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Corpus Christi Watershed

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Views from the Choir Loft

Roman Missal Third Edition

Jeff Ostrowski · December 21, 2025

PDF Download • “In Paradisum” in English

If anyone wants to download this organ accompaniment, feel free to do so!

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Jeff Ostrowski · August 30, 2024

PDF • “Lamb of God” Harmonization

Harmonized—and carefully notated—in Spanish, English, and Latin.

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Jeff Ostrowski · March 27, 2024

“Saint Felix Creed” • Musical Setting for the Nicene Creed (Roman Missal, 3rd Edition)

Dedicated to my brother, Father Mark Ostrowski.

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Jeff Ostrowski · September 1, 2020

PDF Download • “Communion Antiphon” (with organ accompaniment)

An exciting new project gives me great hope for the “musical future” of the Catholic Church!

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Jeff Ostrowski · July 14, 2020

PDF Download • “Saint Edmund Arrowsmith Mass”

The fourth installment—“Mass settings that work well, even with a single cantor + organist.”

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Jeff Ostrowski · June 24, 2020

PDF Download • “Saint Edmund Jennings Mass”

Today comes the third setting. A total of five Masses will be released.

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Jeff Ostrowski · June 17, 2020

PDF Download • “Saint Anne Line Mass”

I will release five (5) Mass settings which come off well with a single cantor & organist; today is the 2nd installment.

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Jeff Ostrowski · June 11, 2020

PDF Download • “Saint Ralph Sherwin Mass”

Over the next few weeks, I will release five (5) different Mass settings which can be sung with a single cantor & organist.

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Fr. David Friel · June 9, 2019

The Magnificat Institute of Sacred Music

A new undertaking of composer Paul Jernberg

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Fr. David Friel · August 12, 2018

The New Spanish Missal as Opportunity

Seizing the Moment to Sing a Truly New Song to the Lord

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Fr. David Friel · March 18, 2018

The Preface of the Holy Cross

An eloquent liturgical text worthy of prayerful reflection

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Fr. David Friel · June 29, 2017

Strong with God’s Strength 1

Celebrating Saints Peter & Paul

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Fr. David Friel · January 3, 2017

The Hallowed Name 1

To Use or Not to Use?

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Fr. David Friel · October 2, 2016

New Collection of Propers from GIA

The growing market for Mass propers is a sign of promise.

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Fr. David Friel · February 14, 2016

Repetition in the Roman Missal

A Literary Approach in an Adoremus Bulletin Article

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President’s Corner

    PDF Download • “Our Father” (1 page)
    Dutch organist, teacher, and conductor HERMAN STRATEGIER (d. 1988) studied under Hendrik Andriessen. He composed this unison setting with organ accompaniment for the LORD’S PRAYER (“Our Father”) which a children’s choir would find both within reach and worthy of the effort. The whole thing fits neatly on a single page. Strategier eventually became organist of Saint Catherine’s Cathedral in Utrecht. He also taught at the “Dutch Institute for Catholic Church Music” (Nederlands Instituut voor Katholieke Kerkmuziek).
    —Jeff Ostrowski
    PDF • “Organ Interlude” (Manuals Only)
    Monsignor Franciszek Walczyński (d. 1937) was a Polish composer. If you play the pipe organ, I encourage you to try out this ORGAN INTERLUDE FOR MANUALS ONLY (1-page PDF) which he composed. Walczyński taught plainsong at the seminary in Tarnów (about 50 miles east of Kraków). With his brother Stanisław—also a Catholic priest—he initiated the Saint Adalbert Society for the Support of Church Music, which ran annual workshops for their diocese. In July of 1894 (more than a decade before the appearance of the Editio Vaticana) Walczyński lectured on “congregational singing and Gregorian Chant.” On top of all that, Monsignor Walczyński founded an organists’ school in Tarnów and the SAINT ADALBERT CHOIR at the cathedral.
    —Jeff Ostrowski
    Eucharistic Prayer No. 2 on Sundays?

    Highlighted in yellow (on this single-page PDF file) is documentation concerning whether the 2nd Eucharistic prayer may be used on Sundays.

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    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

“The sun’s disc did not remain immobile. This was not the sparkling of a heavenly body, for it spun round on itself in a mad whirl, when suddenly a clamor was heard from all the people. The sun, whirling, seemed to loosen itself from the firmament and advance threateningly upon the earth as if to crush us with its huge fiery weight. The sensation during those moments was terrible.”

— ‘Dr. Almeida Garrett, professor of natural sciences at the University of Coimbra (1917)’

Recent Posts

  • The Vanishing Art of Knowing Hymns • We Seek a Hymn “Expert” (Not Just a Hymn “Enthusiast”)
  • Preface of Saint Joseph (added by the pope)
  • PDF Download • “Our Father” (1 page)
  • Composer Isabella Quintana: “Christ my teacher, Christ my healer, Christ my Savior.” • (Guest Article)
  • PDF • “Organ Interlude” (Manuals Only)

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