Abbat Bourigaud Challenges Dr. Charles Weaver!
Father De Santi opined that “Solesmes had rid themselves of Pothier by giving him an abbey”—to which Pope Pius X responded that it amounted to “a small compensation.”
“Is it not true that prohibiting or suspecting the extraordinary form can only be inspired by the demon who desires our suffocation and spiritual death?” —The Vatican’s chief liturgist from 2014-2021; interview with Edw. Pentin (23-Sep-2019)
Father De Santi opined that “Solesmes had rid themselves of Pothier by giving him an abbey”—to which Pope Pius X responded that it amounted to “a small compensation.”
If you’re somebody who likes grandiloquence, you’ll prefer the description by Dr. Ellis.
In 1957, the Abbey of Solesmes publicly claimed copyright over “the rhythmic signs 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗿𝗵𝘆𝘁𝗵𝗺 𝘁𝗵𝗲𝘆 𝗿𝗲𝗽𝗿𝗲𝘀𝗲𝗻𝘁.”
Including several hymns eminently suitable for the feast of Christ the King.
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Will anyone step forward to defend this?
It’s been decided to bring that particular series to a close. However…
“It is all too easy to be lured away from a common-sense interpretation of the oldest sources by the siren song of beautiful, polished performances according to some other style.” —Patrick Williams
“The time is ripe to reconsider the contributions of Fr. Jan Vollaerts to Gregorian musicology.” —Patrick Williams
“Reading deliberate ‘nuances’ into normal variations in handwriting is a solution in search of a problem.” —Patrick Williams
In praise of the Cardine approach to chanting, with some further thoughts on pluralism and correctness in performance practice.
“I cannot imagine any justification for making such an alteration and still claiming that one’s edition corresponds to the Vaticana.” —Patrick Williams
This coming Sunday is the 17th Sunday after Pentecost (EF).
My goal is to clarify and illumine what I believe exactly is at stake when we debate the rhythm in chant. I shall first attempt to summarize the core arguments that each of the main authors in this blog series use.
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