A Couple of Recent Podcast Appearances
I’ve participated in some recent conversations about chant that might be of interest to our readers.
“Is it not true that prohibiting or suspecting the extraordinary form can only be inspired by the demon who desires our suffocation and spiritual death?” —The Vatican’s chief liturgist from 2014-2021; interview with Edw. Pentin (23-Sep-2019)
I’ve participated in some recent conversations about chant that might be of interest to our readers.
This week I attended part of an excellent academic conference in honor of William Mahrt.
“I would characterize the sound as heavy and visceral in contrast to the soaring and ethereal aesthetic of the Solesmes style of chant.” —Patrick Williams
The Ward Method is a classical pedagogy designed for pre-K through eighth grade music classes in Catholic schools.
Every Gregorian melody is a precious gift, and every time we meet a melody again, we have a chance to consider some new aspect.
By March 1596 Marenzio had arrived in Poland. In October of that year, he directed a Mass he’d written in the form of an “echo.”
We should define our terms. What makes a syllable accented, and what makes an accent a tonic accent?
Fascinating details from never-before-seen letters recently discovered in southern France!
Father Weinmann placed plainsong on five (5) lines, yet still used Gregorian notation—including chord symbols!
The early history of Solesmes plainchant research provides a historical parallel for responding to current Vatican liturgical rules.
Three (3) bullet points, written on a single sheet of paper.
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