Brebeuf Hymn Index
O Heiland Reiss Die Himmel Auf
(“The heavens, Savior, open tear”)
TUNE: “O Heiland Reiss” • 88 88 (LM)
Gabriel Saluting, Heaven Thee Recruiting
by Fr. Dominic Popplewell
TUNE: “Reginald” • 66 76 R
Come, Thou Long-Expected Jesus
by Charles Wesley
TUNE: “Cross of Jesus” • 87 87
A “text only version” is included at page bottom, providing melodic flexibility.
Huron Carol of St. Jean de Brébeuf
(“Upon the birth of Jesus”)
Translation: Fr. Dominic Popplewell
TUNE: “Une Jeune Pucelle” • 86 86 88 R
This famous Christmas carol was possibly written around 1642AD, when Saint Brébeuf was in Quebec, recuperating from a broken collarbone, which had left him in excruciating pain for many months.
Hark! The Herald Angels Sing
by Charles Wesley
TUNE: “Mendelssohn” • 77 77d R
Joy To The World
by Isaac Watts
TUNE: “Antioch” • 86 86 (CM)
In Dulci Jubilo
(“Good Christian men, rejoice”)
Translation: Dr. John M. Neale
TUNE: “In Dulci Jubilo” • 66 77 78 55
attr. Bl. Henry Suso, Dominican Priest
Once In Royal David’s City
by Cecil Frances Alexander
TUNE: “Irby” • 87 87 77
Quem Vidistis Pastores? Dicite
(“Angels we have heard on high”)
Translation: Most Rev’d James Chadwick, Bishop of Hexham
TUNE: “Gloria” • 77 77 R
Corde Natus Ex Parentis
(“Of the Father’s love begotten”)
by Aurelius Prudentius, Christian Poet
Translation: CENTO by the editors
TUNE: “Divinum Mysterium” • 87 87 87 R
God Rest You Merry, Gentlemen
TUNE: “God Rest You Merry” • 86 86 86 R
The meaning of “God rest you merry” is “God keep you merry.” Note the archaic use of the word rest (“keep”)—indeed, this carol probably dates from the 16th century.
Adeste Fideles, Laeti Triumphantes
Translation: Fr. Frederick Oakeley, Canon of Westminster Cathedral
TUNE: “Adeste Fideles” • 11 9 11 R
Adeste Fideles, Laeti Triumphantes
by John Francis Wade
Translation: Textus originalis Latinus
TUNE: “Adeste Fideles” • 11 9 11 R
Puer Natus Est Nobis
(“Bright and joyful is the morn”)
FIRST TUNE: “All Saints 8B” • 77 77
Based on the Introit for the Christmas Daytime Mass, which comes from Isaias 9.6.
Puer Natus Est Nobis
(“Bright and joyful is the morn”)
SECOND TUNE: “Llanfair” • 77 77 A
Based on the Introit for the Christmas Daytime Mass, which comes from Isaias 9.6.
Puer Natus Est Nobis
(“Bright and joyful is the morn”)
THIRD TUNE: “Culbach” • 77 77
Based on the Introit for the Christmas Daytime Mass, which comes from Isaias 9.6.
Puer Natus Est Nobis
(“Bright and joyful is the morn”)
Text only—can be used with any 77 77
The First Noël The Angel Did Say
TUNE: “The First Nowell” • 88 88 R
What Child Is This?
Translation: William Chatterton Dix
TUNE: “Greensleeves” • 87 87 R
Stille Nacht
(“Silent Night, Holy Night”)
TUNE: “Stille Nacht” • 66 88 66
This German text was composed by Fr. Josef Mohr, a Catholic priest who died in 1848. He should not be confused with a Jesuit priest, Fr. Josef Hermann Mohr (d. 1892), who published many German hymnals. The English translation (“Silent Night”) was composed by John Freeman Young. The Latin version (“Silens Nox”) is by Father Valentine Young, OFM.
Brightest And Best
by Reginald Heber
TUNE: “Epiphany” • 11 10 11 10
As With Gladness, Men Of Old
by William Chatterton Dix
TUNE: “Dix” • 77 77 77
“Songs Of Thankfulness And Praise”
by Christopher Wordsworth
TUNE: “St George” • 77 77 D
“The Epiphany—a cardinal feast—commemorates three manifestations of Christ’s divinity: the visit of the Wise men, our Lord ’s Baptism, and the miracle at Cana.”—Fr. Adrian Fortescue
Summi Largitor Praemii
(“Sole hope of all the world and Lord”)
Translation: Alan Gordon McDougall
TUNE: “Oakwood” • 88 88 (LM)
Clarum Decus Jejunii
(“The glory of these forty days”)
Text by Saint Gregory the Great translated into English by Maurice Frederick Bell
Text only—can be used with any 88 88 (LM)
N.B. This text is usually sung to Spires (a.k.a. “Erhalt Uns Herr” or “Ach Bleib Bei Uns Herr Jesu Christ”), which has many variants. Let the congregation, therefore, follow the choir.
