equal Voices
Page 381 OUR LADY
Quem Terra, Pontus, Aethera (“Whom earth and sea and sky proclaim”)
Translation: Very Rev’d Dominic Aylward, OP

Text only—can be used with any 88 88 (LM)


Page 382 OUR LADY
Quem Terra, Pontus, Aethera (“The Lord, whom earth, and sea, and sky”)
Translation: Fr. John Fitzpatrick, Oblate of Mary
FIRST TUNE: “Gonfalon Royal” • 88 88 (LM)


  1. Equal Voices
Page 383 OUR LADY
Quem Terra, Pontus, Aethera (“The Lord, whom earth, and sea, and sky”)
Translation: Fr. John Fitzpatrick, Oblate of Mary
SECOND TUNE: “Trinity College” • 88 88 (LM)


  1. Organ Only; Voices Removed •
  2. Midi Soprano •
  3. Midi Alto •
  4. Midi Tenor •
  5. Midi Bass
Page 384 OUR LADY
Quem Terra, Pontus, Aethera (“The Lord, whom earth, and sea, and sky”)
Translation: Fr. John Fitzpatrick, Oblate of Mary
THIRD TUNE: “Rockingham” • 88 88 (LM)


  1. Live Recording A
Page 385 OUR LADY
Quem Terra, Pontus, Aethera (“The Lord, whom earth, and sea, and sky”)
Translation: Fr. John Fitzpatrick, Oblate of Mary
FOURTH TUNE: “Saxony” • 88 88 (LM)


Page 386 OUR LADY
Quem Terra, Pontus, Aethera (“The Lord, whom earth, and sea, and sky”)
Translation: Fr. John Fitzpatrick, Oblate of Mary
FIFTH TUNE: “Puer Nobis Nascitur” • 88 88 (LM)


Page 387 OUR LADY
Quem Terra, Pontus, Aethera (“The Lord, whom earth, and sea, and sky”)
Translation: Fr. John Fitzpatrick, Oblate of Mary

Text only—can be used with any 88 88 (LM)


Page 388 CHRISTMAS
Quem Terra, Pontus, Aethera (“Sing we Him whose wondrous story”)
Translation: The editors
FIRST TUNE: “All Saints” • 87 87 77


Page 389 CHRISTMAS
Quem Terra, Pontus, Aethera (“Sing we Him whose wondrous story”)
Translation: The editors
SECOND TUNE: “Irby” • 87 87 77


  1. Live Recording A
Page 390 OUR LADY
Quem Terra, Pontus, Aethera (“Whom earth and sea and eke the skies”)
Translation: Historic Roman Catholic Translation • 1599AD

Alongside the Latin—with textual accents—is printed a Roman Catholic (rhyming) translation of great historical interest. The version printed in the Brébeuf Hymnal is quite rare, and we were not able to obtain permission to post excerpts online.

Page 391 OUR LADY
Quem Terra, Pontus, Sidera (“He whom the Land, the Sea, the Sky”)
Translation: Historic Roman Catholic Translation • 1651AD

Alongside the Latin—with textual accents—is printed a Roman Catholic (rhyming) translation of great historical interest. The version printed in the Brébeuf Hymnal is quite rare, and we were not able to obtain permission to post excerpts online.

Page 392 OUR LADY
Quem Terra, Pontus, Aethera (“The Sov’reign God whose hands sustain”)
Translation: Catholic Hymnal for the United States (1807)
FIRST TUNE: “Brockham” • 88 88 (LM)


Page 393 OUR LADY
Quem Terra, Pontus, Aethera (“The Sov’reign God whose hands sustain”)
Translation: Catholic Hymnal for the United States (1807)
SECOND TUNE: “La Rochelle” • 88 88 (LM)


Page 394 OUR LADY
Quem Terra, Pontus, Aethera (“The Sov’reign God whose hands sustain”)
Translation: Catholic Hymnal for the United States (1807)
THIRD TUNE: “Altona” • 88 88 (LM)


  1. Live Recording A •
  2. Midi Soprano •
  3. Midi Alto •
  4. Midi Tenor •
  5. Midi Bass
Page 395 OUR LADY
Quem Terra, Pontus, Aethera (“The Sov’reign God whose hands sustain”)
Translation: Catholic Hymnal for the United States (1807)

