The Very Least We Can Do!
Today I must ask the infamous question… (ducks)
“Is it not true that prohibiting or suspecting the extraordinary form can only be inspired by the demon who desires our suffocation and spiritual death?” —The Vatican’s chief liturgist from 2014-2021; interview with Edw. Pentin (23-Sep-2019)
Including an English version of the “Dies Irae,” an English version of the “Lauda Sion,” and hundreds of pages of English Mass Propers.
In the 1970s, some musicians felt that annihilating the Mass propers would lead to “freedom”—but the opposite was true.
I’d love to hear you sing this!
Including a splendid harmonization of “Holy God, We Praise Thy Name.”
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Reflections on the communion chant for the Second Sunday after Epiphany
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Consider the melody found in “Le Graduel Romain,” published in 1800—nine years before Napoleon Bonaparte kidnapped Pope Pius VII
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The communion chant for the Second Sunday of Advent, together with the introit and offertory, invite us to reflect on the Holy City, Jerusalem.
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A website exists to disseminate Fr. Samuel Weber’s sacred music resources
A new Adoremus article explores how best to overthrow the tyranny of “alius cantus congruus.”
This piece is ideal for use as a motet during the veneration of the Holy Cross at the Good Friday liturgy.
“…at these High Masses, the choir omits the Gloria, Credo, Gradual, Tract and Sequence.” — Answer: “The method is an abuse and must be done away with.”
In essence, Jungmann is saying, “I’ve decided that each Mass has a theme, and if the ancient Propers don’t match it, they’ve been wrong for 1600 years.”
Doug Shadle has published an article on the Catholic Mass Propers.
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