cathedral music

Richard J. Clark · January 10, 2020

Chant, Mighty Pipe Organs • Two Sundays, Two Cathedrals

Gregorian Chant and mighty pipe organs will be front and center at two concerts: Boston’s Cathedral of the Holy Cross and Saint Patrick’s Cathedral, New York City.

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“Reminder” — Month of April (2025)

On a daily basis, I speak to people who—though they’ve followed our blog for years—don’t realize we publish a free newsletter. We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.

—Jeff Ostrowski

“Music List” • Easter Sunday

Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the Easter Sunday (20 April 2025). If such a thing interests you, feel free to download it as a PDF file. Several of the selections are quite beautiful.

—Jeff Ostrowski

PDF Download • “Easter Sunday Introit”

Some may wish to download the EASTER INTROIT (PDF) in accordance with the official edition. You can hear this live version sung by women. The ‘thumbnail’ image on that video is particularly beautiful, as it shows our Savior as a gardener. (If you don’t understand why, cf. John 20:15: Illa exístimans quia hortulánus esset.) You can also hear a rehearsal video wherein I simultaneously accompany myself on the pipe organ while trying to sing it.

—Jeff Ostrowski

When to Sit, Stand and Kneel like it’s 1962

There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop

—Veronica Brandt

The Funeral Rites of the Graduale Romanum

Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.

—Daniel Tucker

Antiphons Don’t Match?

A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music).

—Corpus Christi Watershed