Text only—can be used with any 88 88 (LM)


Page 396 OUR LADY
Quem Terra, Pontus, Aethera (“The Lord, whom earth, and sea, and sky”)
Translation: Fr. Edward Caswall, Oratorian
TUNE: “Hilderstone” • 88 88 (LM)


  1. Live Recording A •
  2. Live Recording B
Page 397 OUR LADY
Quem Terra, Pontus, Aethera (“The Lord, whom earth, and sea, and sky”)
Translation: Fr. Edward Caswall, Oratorian

Text only—can be used with any 88 88 (LM)


Page 399 OUR LADY
Quem Terra, Pontus, Aethera (“The God whom earth and sea and sky”)
Translation: Dr. John M. Neale
TUNE: “Eisenach” • 88 88 (LM)

Text only version also included at bottom of page—can be used with any 88 88 (LM)


  1. Equal Voices •
  2. Soprano •
  3. Alto •
  4. Tenor •
  5. Bass
Page 400 QUINQUAGESIMA – GENERAL USE
Rebus Creatis Nil Egens
1736AD

In addition to providing the Latin version with accent marks, the Saint Jean de Brébeuf Hymnal commissioned English translations from Latin scholars to help congregations appreciate these ancient prayers. Until the Brébeuf Hymnal appeared in 2018, literal translations for many of these hymns had never been made.


Page 402 SEPTUAGESIMA — GENERAL USE
Rebus Creatis Nil Egens (“O Lord, in perfect bliss above”)
Translation: Based on John David Chambers
FIRST TUNE: “Gonfalon Royal” • 88 88 (LM)


  1. Equal Voices
Page 403 SEPTUAGESIMA — GENERAL USE
Rebus Creatis Nil Egens (“O Lord, in perfect bliss above”)
Translation: Based on John David Chambers
SECOND TUNE: “Bressani” • 88 88 (LM)


  1. Equal Voices •
  2. Soprano •
  3. Alto •
  4. Tenor •
  5. Bass
  1. Live Recording A •
  2. Temporary Recording
Page 404 SEPTUAGESIMA — GENERAL USE
Rebus Creatis Nil Egens (“O Lord, in perfect bliss above”)
Translation: Based on John David Chambers
THIRD TUNE: “Trinity College” • 88 88 (LM)


  1. Organ Only; Voices Removed •
  2. Midi Soprano •
  3. Midi Alto •
  4. Midi Tenor •
  5. Midi Bass
Page 405 SEPTUAGESIMA — GENERAL USE
Rebus Creatis Nil Egens (“O Lord, in perfect bliss above”)
Translation: Based on John David Chambers
FOURTH TUNE: “Bessemer” • 88 88 (LM)


Page 406 SEPTUAGESIMA — GENERAL USE
Rebus Creatis Nil Egens (“O Lord, in perfect bliss above”)
Translation: Based on John David Chambers
FIFTH TUNE: “Whitehall” • 88 88 (LM)


  1. Live Recording A
Page 407 SEPTUAGESIMA — GENERAL USE
Rebus Creatis Nil Egens (“O Lord, in perfect bliss above”)
Translation: Based on John David Chambers
SIXTH TUNE: “Ioannes” • 88 88 (LM)


  1. Live Recording A •
  2. Live Recording B
Page 408 SEPTUAGESIMA — GENERAL USE
Rebus Creatis Nil Egens (“O Lord, in perfect bliss above”)
Translation: Based on John David Chambers
SEVENTH TUNE: “Altona” • 88 88 (LM)


  1. Midi Soprano •
  2. Midi Alto •
  3. Midi Tenor •
  4. Midi Bass
Page 409 SEPTUAGESIMA — GENERAL USE
Rebus Creatis Nil Egens (“O Lord, in perfect bliss above”)
Translation: Based on John David Chambers

Text only—can be used with any 88 88 (LM)


Page 410 SEPTUAGESIMA — GENERAL USE
Rebus Creatis Nil Egens (“To crown that perfect bliss of Thine”)
Translation: Robert Campbell of Skerrington
FIRST TUNE: “Bristol” • 86 86 (CM)


