My Recent Conversation • “Chant Rhythm”
This past week, I appeared on the Nikhil Hogan show to talk about Gregorian rhythm and the Vatican edition.
“Is it not true that prohibiting or suspecting the extraordinary form can only be inspired by the demon who desires our suffocation and spiritual death?” —The Vatican’s chief liturgist from 2014-2021; interview with Edw. Pentin (23-Sep-2019)
This past week, I appeared on the Nikhil Hogan show to talk about Gregorian rhythm and the Vatican edition.
Doesn’t it stand to reason that we should sing from this edition in the manner its creators intended?
Father Mathias served as organist for Strasburg Cathedral, where he founded the “Saint Leo Institute for Church Music” in 1913.
What is he talking about? Where can I go to hear these “aesthetically superior” interpretations? Where can they be found?
Including three separate points on Dom Combe’s shameful and defamatory statement.
The Church is a living body, that has grown from a seed to a full grown tree. It can never return to the seed.
This article—a “mini-dissertation” on syllabic plainsong—writes songs using the names of various CCW authors.
Catholic musicians must avoid being viewed as “esoteric freaks” who can’t agree on anything and spend their entire lives fighting about things nobody cares about.
I propose that we consider Dom Pothier’s method without making an unnecessary appeal to authority.
“It would be a barbarous archaism to adopt this ancient custom in our time.” —Dom Guéranger
It really is a minor part of Mocquereau’s theoretical enterprise. That doesn’t mean it’s completely pointless, though.
Father De Santi opined that “Solesmes had rid themselves of Pothier by giving him an abbey”—to which Pope Pius X responded that it amounted to “a small compensation.”
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