PDF • Draft Booklet “Couture Chant” (255 Pages)
This is very much a “work in progress”…
“Is it not true that prohibiting or suspecting the extraordinary form can only be inspired by the demon who desires our suffocation and spiritual death?” —The Vatican’s chief liturgist from 2014-2021; interview with Edw. Pentin (23-Sep-2019)
My thesis on how Dom Mocquereau relates to other theories of musical rhythm is now available for download.
“Gentlemen: Nobody is going to follow the archaic and quack ideas on Chant you are trying to propagate.” Mr. John Sandar
My choir will definitely be using these settings. They’re something many have begged for!
“If you begin by telling a man that in a word like 𝐷𝑒𝑢𝑠 the first syllable corresponds to the weak beat, the second to the strong beat of a modern bar, the only thing accomplished will be to bewilder him thoroughly.” —Father Bewerunge
We should define our terms. What makes a syllable accented, and what makes an accent a tonic accent?
The truth is stranger than fiction.
The example chosen is the strenuous offertory (“Jubiláte Déo”) for the 2nd Sunday after Epiphany.
Father Ralph March wrote: “If any single man could deserve the title father of the renewed chant it would be Dom Joseph Pothier.”
Fascinating details from never-before-seen letters recently discovered in southern France!
My humble attempt at singing the Introit for the 3rd Sunday of Advent in accordance with the official rhythm.
You look upon these thousands of manuscripts in much the same way that I view the plainsong editions of Guillaume-Gabriel Nivers.
Why declare that rhythmic signs are permitted if alteration of any kind is unacceptable? It doesn’t make any sense…
My response to the recent article by Professor Charles Weaver.
This can seem like a dry topic, but it actually often deals with practical issues faced by every choirmaster who wants to promote plainchant.
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