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Corpus Christi Watershed

We’re a 501(c)3 public charity established in 2006. We have no endowment, no major donors, no savings, and run no advertisements. We exist solely by the generosity of small donors.

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Views from the Choir Loft

Annibale Bugnini Reform

Jeff Ostrowski · July 1, 2025

Bugnini’s Statement (6 November 1966)

More is revealed each day.

Jeff Ostrowski · June 4, 2025

“Breathtaking Photographs” • First Mass of Father Michael Caughey, FSSP (Muskegon, MI)

Our choir sang so beautifully for this special Mass!

Jeff Ostrowski · February 5, 2025

PDF Download • “Psalm Comparison Chart”

This PDF chart will be of interest to Catholic musicians!

Jeff Ostrowski · October 23, 2023

“Did One Man Single-Handedly Sabotage the Gregorian Restoration?” • (Part 2 of 2)

Will anyone step forward to defend this?

Jeff Ostrowski · December 18, 2022

PDF Download • “Veni, Veni Emmanuel” for 2 parts

I didn’t have the heart to tell this fellow that the same melody occurs at other times of the liturgical year.

Jeff Ostrowski · January 8, 2022

Re: Glaring Lectionary Omission • “Setting The Record Straight”

They were: (1) Cardinal Palazzini; (2) Cardinal Stickler; (3) Cardinal Mayer; (4) Cardinal Oddi; (5) Cardinal Casaroli; (6) Cardinal Gantin; (7) Cardinal Innocenti; (8) Cardinal Ratzinger; (9) Cardinal Tomko.

Jeff Ostrowski · November 11, 2021

Cardinal Cupich Responds To Our Article!

Cardinal Antonelli: “I have the impression that much has been conceded to the Protestant mentality, especially in matters regarding the sacraments.”

Follow the Discussion on Facebook

Jeff Ostrowski · October 10, 2021

A Puzzling Assertion by Bishop Arthur Roche (Congregation for Divine Worship)

Is backroom bowdlerization of Sacred Scripture truly irreversible?

Follow the Discussion on Facebook

Jeff Ostrowski · June 4, 2021

They Did Something Bad & Inexplicable • (Documentation Included)

I beg you on my hands and knees to read verses 12-20.

Follow the Discussion on Facebook

Jeff Ostrowski · July 2, 2015

Annibale Bugnini’s Commentary (June 1967)

“The faithful everywhere have responded generously, and have greeted the new liturgy with great joy.” —Archbishop Bugnini (1967)

Fr. David Friel · May 24, 2015

A Mini History of the Sequences

At the height of their usage, there were proper sequences for nearly every Sunday and feast day.

Jeff Ostrowski · March 9, 2015

Cardinal Sarah’s Liturgical Bombshell

Pressure will be brought to have him walk back his statements, but I don’t believe he will.

Jeff Ostrowski · February 10, 2015

The Facts About Annibale Bugnini’s Death

The difference between correlation & causality.

Jeff Ostrowski · December 30, 2014

“A Pathetic, Unenforceable Patchwork Of Rhetoric” & The Latin Mass

“Many of those who have influenced the reform have no love, and no veneration of that which has been handed down to us.” —Secretary of the Consilium

Jeff Ostrowski · September 24, 2014

Are We Getting Dumber?

In spite of all the progress our civilizations have made, the self-appointed “expert liturgists” are regressing.

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Corpus Christi Watershed

President’s Corner

    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

From 1827 until the last month of his life, Liszt gave lessons in composition and piano playing. He wrote in 1829 that his schedule was “so full of lessons that each day, from half-past eight in the morning till 10 at night, I have scarcely breathing time”

— Re: Abbé Franz Liszt

Recent Posts

  • Now Available! • “Hymns of Cardinal Newman: Kevin Allen’s Legendary Choral Settings”
  • Bugnini’s Statement (6 November 1966)
  • (Rehearsal Clips) • Sacred Music Symposium 2025
  • Hidden Gem: Ascendit Deus (Dalitz)
  • PDF Download • Soprano Descant — “Hail, Holy Queen Enthroned Above”

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