“Proper Of The Mass” (Ignatius Press) • Part 4 of 7
The Next Big Thing Is Here
“Is it not true that prohibiting or suspecting the extraordinary form can only be inspired by the demon who desires our suffocation and spiritual death?” —The Vatican’s chief liturgist from 2014-2021; interview with Edw. Pentin (23-Sep-2019)
Sometimes everything comes together. How is this achieved? Here are a few ways.
A simply stunning “Salve Regina” and the “Mass of Saint Philip Neri”
“Tacit approval” alone isn’t getting the job done. It is abdicating authority to composers and publishers, pastors and liturgists.
Let’s not minimize the role of the psalms in the mass to the Responsorial! Plus a FREE download of the Epiphany Communion antiphon.
But how many times have we heard: “We shouldn’t use that that because nobody can sing it.” This is a self-fulfilling prophecy, is it not?
Reverence, prayer, and internal participation increased through this act of external participation.
Silence is one of the most important sounds of the liturgy.
If the ICEL chants (or another Gregorian setting) are used at all the masses in a parish, it develops unity. It also helps a parish refrain from being multiple communities under the same roof.
The biggest problem in Roman Catholic liturgical music is the prevailing misunderstanding of its very purpose.
Michael Olbash’s “Mass in Honor of the Blessed Virgin Mary, Star of the Sea” demonstrates the mandate of Pope Saint Pius X that music for the liturgy be Sacred, Beautiful, and Universal.
On air discussion with Dr. Jennifer Pascual, Director of Music at St. Patrick’s Cathedral – the youth-propelled chant movement, the new economic model of publishing, and how these are reshaping the liturgical landscape…and broadcast of the “Mass in Honor of Pope Saint John Paul II”.
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