An Anglican “Mess”
If I live to be 100 years old, there’s something I’ll never understand.
“Is it not true that prohibiting or suspecting the extraordinary form can only be inspired by the demon who desires our suffocation and spiritual death?” —The Vatican’s chief liturgist from 2014-2021; interview with Edw. Pentin (23-Sep-2019)
This article—a “mini-dissertation” on syllabic plainsong—writes songs using the names of various CCW authors.
Is it fair to forever bind Dom Guéranger to what he wrote about “barbarous archaisms” in 1855?
He screamed into the telephone: “There’s no such thing as Gregorian Chant!”
“Gentlemen: Nobody is going to follow the archaic and quack ideas on Chant you are trying to propagate.” Mr. John Sandar
The truth is stranger than fiction.
In addition to this rare book by Max Springer (870 pages), I release the draft copy of a new Gregorian project (157 pages).
This book makes it easy for singers who only know Treble Clef.
Including three (3) professionally-scanned versions of the Kyriale, released here for the 1st time!
A look at Dom Pothier’s performance instructions for a communion antiphon reveals a great deal of complexity in this pre-Mocquereau interpretive approach.
“The Vatican Edition … contains absolutely all that is needed for the exact rendition of the liturgical chant.” —Sacred Congregation of Rites (1911)
For this coming Sunday (Passion Sunday), there’s only one “MMV” singers must observe—and I placed a little arrow above it.
The early history of Solesmes plainchant research provides a historical parallel for responding to current Vatican liturgical rules.
Vatican II said: “Pastors must see to it that Vespers is celebrated in parishes on Sundays and the more solemn feasts” (SC §100).
If you look at the 1961 Solesmes Gradual for the 11th Sunday after Pentecost, you will see that somebody in the 1960s was trying to figure out the “melismatic moræ vocis” (a.k.a. “Vaticana white notes”) which we have spoken of so frequently on this blog.
Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.