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Corpus Christi Watershed

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  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
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Views from the Choir Loft

Gregorian Chant

Fr. David Friel · July 27, 2014

Is Recorded Music Okay for Children?

There is a prevalent notion that young people somehow need to be accommodated in the work of divine worship. As a former child, I find this to be an errant hankering.

Fr. David Friel · July 6, 2014

Colloquium Update IV

The Glories of A Single Proper

Richard J. Clark · May 30, 2014

Mass in Honor of the Blessed Virgin Mary, Star of the Sea

Michael Olbash’s “Mass in Honor of the Blessed Virgin Mary, Star of the Sea” demonstrates the mandate of Pope Saint Pius X that music for the liturgy be Sacred, Beautiful, and Universal.

Richard J. Clark · March 5, 2014

Misereris omnium | Ash Wednesday Introit

Few parishes are willing to sing Gregorian Introits for the Entrance Procession, but it is SIGNIFICANT that the very first Introit of Lent sings of God’s infinite MERCY.

Veronica Brandt · March 1, 2014

Preparing for Lent

Renewing the adventure of exploring Gregorian chant by making recordings.

Veronica Brandt · February 22, 2014

Color by “Neum”ber

A Gregorian chant workbook for kids (there’s one for adults too).

Richard J. Clark · February 7, 2014

Disparagement Is Not Helping the Cause of Liturgical Reform

Disparagement is not catechesis. It is destructive. If we are to catechize and evangelize, we must put God first, not our own preferences. Meanwhile, we must catechize and strive for the ideal.

Fr. David Friel · February 2, 2014

Youth in Favor of Sacred Music

Not a Negligible Niche

Fr. David Friel · January 10, 2014

Is Chant Just for Old-Heads?

The NY Frassati Fellowship Chant Workshop

Fr. David Friel · December 1, 2013

Chant Behind Bars

Might Chant Scholas Flourish in Prisons?

Jeff Ostrowski · November 30, 2013

Uh Oh … How do you spell “Ressurection” ?

The new Gregorian Missal (Solesmes, 2012) is a marvelous book.

Guest Author · November 2, 2013

“In Medio Ecclesiae” Album Release

The Dominican House of Studies schola has just released its first album, In Medio Ecclesiae, under the aegis of the newly founded Dominicana Records. The album is available now for download at www.dominicanablog.com/records; CD purchase coming soon.

Jeff Ostrowski · October 23, 2013

The Secret “Mora Vocis” of the Vatican Edition

Here are seven (7) videos explaining how to sing according to the rhythm of the Editio Vaticana (Vatican Edition) created by Abbot Pothier at the request of Pope Pius X.

Corpus Christi Watershed · October 13, 2013

Gregorian Chant Chironomy Video

What’s it like to attend the Sacred Music Colloquium?

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Corpus Christi Watershed

President’s Corner

    14th Sunday in Ordinary Time (Year C)
    Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.
    —Jeff Ostrowski
    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“There is no music worth hearing save that written in the last 40 years.”

— Johannes Tinctoris (1477)

Recent Posts

  • Bishop François Charrière Vs. Hannibal Bugnini
  • 14th Sunday in Ordinary Time (Year C)
  • “My First Year with the Latin Mass” • A Music Director’s Perspective
  • Boston Auxiliary Bishop: “In offering the Traditional Mass for the first time, after removing the vestments, I knelt in the back pew and wept.”
  • Now Available! • “Hymns of Cardinal Newman: Kevin Allen’s Legendary Choral Settings”

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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