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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Choral Extensions

Jeff Ostrowski · February 10, 2026

“Let the Choir Have a Voice” • Jeff Ostrowski’s Essay on Choral Music in the Catholic Mass

“In a world filled with a lot of noise, your sacred song lifts our hearts to heaven…” —Parishioner

Jeff Ostrowski · December 23, 2025

💰 Are Church Musicians Paid Too Little?

I came very close to paying an unspeakably severe price.

Jeff Ostrowski · December 1, 2025

PDF Download • Agnus Dei Polyphonic “Choral Extension” (Simple Round by Ravenscroft)

It’s hard to banish that round once it enters your ears!

Jeff Ostrowski · November 25, 2025

Kid’s Repertoire • “Jeffrey’s 3 Recommendations”

Growing up, I remember hearing this adage…

Jeff Ostrowski · November 24, 2025

PDF Download • ‘Choral Extension’ for the Sanctus (especially useful in the Ordinary Form)

It’d be easier to accept if they admitted they were explicitly contradicting Vatican II … but instead, they lied egregiously.

Jeff Ostrowski · November 4, 2025

Never Work For A Priest Or Bishop Who Believes Sacred Music Should Be “Entertainment”

Unsolicited advice for prospective choir directors.

Jeff Ostrowski · October 14, 2025

PDF Download • Liturgical Round (“Canon”) for your Children’s Choir

An example that’s truly great art, yet still within their reach.

Jeff Ostrowski · September 9, 2025

“Novus Ordo Parish … With Polyphony?” • Is that possible? How specifically does that work?

Many have asked: “Without getting fired, how can choirmasters introduce polyphony to the Ordinary Form?”

Jeff Ostrowski · September 7, 2025

PDF Download • Croft’s “Canonic Kyrie” (SATB)

The conscientious choirmaster never rests from his relentless pursuit of repertoire ideas.

Jeff Ostrowski · April 15, 2025

PDF Download • Exceedingly Rare! — “The Torn Tunic” (122 pages) … published in 1967

Is Tito Casini correct that vernacular plainsong is a “sin against nature?”

William J. Fritz · February 28, 2025

From Inspiration to Implementation • “Lenten Choral Extensions” (And a Free Gift!)

I decided to try something different for Lent…

Jeff Ostrowski · January 29, 2025

Can Polyphony Be Added to the Ordinary Form?

Vatican II went out of its way to be explicit—which is good news for conscientious choirmasters.

Jeff Ostrowski · October 8, 2024

PDF Download • Choral Extension! • (Corresponding to the “Holy, Holy, Holy” of the Missal Chants)

Probably one of the most valuable PDF scores we’ve ever released.

Guest Author · January 3, 2017

New! • Easy Choral Extension Mass (Ordinary Form)

How to make polyphony work for your Ordinary Form Choir.

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Corpus Christi Watershed

President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“It is also customary in many lands that a brief but meaningful hymn be sung between the Gospel and the sermon. (I note in passing that this custom also preserves the original and primary function of the medieval congregational hymn, which was to frame the sermon.)”

— Professor László Dobszay (2003)

Recent Posts

  • “Dies Irae” • A Monstrous Translation
  • PDF Download • “Holy, Holy, Holy”
  • Music List • (3rd Sunday of Lent)
  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)

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