  1. Live Recording A •
  2. Organ Only; Voices Removed
Page 411 SEPTUAGESIMA — GENERAL USE
Rebus Creatis Nil Egens (“To crown that perfect bliss of Thine”)
Translation: Robert Campbell of Skerrington
SECOND TUNE: “St Flavian” • 86 86 (CM)


  1. Live Recording A
Page 412 SEPTUAGESIMA — GENERAL USE
Rebus Creatis Nil Egens (“To crown that perfect bliss of Thine”)
Translation: Robert Campbell of Skerrington
THIRD TUNE: “Horsley” • 86 86 (CM)


  1. Organ Only; Voices Removed
Page 413 SEPTUAGESIMA — GENERAL USE
Rebus Creatis Nil Egens (“To crown that perfect bliss of Thine”)
Translation: Robert Campbell of Skerrington
FOURTH TUNE: “Windsor” • 86 86 (CM)


  1. Organ Only; Voices Removed
Page 414 SEPTUAGESIMA — GENERAL USE
Rebus Creatis Nil Egens (“To crown that perfect bliss of Thine”)
Translation: Robert Campbell of Skerrington
FIFTH TUNE: “St Fulbert” • 86 86 (CM)


  1. Organ Only; Voices Removed
Page 415 SEPTUAGESIMA — GENERAL USE
Rebus Creatis Nil Egens (“To crown that perfect bliss of Thine”)
Translation: Robert Campbell of Skerrington
SIXTH TUNE: “Winchester Old” • 86 86 (CM)


  1. Organ Only; Voices Removed
Page 416 SEPTUAGESIMA — GENERAL USE
Rebus Creatis Nil Egens (“To crown that perfect bliss of Thine”)
Translation: Robert Campbell of Skerrington
SEVENTH TUNE: “St Anne” • 86 86 (CM)


  1. Organ Only; Voices Removed
Page 417 SEPTUAGESIMA — GENERAL USE
Rebus Creatis Nil Egens (“To crown that perfect bliss of Thine”)
Translation: Robert Campbell of Skerrington

Text only—can be used with any 86 86 (CM)


Page 420 EASTER — GENERAL USE
Rex Sempiterne Caelitum
5th century

The pre-Urbanite version—called “Rex Sempiterne Domine”—is so radically different from the 1631AD revision that the Brébeuf Hymnal provides a completely different translation on pages 418-419.
In addition to providing the Latin version with accent marks, the Saint Jean de Brébeuf Hymnal commissioned English translations from Latin scholars to help congregations appreciate these ancient prayers. Until the Brébeuf Hymnal appeared in 2018, literal translations for many of these hymns had never been made.


Page 422 EASTER — GENERAL USE
Rex Sempiterne Domine (“To Thee, O everlasting King”)
Translation: Fr. John Fitzpatrick, Oblate of Mary
FIRST TUNE: “Alfreton” • 88 88 (LM)


  1. Organ Only; Voices Removed
Page 423 EASTER — GENERAL USE
Rex Sempiterne Domine (“To Thee, O everlasting King”)
Translation: Fr. John Fitzpatrick, Oblate of Mary
SECOND TUNE: “Erschienen Ist” • 88 88 A


Page 424 EASTER — GENERAL USE
Rex Sempiterne Domine (“To Thee, O everlasting King”)
Translation: Fr. John Fitzpatrick, Oblate of Mary
THIRD TUNE: “Grélon” • 88 88 (LM)


  1. Live Recording A •
  2. Live Recording B •
  3. Temporary Recording
Page 425 EASTER — GENERAL USE
Rex Sempiterne Domine (“To Thee, O everlasting King”)
Translation: Fr. John Fitzpatrick, Oblate of Mary
FOURTH TUNE: “Deus Tuorum Militum” • 88 88 (LM)


Page 426 EASTER — GENERAL USE
Rex Sempiterne Domine (“To Thee, O everlasting King”)
Translation: Fr. John Fitzpatrick, Oblate of Mary
FIFTH TUNE: “Kempen” • 88 88 (LM)


Page 427 EASTER — GENERAL USE
Rex Sempiterne Domine (“To Thee, O everlasting King”)
Translation: Fr. John Fitzpatrick, Oblate of Mary
SIXTH TUNE: “Canon VIII” • 88 88 (LM)

This tune can be sung as a Soprano-Tenor canon.


