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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Graduale Romanum Roman Gradual Propers

Andrew R. Motyka · May 28, 2014

Laudate Dominum Communion Antiphons

A full set of free English settings of the Communion antiphons for cantor, organ, and congregation.

Jeff Ostrowski · May 25, 2014

The Mystery of Missal vs. Gradual has been solved!

Are there concrete reasons to prefer the ancient texts from the Roman Gradual? Short answer: Yes!

Guest Author · May 19, 2014

An Overview of the Music Program at Our Lady of the Atonement Church & Academy (Part 1)

On Fridays, Mass is celebrated in Latin according to the Ordinary Form. Each day, one of the school choirs leads the liturgical singing.

Corpus Christi Watershed · May 7, 2014

Simple English Propers: Full PDF Download

As a bonus, several handy website links are given!

Jeff Ostrowski · May 5, 2014

PDF Download: Ordo Lectionum Missae & Ordo Cantus Missae

“…otherwise the entire Mass might be placed into the vernacular; whereupon the Council fathers burst into uproarious laughter.” — Cardinal Stickler speaking of Vatican II

Jeff Ostrowski · May 1, 2014

Everything You Ever Wanted To Know About Liturgical Translations

This is no hybrid: it’s an elegant, accurate, modern, unified English translation of the Graduale!

Jeff Ostrowski · March 2, 2014

Peter Wagner 1903 Kyriale In Gregorian Notation

Dr. Franz Karl Prassl has given us a tremendous gift.

Jeff Ostrowski · February 17, 2014

PDF Download • 1974 “Graduale Romanum”

“How can we celebrate this new rite when we have not yet got a complete missal, and there are still so many uncertainties about what to do?” — Pope Paul VI (1969 General Audience)+

Jeff Ostrowski · January 14, 2014

Does This Cartoon Sound Rude?

The intention is to get people thinking about why we substitute our own choices for the texts assigned by the Church at Entrance, Offertory, & Communion.

Jeff Ostrowski · May 10, 2013

Why No Offertory Antiphon In Roman Missal?

At last! We finally have the answer! . . . Er, sort of . . .

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President’s Corner

    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“The Saint Jean de Brébeuf Hymnal will undoubtedly enrich liturgical life at the parish level by making accessible these ancient, noble, and theologically-rich Catholic hymns, translated into English in quite a beautiful way.”

— Rev. Fr. John Berg (Superior General, Priestly Fraternity of Saint Peter) 30-NOV-2018

Recent Posts

  • Dom Pothier • Photo from 1904
  • PDF Chart • “Plainsong Rhythm”
  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”
  • (January 2026) • “Children Singing Plainsong”

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