“Entrance Chant” • 7th Sunday (Ord. Time)
This English adaptation uses mode 5, as does the authentic Gregorian Chant version.
“Is it not true that prohibiting or suspecting the extraordinary form can only be inspired by the demon who desires our suffocation and spiritual death?” —The Vatican’s chief liturgist from 2014-2021; interview with Edw. Pentin (23-Sep-2019)
This English adaptation uses mode 5, as does the authentic Gregorian Chant version.
This English adaptation imitates the authentic Gregorian Chant version in a splendid way.
This ‘live’ video shows three young women singing…
This English adaptation uses a Tetrardus mode, as does the authentic Gregorian Chant version.
This English adaptation matches the mode of the authentic Gregorian Chant version.
This English adaptation matches the mode of the authentic Gregorian Chant version.
Like so many Advent antiphons, this one is in the first mode and comes from the prophet Isaiah.
This Introit is in mode iii, which some consider the most beautiful.
What is he talking about? Where can I go to hear these “aesthetically superior” interpretations? Where can they be found?
The feast of Christ the King—a completely modern feast—was added in 1925.
This Introit is in the sixth mode (known as the “peaceful” mode).
Singing Gregorian Chant lifts one’s spirits. Agree or disagree?
The reformers borrowed this “Entrance Chant” from the Ember Saturday of Lent.
With a brief digression on “feelings of inadequacy.”
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