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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Gregorian Chant

Dr. Charles Weaver · May 4, 2024

A Couple of Recent Podcast Appearances

I’ve participated in some recent conversations about chant that might be of interest to our readers.

Fr. David Friel · April 7, 2024

Summer Ward Method Courses • CUA 2024

Teaching Children the Fundamentals of Music

Fr. David Friel · March 23, 2024

Book Review: Good Music, Sacred Music, and Silence

Becoming Missionaries for the Beautiful

Dr. Charles Weaver · November 9, 2023

Report • “Musical Shape of the Liturgy Conference”

This week I attended part of an excellent academic conference in honor of William Mahrt.

Jeff Ostrowski · November 4, 2023

PDF • Draft Booklet “Couture Chant” (255 Pages)

This is very much a “work in progress”…

Patrick Williams · August 30, 2023

Report from St. Louis Chant Workshop with Marcel Pérès

“I would characterize the sound as heavy and visceral in contrast to the soaring and ethereal aesthetic of the Solesmes style of chant.” —Patrick Williams

Fr. David Friel · March 20, 2023

Summer Ward Method Courses • CUA 2023

The Ward Method is a classical pedagogy designed for pre-K through eighth grade music classes in Catholic schools.

Dr. Charles Weaver · March 7, 2023

Beauty Ever Ancient, Ever New

Every Gregorian melody is a precious gift, and every time we meet a melody again, we have a chance to consider some new aspect.

Jeff Ostrowski · March 1, 2023

Greatest Choral Piece Ever Written? • It Might Be Marenzio’s “Salve Regina”

By March 1596 Marenzio had arrived in Poland. In October of that year, he directed a Mass he’d written in the form of an “echo.”

Dr. Charles Weaver · January 26, 2023

What is the Tonic Accent?

We should define our terms. What makes a syllable accented, and what makes an accent a tonic accent?

Matthew Frederes · December 12, 2022

Recent Book! • “The Politics of Plainchant”

Fascinating details from never-before-seen letters recently discovered in southern France!

Jeff Ostrowski · October 11, 2022

PDF Download • 1915 “Gregorian Vesperale” … Printed On Five Lines! (651 Pages)

Father Weinmann placed plainsong on five (5) lines, yet still used Gregorian notation—including chord symbols!

Fr. David Friel · May 17, 2022

Summer Ward Method Courses • CUA 2022

Study the Ward Method this summer in Washington, DC.

Dr. Charles Weaver · January 3, 2022

The Responsa ad dubia and the Solesmes Chant Restoration

The early history of Solesmes plainchant research provides a historical parallel for responding to current Vatican liturgical rules.

Jeff Ostrowski · October 21, 2021

PDF Download • “Did Vatican II Reform The Mass?”

Three (3) bullet points, written on a single sheet of paper.

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Corpus Christi Watershed

President’s Corner

    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • Our Lady of Guadalupe (12 Dec.)
    The Responsorial Psalm may be downloaded as a PDF file (organist & vocalist) for 12 December, which is the Feast of Our Lady of Guadalupe. When it comes to the formulary for this Mass, it’s astounding how infrequently it’s included in official books. Prior to Vatican II, one had to search through “supplemental material” printed in the back of hand-missals and graduals. But since 1970, the feast is virtually nonexistent. According to the UNIVERSAL KALENDAR, 12 December is the “Feast of Saint Jane Frances De Chantal, Religious” (Die 12 decembris: S. Ioannæ Franciscæ de Chantal, religiosæ). Why should that feast overpower Our Lady of Guadalupe? In the United States, OLG is celebrated—and I’d assume in Mexico, Central America, South America, and Canada—but, as I said, the Propria Missae are virtually impossible to locate. I possess only three books which mention this feast.
    —Jeff Ostrowski
    Simplified Accompaniment (Advent Hymn)
    Many organists are forced to simultaneously serve as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult. I invite you to download this simplified organ accompaniment (PDF) which in the Father Brébeuf Hymnal is hymn #661: “Come, Thou Long-Expected Jesus” (for ADVENT). I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 2,900 times in a matter of hours—so there appears to be interest.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski
    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed
    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed

Random Quote

“It is when they are practicing that large groups stop in order to sleep; they don’t give themselves a new impetus after a pause (even if it is minimal) and singers pause when they should not (quarter-bar, half-bar)—everything provides temptation to go to sleep! It is thus not a question of rhythm but of musical integrity.”

— Justine Ward (20 July 1952)

Recent Posts

  • PDF • “Standard Gregorian Chants for Schools, Churches, Seminaries, & Convents” (1946) —123 pages
  • The “Word of the Father” Chord: Theology and Harmony Meet at Christmas
  • PDF • “Music List” (4th Sunday of Advent)
  • PDF Download • “Santo Santo Santo”
  • Crucial Tips • “Teaching Children How to Sing”

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