Sacred Music Symposium 2025

Jeff Ostrowski · February 23, 2025

“Attendance Policy” • For Volunteer Catholic Choirs

There’s no application fee this year—so you have nothing to lose!

Jeff Ostrowski · February 12, 2025

“Register Today!” • Sacred Music Symposium 2025

A generous benefactor has agreed to cover 50% of the tuition for those who register before 25 April 2025.

Jeff Ostrowski · January 29, 2025

8 Reasons • “Why the Sacred Music Symposium Is Unlike Other Conferences”

Consider a few items you’ll learn at this year’s conference…

Jeff Ostrowski · January 27, 2025

PDF Download • 3-Voice Arrang. by Helen Drost

You owe it to yourself to listen to this ‘live’ recording.

Corpus Christi Watershed · January 8, 2025

“Prelim. Details” • Sacred Music Symposium 2025

Too many parish choirs don’t sound as nice as they could. We’re here to help!

Communion Chant (4th Sunday of Lent)

You can download the Communion Chant for the 4th Sunday of Lent (Year C). Its opening phrase calls to mind the authentic version. I have created a rehearsal video to assist volunteer choirs.

—Jeff Ostrowski

“Entrance Chant” • 4th Sunday of Lent

You can download the ENTRANCE ANTIPHON in English for the Fourth Sunday of Lent (30 March 2025). Corresponding to the vocalist score is this free organ accompaniment. The authentic version is called “Laetáre Jerúsalem” and its memorable opening gesture is imitated brilliantly by this vernacular adaptation. If you’re someone who enjoys rehearsal videos, this morning I attempted to sing it while simultaneously accompanying my voice on the pipe organ.

—Jeff Ostrowski

“Music List” • 3rd Sunday of Lent

Some have expressed interest in perusing the “ORDER OF MUSIC” I prepared for the 3rd Sunday of Lent (23 March 2025). If such a thing interests you, feel free to download it as a PDF file. During Lent, the pipe organ is greatly reduced. Therefore, I marked a red “X” on all the pieces we’re singing a cappella.

—Jeff Ostrowski

The Funeral Rites of the Graduale Romanum

Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.

—Daniel Tucker

Antiphons Don’t Match?

A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music).

—Corpus Christi Watershed

The Lofty Nature of This Goal

It is important above all that we never lose sight of our true goal as church musicians: the right worship of Almighty God. This is not a pious sentiment that should cause us to be lax about technical elements of music. Rather, the lofty nature of this goal is should motivate and inspire us to pursue the techne of musicianship with even greater zeal.

—Dr. Samuel Backman