Reader Feedback • Re: “Simplified” Music (Part 2)
“I haven’t been doing parish music that long—only about 3 years at this point.” —Celeste M.
“Is it not true that prohibiting or suspecting the extraordinary form can only be inspired by the demon who desires our suffocation and spiritual death?” —The Vatican’s chief liturgist from 2014-2021; interview with Edw. Pentin (23-Sep-2019)
“I haven’t been doing parish music that long—only about 3 years at this point.” —Celeste M.
I’ve lived through various pendulum swings: the “Glory and Praise” phase; the “hymn sandwich” phase; and the “baroque tracker organ” phase.
“I believe (though I could be wrong) the USCCB website is correct and Jeff is wrong.” —Father J. Haley
“I’m currently gathering materials for a newly ordained priest…”
“I had never directed for the TLM before this semester, and your resources have been beneficial…”
“Our priest was delighted with the program, or so it appeared. During Holy Week he asked me to resign (which I did). He gave no reason and would not even discuss the issue.”
Mrs. J.M. writes to us from Manassas, Virginia: “I’m thrilled you are offering this scan by the Sisters of the Most Precious Blood in O’Fallon, Missouri! Years ago I wrote to the sisters and one sent me a copy of all the booklets and cds. I have been such an admirer of Msgr Hellriegel’s work!”
Some believe this to be the Church’s most ancient 𝒗𝒆𝒓𝒏𝒂𝒄𝒖𝒍𝒂𝒓 melody.
We get tons of messages from readers; perhaps we should do a better job sharing them. In 2010, composer Dan Schutte published “Mass of Christ the Savior,” based upon the theme song from the My Little Pony television cartoon. Earlier today, someone under the moniker “Praying Girl” wrote as follows: “I wonder how many people […]
“No musician in our parish (and probably our archdiocese) is paid, despite the many hours we put in.” —Charlotte M.
“Was Mr. Ostrowski ever forced to see the choir stalls he sang in as a boy demolished by iconoclasts?” — Reader from Atlanta (9/8/2022)
A reader from St. Louis, Missouri, wrote to us: “The work you and your team do is quite possibly the most valuable resource I have come across as a younger Sacred music director and organist. The Brébeuf Hymnal is my most used and referenced resource. Although my church has not adopted it yet (I will […]
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