Page 428 EASTER — GENERAL USE
Rex Sempiterne Domine (“To Thee, O everlasting King”)
Translation: Fr. John Fitzpatrick, Oblate of Mary
SEVENTH TUNE: “Gonfalon Royal” • 88 88 (LM)


  1. Equal Voices
Page 429 EASTER — GENERAL USE
Rex Sempiterne Domine (“To Thee, O everlasting King”)
Translation: Fr. John Fitzpatrick, Oblate of Mary

Text only—can be used with any 88 88 (LM)


Page 430 EASTER — GENERAL USE
Rex Sempiterne Domine (“Eternal King of Heaven’s hosts”)
Translation: Bishop Edward G. Bagshawe
FIRST TUNE: “Melcombe” • 88 88 (LM)


  1. Live Recording A •
  2. Live Recording B •
  3. Midi Soprano •
  4. Midi Alto •
  5. Midi Tenor •
  6. Midi Bass
Page 431 EASTER — GENERAL USE
Rex Sempiterne Domine (“Eternal King of Heaven’s hosts”)
Translation: Bishop Edward G. Bagshawe
SECOND TUNE: “Duguet” • 88 88 (LM)


Page 432 EASTER — GENERAL USE
Rex Sempiterne Domine (“Eternal King of Heaven’s hosts”)
Translation: Bishop Edward G. Bagshawe
THIRD TUNE: “Bressani” • 88 88 (LM)


  1. Live Recording A
Page 433 EASTER — GENERAL USE
Rex Sempiterne Domine (“Eternal King of Heaven’s hosts”)
Translation: Bishop Edward G. Bagshawe
FOURTH TUNE: “Hilderstone” • 88 88 (LM)


  1. Live Recording A
Page 434 EASTER — GENERAL USE
Rex Sempiterne Domine (“Eternal King of Heaven’s hosts”)
Translation: Bishop Edward G. Bagshawe
FIFTH TUNE: “Notre Dame” • 88 88 (LM)


  1. Live Recording A
Page 435 EASTER — GENERAL USE
Rex Sempiterne Domine (“Eternal King of Heaven’s hosts”)
Translation: Bishop Edward G. Bagshawe
SIXTH TUNE: “Eisenach” • 88 88 (LM)


  1. Equal Voices •
  2. Soprano •
  3. Alto •
  4. Tenor •
  5. Bass
Page 436 EASTER — GENERAL USE
Rex Sempiterne Domine (“Eternal King of Heaven’s hosts”)
Translation: Bishop Edward G. Bagshawe
SEVENTH TUNE: “Trinity College” • 88 88 (LM)


  1. Organ Only; Voices Removed •
  2. Temporary Recording •
  3. Midi Soprano •
  4. Midi Alto •
  5. Midi Tenor •
  6. Midi Bass
Page 437 EASTER — GENERAL USE
Rex Sempiterne Domine (“Eternal King of Heaven’s hosts”)
Translation: Bishop Edward G. Bagshawe

Text only—can be used with any 88 88 (LM)


Page 438 PASSIONTIDE — HOLY FACE
Salve Caput Cruentatum
12th century

In addition to providing the Latin version with accent marks, the Saint Jean de Brébeuf Hymnal commissioned English translations from Latin scholars to help congregations appreciate these ancient prayers. Until the Brébeuf Hymnal appeared in 2018, literal translations for many of these hymns had never been made.


