Is the 1998 ICEL Missal Translation Worth Another Look?
When reading certain publications, one gets the sense that every Catholic in the world is up-in-arms about the present translation.
“Is it not true that prohibiting or suspecting the extraordinary form can only be inspired by the demon who desires our suffocation and spiritual death?” —The Vatican’s chief liturgist from 2014-2021; interview with Edw. Pentin (23-Sep-2019)
When reading certain publications, one gets the sense that every Catholic in the world is up-in-arms about the present translation.
It’s almost 5 years since the new translation came out, but some EF musicians still haven’t caught up. Here are some pointers for the musician who has been hiding under a musical rock for a decade.
Msgr. Andrew Wadsworth gives details on what ICEL is doing now that the Roman Missal project has been completed.
Yesterday evening—on his day off, after another Mass he’d offered—I observed an OF priest saying the 1962 Missal in his private chapel.
Finally getting through the Introductory Rites of the Nuptial Mass.
Msgr. Andrew Wadsworth will celebrate a Solemn High Mass in the Extraordinary Form this Friday evening in Philadelphia.
The quickest way to make this clear to a skeptical priest or liturgist is to request that they bring you some Offertory antiphons from MR3. (They don’t exist!)
Do churchgoers of my generation—who, largely, have no experience of Latin in the liturgy at all—even recognize the gift that has been lost?
Michael Olbash’s “Mass in Honor of the Blessed Virgin Mary, Star of the Sea” demonstrates the mandate of Pope Saint Pius X that music for the liturgy be Sacred, Beautiful, and Universal.
“My opinion is that this is one of the best congregational settings of the new texts.” — Adam Wood
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