Views from the Choir Loft

Jean de Brebeuf Hymnal

Jeff Ostrowski · November 6, 2018

PDF Download • “Pope Pius XII Hymnal” (1959)

Very few people have a copy of this incredibly rare Catholic hymnal.

Jeff Ostrowski · October 30, 2018

“Source Material” • The Saint Jean de Brébeuf Hymnal

We assembled a staggering number of Catholic hymnals and selected only the very best material from each.

Jeff Ostrowski · August 27, 2018

PDF • Scottish Catholic Hymnal (453 Pages)

“Authorized by the archbishops and bishops of Scotland for use in the Scottish dioceses.”

Jeff Ostrowski · August 13, 2018

PDF Download • “Leeds Catholic Hymnal” (232 pages)

A hymnal out of print for fifty years has been scanned by Mr. Colin E. Jackson!

Jeff Ostrowski · July 22, 2018

Brébeuf Hymnal • “Behind the Scenes”

Creating a metrical translation like that, so very literal, is stupefyingly difficult.

Jeff Ostrowski · December 5, 2017

Rorate Caeli • “Very Ancient Catholic Song”

This Catholic hymnal was written by a priest named “Police.” (not kidding)

Jeff Ostrowski · September 27, 2017

Translations By Non-Catholics In A Catholic Hymnal?

The fear was that Protestant translators might distort the theology contained in the ancient Catholic hymns…

Jeff Ostrowski · October 24, 2016

PDF Download • Rare Hymnal by Organist at the Birmingham Oratory (1913)

Download all 572 pages—thanks to Peter Meggison!

Jeff Ostrowski · August 3, 2016

The “Long & Short” of Latin Hymns

Such underlay would be considered loathsome by composers like Guerrero. Indeed, it’s an impossibility!

Jeff Ostrowski · December 17, 2014

How Well Did Your Parents Know The Mass?

PDF Download: Order of Mass (Latin & English) printed in THE CROWN HYMNAL of 1911.

Jeff Ostrowski · October 7, 2014

PDF Download: Extremely Rare Catholic Hymnal From London (1948)

A 355-page collection of English hymns by musicians from Westminster and Solesmes.

“Entrance Chant” • Christ the King

Download the ENTRANCE ANTIPHON in English for the Solemnity of Christ the King (24 November 2024). It mimics the Mode III Latin version in a truly spectacular way. Corresponding to the vocalist score is this free organ accompaniment. If you’re someone who enjoys rehearsal videos, I attempted to sing it while simultaneously accompanying my voice on the pipe organ.

—Jeff Ostrowski

“Music List” • (33rd Sund. Ordinary Time)

This coming Sunday—17 November 2024—is the 33rd Sunday in Ordinary Time, Year B. Some have expressed interest in perusing my “ORDER OF MUSIC.” If such a thing interests you, feel free to download it as a PDF file. You’ll notice we’re learning Moreau’s “Congregational Polyphonic Enhancement” for the OUR FATHER. For the record, our opening hymn is particularly beautiful. So is the Mode 6 ENTRANCE CHANT.

—Jeff Ostrowski

Lectionary Errors

If you look at the official Responsorial Psalm (PDF) for this coming Sunday, you’ll notice the current Lectionary has the wrong refrain. Why is this a big deal? Why even mention such a thing? Everybody makes mistakes, right? Here’s why it matters. The USCCB—which makes money by selling the sacred liturgical texts—has historically been ruthless when it comes to such matters. When various publishers point out errors to them, their response has been: “If you dare to correct the error, we’ll sue you.” These errors are not a matter of nuance; e.g. sometimes the previous (English) edition of the Lectionary got them right! Bottom Line: mandatory, indulgenced, liturgical texts shouldn’t be sold; they should be freely available to all Catholics.

—Jeff Ostrowski

The Breviary in the Life of the Laity

Recently I have been enjoying looking through the inaugural (1927) edition of a 20th-century liturgical magazine called Orate Fratres. The July 1927 issue included an excellent article by a Chicago laywoman named Ellen Gates Starr entitled “The Delights of the Breviary: From the Point of View of a Lay Woman.” As we in the 21st century have recently undergone a (blessed!) re-translation of the missal into English, and as we await with joyful hope (please God, before Jesus comes back!) a similar re-translation of the breviary, the opening of her article reminded me of that old saying, “the more things change, the more they stay the same.” Nearly a hundred years ago, she penned words that could just as easily have been written today: “It is indeed a privilege to be allowed any participation, however slight, in the liturgical movement in the Church – the movement to bring back the classics of devotion, the Missal and the Breviary, into general use by the laity. The wonder is that they should ever have fallen into disuse. Nothing can take the place of these great universal prayers of the Church, the prayers of the Mass and the divine Office. One has only to know them to find them indispensable. And alas, how few of the laity know them!” I know that I have been tremendously nourished by regular praying of the breviary as of late, and my wish is that you and I, dear reader, may continue to nourish our interior lives with the official prayer of the Church, which present to us (in the Mass) and extend (in the Office) the fullness of Christ’s greatest gift to us – the gift of Himself – in the Most Holy Eucharist.

—Daniel Tucker

Principles vs Preferences

I ran into this idea recently: principles vs. preferences in planning out a curriculum or music lineup. In this idea, it is imperative to not misconstrue personal preferences into principles—that the music (or subject matter) is great because: “I have good taste, and I like it.” De gustibus… Education, study and docility to the Magisterium of the Church on matters of liturgical music must be present in those who make the music at the Holy Sacrifice of the Mass and the Hours. Who knows? Maybe you might start to prefer the music that is fitting according to the principles Catholic Sacred Music?

—William J. Fritz

Liquescent Notes in the Official Edition

The official edition—the EDITIO VATICANA itself—is somewhat inconsistent when it comes to liquescent notes. If you wish to see a perfect “apples-to-apples” comparison, click here. Such “inconsistency” was not owing to ignorance on the part of Abbat Pothier: the manuscripts themselves are inconsistent when it comes to liquescent notes.

—Jeff Ostrowski