Views from the Choir Loft

Catholic Youth Choirs

Fr. David Friel · July 27, 2014

Is Recorded Music Okay for Children?

There is a prevalent notion that young people somehow need to be accommodated in the work of divine worship. As a former child, I find this to be an errant hankering.

Fr. David Friel · June 15, 2014

Gregory the Great Academy

An Interview with Matt Williams

Richard J. Clark · May 30, 2014

Mass in Honor of the Blessed Virgin Mary, Star of the Sea

Michael Olbash’s “Mass in Honor of the Blessed Virgin Mary, Star of the Sea” demonstrates the mandate of Pope Saint Pius X that music for the liturgy be Sacred, Beautiful, and Universal.

Fr. David Friel · May 4, 2014

Parish May Crownings

A strong devotional life in the parish church will naturally support and strengthen its liturgical vitality.

Veronica Brandt · February 22, 2014

Color by “Neum”ber

A Gregorian chant workbook for kids (there’s one for adults too).

Guest Author · January 15, 2014

Catholic Youth Choir Releases CD, Prepares For Tour

The Blackstone Valley Catholic Youth Choir, currently preparing for a mid-Atlantic tour, has released a new CD, “Clothed With the Sun.”

“Music List” • 4th Sunday of Lent

Some have expressed interest in perusing the “ORDER OF MUSIC” I prepared for the 4th Sunday of Lent (30 March 2025). If such a thing interests you, feel free to download it as a PDF file. The Propers are particularly beautiful, especially the INTROIT (“Lætare Jerúsalem”).

—Jeff Ostrowski

Communion Chant (4th Sunday of Lent)

You can download the Communion Chant for the 4th Sunday of Lent (Year C). Its opening phrase calls to mind the authentic version. I have created a rehearsal video to assist volunteer choirs.

—Jeff Ostrowski

“Entrance Chant” • 4th Sunday of Lent

You can download the ENTRANCE ANTIPHON in English for the Fourth Sunday of Lent (30 March 2025). Corresponding to the vocalist score is this free organ accompaniment. The authentic version is called “Laetáre Jerúsalem” and its memorable opening gesture is imitated brilliantly by this vernacular adaptation. If you’re someone who enjoys rehearsal videos, this morning I attempted to sing it while simultaneously accompanying my voice on the pipe organ.

—Jeff Ostrowski

The Funeral Rites of the Graduale Romanum

Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.

—Daniel Tucker

Antiphons Don’t Match?

A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music).

—Corpus Christi Watershed

The Lofty Nature of This Goal

It is important above all that we never lose sight of our true goal as church musicians: the right worship of Almighty God. This is not a pious sentiment that should cause us to be lax about technical elements of music. Rather, the lofty nature of this goal is should motivate and inspire us to pursue the techne of musicianship with even greater zeal.

—Dr. Samuel Backman