PDF Download • “Gloria III” Organ Accompaniment
This is surely one of music history’s great ironies!
Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”
This is surely one of music history’s great ironies!
I would argue we must renew our good resolution and stand firm.
With a brief digression on “feelings of inadequacy.”
This version by Father Adrian Fortescue is fascinating!
How dare I broach such a subject?
In 1957, the Abbey of Solesmes publicly claimed copyright over “the rhythmic signs 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗿𝗵𝘆𝘁𝗵𝗺 𝘁𝗵𝗲𝘆 𝗿𝗲𝗽𝗿𝗲𝘀𝗲𝗻𝘁.”
Is it fair to forever bind Dom Guéranger to what he wrote about “barbarous archaisms” in 1855?
Including several hymns eminently suitable for the feast of Christ the King.
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Will anyone step forward to defend this?
Feel free to examine every single page if you doubt what I’m saying!
My husband tells me this edition (by Dom Pothier’s student) is of monumental importance. I take him at his word.
He screamed into the telephone: “There’s no such thing as Gregorian Chant!”
Dr. Weaver kindly made me aware of something stupendous. Created by Abbat Pothier’s assistant and approved by his successor (about ten years after his death), it’s a KYRIALE, GRADUALE, and VESPERALE: 2,000 pages long! It’s in Gregorian notation on five staves and marks each mora vocis. Here’s a photograph of the “Puer Natus” INTROIT taken with my […]
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