Page 440 LENT — PASSIONTIDE
Salve Caput Cruentatum (“O sacred head ill-usèd”)
Translation: Msgr. Ronald A. Knox
TUNE: “Passion Chorale” • 76 76 D


  1. Equal Voices
  1. Version in Latin •
  2. Score in Latin
Page 441 LENT — PASSIONTIDE
Salve Caput Cruentatum (“O Sacred Head, surrounded”)
Translation: Sir Henry Williams Baker
TUNE: “Passion Chorale” • 76 76 D


  1. Equal Voices •
  2. Soprano •
  3. Alto •
  4. Tenor •
  5. Bass
Page 442 LENT — PASSIONTIDE
Salve Caput Cruentatum
Translation: Textus originalis Latinus
TUNE: “Sillery” • 88 88 8


Page 443 LENT — PASSIONTIDE
Salve Caput Cruentatum (“Hail, O head whose gore pours down thee”)
Translation: Fr. Dominic Popplewell
TUNE: “Sillery” • 88 88 8


Page 444 EUCHARIST
Sancti Venite, Christi Corpus Sumite
7th century

This is the Church’s oldest Latin Eucharistic hymn.
In addition to providing the Latin version with accent marks, the Saint Jean de Brébeuf Hymnal commissioned English translations from Latin scholars to help congregations appreciate these ancient prayers. Until the Brébeuf Hymnal appeared in 2018, literal translations for many of these hymns had never been made.


Page 446 EUCHARIST
Sancti Venite, Christi Corpus Sumite (“Come all ye holy”)
Translation: Fr. Adrian Fortescue
FIRST TUNE: “Fortescue” • 57 57


  1. Equal Voices •
  2. Soprano •
  3. Alto •
  4. Tenor •
  5. Bass
Page 447 EUCHARIST
Sancti Venite, Christi Corpus Sumite
Translation: Textus originalis Latinus
FIRST TUNE: “Fortescue” • 57 57


Page 448 EUCHARIST
Sancti Venite, Christi Corpus Sumite (“Come all ye holy”)
Translation: Fr. Adrian Fortescue
SECOND TUNE: “Mankato” • 57 57


Page 449 EUCHARIST
Sancti Venite, Christi Corpus Sumite
Translation: Textus originalis Latinus
SECOND TUNE: “Mankato” • 57 57


Page 450 EUCHARIST
Sancti Venite, Christi Corpus Sumite (“Come all ye holy”)
Translation: Fr. Adrian Fortescue
THIRD TUNE: “Coelestem Panem 5B” • 57 57 A


  1. Equal Voices •
  2. Soprano •
  3. Alto •
  4. Tenor •
  5. Bass
Page 451 EUCHARIST
Sancti Venite, Christi Corpus Sumite
Translation: Textus originalis Latinus
THIRD TUNE: “Coelestem Panem 5B” • 57 57 A


Page 452 EUCHARIST
Sancti Venite, Christi Corpus Sumite (“Come all ye holy”)
Translation: Fr. Adrian Fortescue
FOURTH TUNE: “Gott Sei Dank 5B” • 57 57 A


Page 453 EUCHARIST
Sancti Venite, Christi Corpus Sumite
Translation: Textus originalis Latinus
FOURTH TUNE: “Gott Sei Dank 5B” • 57 57 A


Page 454 EUCHARIST
Sancti Venite, Christi Corpus Sumite (“Come all ye holy”)
Translation: Fr. Adrian Fortescue
FIFTH TUNE: “Zahn 5B” • 57 57


  1. Organ Only; Voices Removed
Page 455 EUCHARIST
Sancti Venite, Christi Corpus Sumite
Translation: Textus originalis Latinus
FIFTH TUNE: “Zahn 5B” • 57 57


  1. Organ Only; Voices Removed
Page 456 EUCHARIST
Sancti Venite, Christi Corpus Sumite (“Come all ye holy”)
Translation: Fr. Adrian Fortescue
SIXTH TUNE: “Culbach 5B” • 57 57


Page 457 EUCHARIST
Sancti Venite, Christi Corpus Sumite
Translation: Textus originalis Latinus
SIXTH TUNE: “Culbach 5B” • 57 57


  1. Live Recording A
Page 458 EUCHARIST
Sancti Venite, Christi Corpus Sumite (“Come all ye holy”)
Translation: Fr. Adrian Fortescue
SEVENTH TUNE: “Hartford 5B” • 57 57


Page 459 EUCHARIST
Sancti Venite, Christi Corpus Sumite
Translation: Textus originalis Latinus
SEVENTH TUNE: “Hartford 5B” • 57 57


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