(14 Examples) • Jeff Ostrowski’s Artistic “Credo”
Including several hymns eminently suitable for the feast of Christ the King.
“Is it not true that prohibiting or suspecting the extraordinary form can only be inspired by the demon who desires our suffocation and spiritual death?” —The Vatican’s chief liturgist from 2014-2021; interview with Edw. Pentin (23-Sep-2019)
Including several hymns eminently suitable for the feast of Christ the King.
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Will anyone step forward to defend this?
It’s been decided to bring that particular series to a close. However…
“It is all too easy to be lured away from a common-sense interpretation of the oldest sources by the siren song of beautiful, polished performances according to some other style.” —Patrick Williams
“The time is ripe to reconsider the contributions of Fr. Jan Vollaerts to Gregorian musicology.” —Patrick Williams
“Reading deliberate ‘nuances’ into normal variations in handwriting is a solution in search of a problem.” —Patrick Williams
In praise of the Cardine approach to chanting, with some further thoughts on pluralism and correctness in performance practice.
“I cannot imagine any justification for making such an alteration and still claiming that one’s edition corresponds to the Vaticana.” —Patrick Williams
This coming Sunday is the 17th Sunday after Pentecost (EF).
My goal is to clarify and illumine what I believe exactly is at stake when we debate the rhythm in chant. I shall first attempt to summarize the core arguments that each of the main authors in this blog series use.
“The burden of proof is on the one who persists in ignoring the evidence.” —Patrick Williams
Guest submission (1 September 2023) by Alasdair Codona of Glasgow, Scotland.
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