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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Gregorian Chant

Dr. Charles Weaver · May 4, 2024

A Couple of Recent Podcast Appearances

I’ve participated in some recent conversations about chant that might be of interest to our readers.

Fr. David Friel · April 7, 2024

Summer Ward Method Courses • CUA 2024

Teaching Children the Fundamentals of Music

Fr. David Friel · March 23, 2024

Book Review: Good Music, Sacred Music, and Silence

Becoming Missionaries for the Beautiful

Dr. Charles Weaver · November 9, 2023

Report • “Musical Shape of the Liturgy Conference”

This week I attended part of an excellent academic conference in honor of William Mahrt.

Jeff Ostrowski · November 4, 2023

PDF • Draft Booklet “Couture Chant” (255 Pages)

This is very much a “work in progress”…

Patrick Williams · August 30, 2023

Report from St. Louis Chant Workshop with Marcel Pérès

“I would characterize the sound as heavy and visceral in contrast to the soaring and ethereal aesthetic of the Solesmes style of chant.” —Patrick Williams

Fr. David Friel · March 20, 2023

Summer Ward Method Courses • CUA 2023

The Ward Method is a classical pedagogy designed for pre-K through eighth grade music classes in Catholic schools.

Dr. Charles Weaver · March 7, 2023

Beauty Ever Ancient, Ever New

Every Gregorian melody is a precious gift, and every time we meet a melody again, we have a chance to consider some new aspect.

Jeff Ostrowski · March 1, 2023

Greatest Choral Piece Ever Written? • It Might Be Marenzio’s “Salve Regina”

By March 1596 Marenzio had arrived in Poland. In October of that year, he directed a Mass he’d written in the form of an “echo.”

Dr. Charles Weaver · January 26, 2023

What is the Tonic Accent?

We should define our terms. What makes a syllable accented, and what makes an accent a tonic accent?

Matthew Frederes · December 12, 2022

Recent Book! • “The Politics of Plainchant”

Fascinating details from never-before-seen letters recently discovered in southern France!

Jeff Ostrowski · October 11, 2022

PDF Download • 1915 “Gregorian Vesperale” … Printed On Five Lines! (651 Pages)

Father Weinmann placed plainsong on five (5) lines, yet still used Gregorian notation—including chord symbols!

Fr. David Friel · May 17, 2022

Summer Ward Method Courses • CUA 2022

Study the Ward Method this summer in Washington, DC.

Dr. Charles Weaver · January 3, 2022

The Responsa ad dubia and the Solesmes Chant Restoration

The early history of Solesmes plainchant research provides a historical parallel for responding to current Vatican liturgical rules.

Jeff Ostrowski · October 21, 2021

PDF Download • “Did Vatican II Reform The Mass?”

Three (3) bullet points, written on a single sheet of paper.

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Corpus Christi Watershed

President’s Corner

    “Simplified” Keyboard Accompaniment (PDF)
    I’d much rather hear an organist play a simplified version correctly than listen to wrong notes. I invite you to download this simplified organ accompaniment for hymn #729 in the Father Brébeuf Hymnal. The hymn is “O Jesus Christ, Remember.” I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 1,900 times in a matter of hours—so there seems to be interest in such a project. For the record, this famous text by Oratorian priest, Father Edward Caswall (d. 1878) is often married to AURELIA, as it is in the Brébeuf Hymnal.
    —Jeff Ostrowski
    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski
    Father Cuthbert Lattey • “The Hebrew MSS”
    Father Cuthbert Lattey (d. 1954) wrote: “In a large number of cases the ancient Christian versions and some other ancient sources seem to have been based upon a better Hebrew text than that adopted by the rabbis for official use and alone suffered to survive. Sometimes, too, the cognate languages suggest a suitable meaning for which there is little or no support in the comparatively small amount of ancient Hebrew that has survived. The evidence of the metre is also at times so clear as of itself to furnish a strong argument; often it is confirmed by some other considerations. […] The Jewish copyists and their directors, however, seem to have lost the tradition of the metre at an early date, and the meticulous care of the rabbis in preserving their own official and traditional text (the ‘massoretic’ text) came too late, when the mischief had already been done.” • Msgr. Knox adds: “It seems the safest principle to follow the Latin—after all, St. Jerome will sometimes have had a better text than the Massoretes—except on the rare occasions when there is no sense to be extracted from the Vulgate at all.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“Pope Francis breaks Catholic traditions whenever he wants because he is free from disordered attachments. Our Church has indeed entered a new phase: with the advent of this first Jesuit pope, it is openly ruled by an individual rather than by the authority of Scripture alone or even its own dictates of tradition plus Scripture.”

— Fr. Thomas Rosica (31 July 2018)

Recent Posts

  • “Simplified” Keyboard Accompaniment (PDF)
  • ‘Bogey’ of the Half-Educated: Paraphrase
  • Father Cuthbert Lattey • “The Hebrew MSS”
  • Re: The People’s Mass Book (1974)
  • They did a terrible thing

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