Forty Days And Forty Nights
by George Hunt Smyttan
TUNE: “Aus Der Tiefe” • 77 77
Lord, Who Throughout These Forty Days
by Claudia Frances Hernaman
TUNE: “St Flavian” • 86 86 (CM)
O Amor Quam Ecstaticus
(“O love, how deep, how broad, how high”)
by Fr. Thomas à Kempis, Subprior of Mount St. Agnes
Translation: Benjamin Webb
TUNE: “Agincourt” • 88 88 (LM)
When I Survey The Wondrous Cross
by Isaac Watts
TUNE: “Rockingham” • 88 88 (LM)
O Come And Mourn With Me Awhile
by Fr. Frederick William Faber, Oratorian
TUNE: “St Cross” • 88 88 (LM)
My Song Is Love Unknown
by Samuel Crossman
TUNE: “Love Unknown” • 66 66 44 44
The Painful Cross Of Christ
(“Whoever to virtue thinketh hard the way”)
TUNE: “Lincoln’s Inn” • 10 10 10 10 10 10 10
This text was written by Saint Thomas More (Lord Chancellor of England) and published circa 1510AD.
Meditationes Divi Augustini
(“Ah, Holy Jesus, How Hast Thou Offended?”)
Translation: Robert Bridges
TUNE: “Herzliebster Jesu” • 11 11 11 5
Lift High The Cross
by George Kitchin
TUNE: “Crucifer” • 10 10 R
Originally published in 1887, but revised in 1916
Gloria, Laus, Et Honor Tibi Sit
(“All glory, laud and honor”)
by Saint Theodulf, Bishop of Orléans
Translation: Dr. John M. Neale
TUNE: “St Theodulph” • 76 76 R
Jesus, Meek And Lowly
by Fr. Henry Augustine Collins, Cistercian
TUNE: “St Martin” • 66 66 Trochaic
Vita Sanctorum, Decus Angelorum
(“Life of thy saints and glory of thine angels”)
Translation: Alan Gordon McDougall
TUNE: “Kenmore” • 11 11 11 5
Victimae Paschali Laudes
(“Christ the Lord is risen today”)
Wipo of Burgundy, Chaplain to Emperor Conrad II; translated into English by Jane Elizabeth Leeson
TUNE: “Paschal Lamb” • 77 77 D
Come, Ye Faithful, Raise The Strain
by Saint John Damascene
Translation: Dr. John M. Neale
TUNE: “Ave Virgo Virginum” • 76 76 D
Surrexit Christus Hodie
(“Jesus Christ is risen today”)
TUNE: “Easter Hymn” • 77 77 A
Lasst Uns Erfreuen Herzlich Sehr
(“Let us rejoice right heartily”)
Fr. Father Friedrich Spee von Langenfeld, SJ; translated into English by Fr. Dominic Popplewell
TUNE: “Lasst Uns Erfreuen (alt)” • 88 88 A
Aurora Caelum Purpurat
(“The morn had spread her crimson rays”)
Translation: Robert Campbell of Skerrington
TUNE: “La Rochelle” • 88 88 (LM)
A “text only version” is included at page bottom, providing melodic flexibility.
Love's Redeeming Work Is Done
by Charles Wesley
TUNE: “Savannah” • 77 77
O Filii Et Filiae
(“Ye sons and daughters of the Lord”)
Translation: Fr. Edward Caswall, Oratorian
TUNE: “O Filii Et Filiae” • 888 A
Complete verses in Latin are included alongside the English.
Hail The Day That Sees Him Rise
Text: After Charles Wesley and Thomas Cotterill
TUNE: “Llanfair” • 77 77 A
Aeterne Rex Altissime, Redemptor
(“Eternal Monarch, King most high”)
Translation: Fr. John Fitzpatrick, Oblate of Mary
TUNE: “Bressani” • 88 88 (LM)
Hymnum Canamus Gloriae
(“A hymn of glory let us sing”)
TUNE: “Lasst Uns Erfreuen” • 88 88 A
Hymnum Canamus Gloriae
(“A hymn of glory let us sing”)
Text only—can be used with any 88 88 (LM)
Nunc Sancte Nobis Spiritus
(“Come, Holy Ghost, who ever One”)
Translation: (Saint) John Henry Cardinal Newman, Oratorian
TUNE: “Whitehall” • 88 88 (LM)
A “text only version” is included at page bottom, providing melodic flexibility.
