Views from the Choir Loft

Gregorio

Veronica Brandt · September 17, 2022

Adding More Spaces around Bar Lines in Gregorio

Some useful tips on adjusting the spacing in Gregorio scores.

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Keven Smith · August 31, 2020

(Installment #3) “Catholic Hymnals” • Keven Smith

Top 10 Features • “An Ideal Extraordinary Form Hymnal”

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Veronica Brandt · January 6, 2018

Tweaking Linebreaks Online with Gregorio

You CAN add linebreaks with Illuminare Score Editor. All in the browser.

Veronica Brandt · December 30, 2017

GABC Propers Tool Revisited

A major shortcut to preparing Gregorian chant propers and ordinaries.

Veronica Brandt · May 28, 2016

Planning a Corpus Christi Procession

Last minute preparations for a Corpus Christi Procession.

Veronica Brandt · June 6, 2015

A hymnal in e-book format

100 pieces of Gregorian chant to carry around in your pocket, with English translations.

Veronica Brandt · May 2, 2015

Taking the easy way out, relatively speaking

Starting a collection of easier propers for the Extraordinary Form. A pair of Alleluias and two Offertory antiphons to start the ball rolling.

Veronica Brandt · February 14, 2015

The modern armchair chant scribes

A great source of chant snippets for your booklets as well as a way to make the internet a better place.

Veronica Brandt · August 24, 2013

What not to do on GitHub

Read my mistakes to save yourself the trouble.

Veronica Brandt · July 13, 2013

What’s new with the age old chant?

Gregorio has a wiki and ideas on typing up semiology.

Veronica Brandt · June 16, 2013

Try Illuminare Score Editor

Yet another training video, this time simpler than ever.

Veronica Brandt · June 10, 2013

Setting propers to psalm tones with gregorio

Another training video showing another easy way to use gregorio online – this time while holding a 4 month old baby girl!

Veronica Brandt · June 8, 2013

GABC Transcription Tools

Computers making life easier for once. No, really!

Veronica Brandt · June 1, 2013

As easy as (G)ABC

Including newly typeset Gregorian chant in your booklets has never been easier.

“Entrance Chant” • Christ the King

Download the ENTRANCE ANTIPHON in English for the Solemnity of Christ the King (24 November 2024). It mimics the Mode III Latin version in a truly spectacular way. Corresponding to the vocalist score is this free organ accompaniment. If you’re someone who enjoys rehearsal videos, I attempted to sing it while simultaneously accompanying my voice on the pipe organ.

—Jeff Ostrowski

“Music List” • (33rd Sund. Ordinary Time)

This coming Sunday—17 November 2024—is the 33rd Sunday in Ordinary Time, Year B. Some have expressed interest in perusing my “ORDER OF MUSIC.” If such a thing interests you, feel free to download it as a PDF file. You’ll notice we’re learning Moreau’s “Congregational Polyphonic Enhancement” for the OUR FATHER. For the record, our opening hymn is particularly beautiful. So is the Mode 6 ENTRANCE CHANT.

—Jeff Ostrowski

Lectionary Errors

If you look at the official Responsorial Psalm (PDF) for this coming Sunday, you’ll notice the current Lectionary has the wrong refrain. Why is this a big deal? Why even mention such a thing? Everybody makes mistakes, right? Here’s why it matters. The USCCB—which makes money by selling the sacred liturgical texts—has historically been ruthless when it comes to such matters. When various publishers point out errors to them, their response has been: “If you dare to correct the error, we’ll sue you.” These errors are not a matter of nuance; e.g. sometimes the previous (English) edition of the Lectionary got them right! Bottom Line: mandatory, indulgenced, liturgical texts shouldn’t be sold; they should be freely available to all Catholics.

—Jeff Ostrowski

The Breviary in the Life of the Laity

Recently I have been enjoying looking through the inaugural (1927) edition of a 20th-century liturgical magazine called Orate Fratres. The July 1927 issue included an excellent article by a Chicago laywoman named Ellen Gates Starr entitled “The Delights of the Breviary: From the Point of View of a Lay Woman.” As we in the 21st century have recently undergone a (blessed!) re-translation of the missal into English, and as we await with joyful hope (please God, before Jesus comes back!) a similar re-translation of the breviary, the opening of her article reminded me of that old saying, “the more things change, the more they stay the same.” Nearly a hundred years ago, she penned words that could just as easily have been written today: “It is indeed a privilege to be allowed any participation, however slight, in the liturgical movement in the Church – the movement to bring back the classics of devotion, the Missal and the Breviary, into general use by the laity. The wonder is that they should ever have fallen into disuse. Nothing can take the place of these great universal prayers of the Church, the prayers of the Mass and the divine Office. One has only to know them to find them indispensable. And alas, how few of the laity know them!” I know that I have been tremendously nourished by regular praying of the breviary as of late, and my wish is that you and I, dear reader, may continue to nourish our interior lives with the official prayer of the Church, which present to us (in the Mass) and extend (in the Office) the fullness of Christ’s greatest gift to us – the gift of Himself – in the Most Holy Eucharist.

—Daniel Tucker

Principles vs Preferences

I ran into this idea recently: principles vs. preferences in planning out a curriculum or music lineup. In this idea, it is imperative to not misconstrue personal preferences into principles—that the music (or subject matter) is great because: “I have good taste, and I like it.” De gustibus… Education, study and docility to the Magisterium of the Church on matters of liturgical music must be present in those who make the music at the Holy Sacrifice of the Mass and the Hours. Who knows? Maybe you might start to prefer the music that is fitting according to the principles Catholic Sacred Music?

—William J. Fritz

Liquescent Notes in the Official Edition

The official edition—the EDITIO VATICANA itself—is somewhat inconsistent when it comes to liquescent notes. If you wish to see a perfect “apples-to-apples” comparison, click here. Such “inconsistency” was not owing to ignorance on the part of Abbat Pothier: the manuscripts themselves are inconsistent when it comes to liquescent notes.

—Jeff Ostrowski