Gregorian Rhythm Wars • “Jeff’s Third Response to Patrick” (16 May 2023)
I don’t think our readers are interested in what we say about Gregorian rhythm—they’re interested only in what we can demonstrate.
“Is it not true that prohibiting or suspecting the extraordinary form can only be inspired by the demon who desires our suffocation and spiritual death?” —The Vatican’s chief liturgist from 2014-2021; interview with Edw. Pentin (23-Sep-2019)
I don’t think our readers are interested in what we say about Gregorian rhythm—they’re interested only in what we can demonstrate.
“Perhaps surprisingly, not one word of three syllables in the ancient Easter sequence ‘Laudes Salvatori voce’ is sung to the rhythm of a dactyl.” —Alasdair Codona
“We got to this point because we questioned unfounded claims.” —Patrick Williams
Let there be no mistake about it: Dom Mocquereau (illicitly) added the “salicus” in hundreds of places where the official edition has none.
“Hardly any of this made-up system has its basis in medieval music theory or in the manuscripts themselves.”—Patrick Williams
The beginnings of a response to mensuralism from the classic Solesmes point of view.
“With my questions unanswered by those objecting to rhythmic markings based on the oldest sources, it is difficult to take their arguments seriously.” —Patrick Williams
“May our voices be the instruments through which God breathes new life into the ancient chants of the Catholic Church, decrepit through centuries of neglect and misinterpretation!” —Patrick Williams
“The problem with semiology is not that it neglects the rhythmic indications of the oldest sources, but rather that it overinterprets them, like the nuance theory on steroids.” —Patrick Williams
“The equalist plainchant of the High Middle Ages is as far removed from the rhythmic chant of the Early Middle Ages as the isometric chorales are from their rhythmic predecessors.” —Patrick Williams
“The original chant handed down from the Fathers of the Church has strict rhythmic proportions and a steady beat.” —Patrick Williams
Fascinating details from never-before-seen letters recently discovered in southern France!
… including a deliciously dazzling discovery you won’t want to miss!
There’s nothing necessarily authentic about the “authentic” rhythm.
The incomparable Andrew Hinkley kindly set it to plainchant notation.
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