Discendi, Amor Santo
(“Come down, O love divine”)
Bianco da Siena; translated from Italian by Richard Frederick Littledale
TUNE: “Down Ampney” • 6 6 11 D
Qui Procedis Ab Utroque
(“Holy Paraclete, life-giver”)
Translation: Msgr. Ronald A. Knox
TUNE: “Alles Ist An Gottes Segen” • 887 D
Gott Vater Sei Gepriesen
(“God Father, praise and glory”)
Translation: Fr. John Ernest Rothensteiner
TUNE: “Gott Vater Sei Gepriesen” • 76 76 R
“To Thee, O Gracious Father”
by Fr. Christopher G. Phillips
TUNE: “Thaxted” • 13 13 13 13 14 14
Adesto Pater Domine
(“Be present, Father, Lord of all”)
Translation: Alan Gordon McDougall
FIRST TUNE: “Cupertino” • 88 88 (LM)
Adesto Pater Domine
(“Be present, Father, Lord of all”)
Translation: Alan Gordon McDougall
SECOND TUNE: “Song 34” • 88 88 (LM)
God Our Father, Lord Of Glory
by Fr. Christopher G. Phillips
FIRST TUNE: “Oriel” • 87 87 87
God Our Father, Lord Of Glory
by Fr. Christopher G. Phillips
SECOND TUNE: “Breton” • 87 87 87
God Our Father, Lord Of Glory
by Fr. Christopher G. Phillips
THIRD TUNE: “Regent Square” • 87 87 87
God Our Father, Lord Of Glory
by Fr. Christopher G. Phillips
FOURTH TUNE: “Dulce Carmen” • 87 87 87
God Our Father, Lord Of Glory
by Fr. Christopher G. Phillips
FIFTH TUNE: “Davost” • 87 87 87
God Our Father, Lord Of Glory
by Fr. Christopher G. Phillips
Text only—can be used with any 87 87 87
Almighty God, Majestic King
by Fr. Christopher G. Phillips
TUNE: “Lasst Uns Erfreuen” • 88 88 A
We Pray Thee, Heavenly Father
Based on a work by Vincent S. Coles
TUNE: “Thaxted” • 13 13 13 13 13 14
O Pater Sancte, Mitis Atque Pie
(“Father most holy, gracious and forgiving”)
Translation: Msgr. Ronald A. Knox
TUNE: “Iste Confessor” • 11 11 11 5
O Lord, I Am Not Worthy
TUNE: “Non Dignus” • 76 76
O Jesus, We Adore Thee
Translation: Fr. Irvin M. Udulutsch, Capuchin
TUNE: “Udulutsch” • 76 76 R
Jesus, My Lord, My God, My All
Translation: Fr. Frederick William Faber, Oratorian
TUNE: “Sweet Sacrament” • 88 88 R
Let All Mortal Flesh Keep Silence
TUNE: “Picardy” • 87 87 87
O Jesus Christ, Remember
by Fr. Edward Caswall, Oratorian
TUNE: “Aurelia” • 76 76 D
In The Presence Of The Blessed Sacrament
“Lord, enthroned in heavenly splendor” by George Hugh Bourne
FIRST TUNE: “Westminster Abbey F” • 87 87 87
In The Presence Of The Blessed Sacrament
“Lord, enthroned in heavenly splendor” by George Hugh Bourne
SECOND TUNE: “Lauda Anima” • 87 87 87
In The Presence Of The Blessed Sacrament
“Lord, enthroned in heavenly splendor” by George Hugh Bourne
THIRD TUNE: “Runnells” • 87 87 87
In The Presence Of The Blessed Sacrament
“Lord, enthroned in heavenly splendor” by George Hugh Bourne
Text only—can be used with any 87 87 87
Panis Angelicus, Fit Panis Hominum
Translation: Textus originalis Latinus
TUNE: “Charleroi” • 12 12 12 8
These are the final Verses of “Sacris Solemniis” by St. Thomas Aquinas
O Esca Viatorum
(“O Food the pilgrim needeth”)
FIRST TUNE: “In Allen Meinen Thaten” • 776 D
The Latin text is also included, in a metrical (singable) version.
