Views from the Choir Loft

Graduale Romanum Roman Gradual Propers

Andrew R. Motyka · May 28, 2014

Laudate Dominum Communion Antiphons

A full set of free English settings of the Communion antiphons for cantor, organ, and congregation.

Jeff Ostrowski · May 25, 2014

The Mystery of Missal vs. Gradual has been solved!

Are there concrete reasons to prefer the ancient texts from the Roman Gradual? Short answer: Yes!

Guest Author · May 19, 2014

An Overview of the Music Program at Our Lady of the Atonement Church & Academy (Part 1)

On Fridays, Mass is celebrated in Latin according to the Ordinary Form. Each day, one of the school choirs leads the liturgical singing.

Corpus Christi Watershed · May 7, 2014

Simple English Propers: Full PDF Download

As a bonus, several handy website links are given!

Jeff Ostrowski · May 5, 2014

PDF Download: Ordo Lectionum Missae & Ordo Cantus Missae

“…otherwise the entire Mass might be placed into the vernacular; whereupon the Council fathers burst into uproarious laughter.” — Cardinal Stickler speaking of Vatican II

Jeff Ostrowski · May 1, 2014

Everything You Ever Wanted To Know About Liturgical Translations

This is no hybrid: it’s an elegant, accurate, modern, unified English translation of the Graduale!

Jeff Ostrowski · March 2, 2014

Peter Wagner 1903 Kyriale In Gregorian Notation

Dr. Franz Karl Prassl has given us a tremendous gift.

Jeff Ostrowski · February 17, 2014

PDF Download • 1974 “Graduale Romanum”

“How can we celebrate this new rite when we have not yet got a complete missal, and there are still so many uncertainties about what to do?” — Pope Paul VI (1969 General Audience)+

Jeff Ostrowski · January 14, 2014

Does This Cartoon Sound Rude?

The intention is to get people thinking about why we substitute our own choices for the texts assigned by the Church at Entrance, Offertory, & Communion.

Jeff Ostrowski · May 10, 2013

Why No Offertory Antiphon In Roman Missal?

At last! We finally have the answer! . . . Er, sort of . . .

“Samaritánæ” (3rd Sunday of Lent)

With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)

—Jeff Ostrowski

PDF Download • “Ubi Caritas” (SATB)

I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.

—Jeff Ostrowski

PDF • “Cantus Mariales” (192 pages)

Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”

—Jeff Ostrowski

Grotesque Pairing • “Passion Chorale”

One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.

—Jeff Ostrowski

Extreme Unction

Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.

—Corpus Christi Watershed

PDF Chart • “Plainsong Rhythm”

I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”

—Jeff Ostrowski