O Esca Viatorum
(“O Food the pilgrim needeth”)
SECOND TUNE: “O Esca Viatorum” • 776 D
The Latin text is also included, in a metrical (singable) version.
O Esca Viatorum
(“O Food the pilgrim needeth”)
THIRD TUNE: “Innsbruck” • 776 D
The Latin text is also included, in a metrical (singable) version.
O Precious Lord, Once Born For Us
by Fr. Christopher G. Phillips
TUNE: “Metzler’s Redhead” • 86 86 (CM)
A “text only version” is included at page bottom, providing melodic flexibility.
Page 739
BENEDICTION OF THE BLESSED SACRAMENT
O Salutaris Hostia
(“O saving Victim opening wide”)
TUNE: “Duguet” • 88 88 (LM)
Behold Our Lord Transfigured
by Fr. Christopher G. Phillips
FIRST TUNE: “Aurelia” • 76 76 D
Behold Our Lord Transfigured
by Fr. Christopher G. Phillips
SECOND TUNE: “King’s Lynn” • 76 76 D
Behold Our Lord Transfigured
by Fr. Christopher G. Phillips
THIRD TUNE: “Crüger” • 76 76 D
Behold Our Lord Transfigured
by Fr. Christopher G. Phillips
Text only—can be used with any 76 76 D
Quicumque Christum Quaeritis
(“All ye who seek on Christ to gaze”)
Translation: Fr. John Fitzpatrick, Oblate of Mary
TUNE: “Duguet” • 88 88 (LM)
Quicumque Christum Quaeritis
(“O ye, the truly wise, who in the Lord delight”)
Translation: Robert Campbell of Skerrington
TUNE: “Festal Song” • 66 86 (SM)
Lux Alma, Jesu, Mentium
(“Light of the anxious heart”)
Translation: (Saint) John Henry Cardinal Newman, Oratorian
TUNE: “Potsdam” • 66 86 (SM)
A “text only version” is included at page bottom, providing melodic flexibility.
Blessed Lamb, On Calvary’s Mountain
by Matthew Bridges
TUNE: “Lauda Anima” • 87 87 87
Quis Est Iste Qui Venit De Edom? (Isaias 63)
Adaptation: Fr. Dominic Popplewell
TUNE: “Ecclesia” • 87 87 87 87 87 87
Quicumque Certum Quaeritis
(“All ye who seek a comfort sure”)
Translation: Fr. Edward Caswall, Oratorian
TUNE: “St Bernard” • 86 86 (CM)
Summi Parentis Filio
(“To Christ, the Prince of Peace”)
Translation: Fr. Edward Caswall, Oratorian
TUNE: “Festal Song” • 66 86 (SM)
A “text only version” is included at page bottom, providing melodic flexibility.
Crown Him With Many Crowns
by Matthew Bridges
TUNE: “Diademata” • S. M. D.
Te Saeculorum Principem
(“The Prince of ages and of man”)
Translation: Fr. John Fitzpatrick, Oblate of Mary
TUNE: “Hilderstone” • 88 88 (LM)
Hail Redeemer, King Divine
by Fr. Patrick Brennan, Redemptorist
FIRST TUNE: “St George” • 77 77 D
Hail Redeemer, King Divine
by Fr. Patrick Brennan, Redemptorist
SECOND TUNE: “Paschal Lamb” • 77 77 D
Christ Is King Of Earth And Heaven
by Fr. Ivor Daniel
TUNE: “Rustington” • 87 87 D
Christ Is King Of Earth And Heaven
by Fr. Ivor Daniel
Text only—can be used with any 87 87
Thee, O Christ, The Prince Of Ages
by Fr. Percival Jones
TUNE: “Breton” • 87 87 87
A “text only version” is included at page bottom, providing melodic flexibility.
Christus vincit! Christus regnat! Christus ímperat!
(“To Jesus Christ, Our Sovereign King”)
Translation by Monsignor Martin B. Hellriegel
TUNE: “Ich Glaub An Gott” • 87 87 R Iambic
Salve Mundi Domina
(“Hail, the world and heaven’s Queen”)
Translation: Fr. Dominic Popplewell
FIRST TUNE: “Ave Virgo Virginum” • 76 76 D
Salve Mundi Domina
(“Hail, the world and heaven’s Queen”)
Translation: Fr. Dominic Popplewell
SECOND TUNE: “Tempus Adest Floridum” • 76 76 D