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Corpus Christi Watershed

Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

The Annual Sacred Music Symposium

O YOU SING AT CHURCH? Do you direct a choir? Do you believe the liturgy should be set apart (holy) and beautiful? If you said “yes” to any of these questions, we urge you to consider attending the SACRED MUSIC SYMPOSIUM! If you attend Mass in either form—Ordinary or Extraordinary—you won’t want to miss it. When it comes to Catholic musicians “in the trenches” our annual event is considered the church music conference par excellence. We invite you to scroll down and read some of the hundreds of personal testimonies we have received vis-à-vis this life-changing event. Our conference is described by this film:

Here’s the direct URL link.

Sacred Music Symposium 2025:

*  PDF Download • 2025 POSTER (High Resolution)
*  PDF Download • SCHEDULE OF EVENTS for 2025

2025 Enrollment • A benefactor has approached us. This generous person—who ardently desires to support church music—has agreed to cover 50% of the tuition for those who register before 5 May (Feast of Pope Saint Pius V). The enrollment fee is $496 … meaning you can pay just $248 for the full week. Simply email this addreess with “2025 Symposium” as your subject heading. Your email must provide four items: (a) your telephone number; (b) details about your musical background and how you currently serve the Catholic Church; (c) information about what you hope to gain by attending; (d) what voice part you sing. Make no travel plans until you receive your unique “acceptance code”which guarantees your spot.

Reset
  • (a) “Repertoire Page” (2025 Symposium)
  • (b) From the 2023 Symposium
  • (c) From the 2022 Symposium
  • (d) From the 2019 Symposium
  • (e) From the 2018 Symposium
  • (f) From the 2017 Symposium
  • (g) From the 2016 Symposium
  • Testimonials (Sacred Music Symposium)

2024 Announcement:
Jeff Ostrowski’s seminar, Secrets of the Conscientious Choirmaster (based on the many lectures Mr. Ostrowski has given during symposia over the past decade) has been committed to video for posterity. —Learn more.

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Corpus Christi Watershed

President’s Corner

    “Entrance Chant” • 4th Sunday of Easter
    You can download the ENTRANCE ANTIPHON in English for the 4th Sunday of Easter (11 May 2025). Corresponding to the vocalist score is this free organ accompaniment. The English adaptation matches the authentic version (Misericórdia Dómini), which is in a somber yet gorgeous mode. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski
    Music List • “Repertoire for Weddings”
    Not everyone thinks about sacred music 24/7 like we do. When couples are getting married, they often request “suggestions” or “guidance” or a “template” for their musical selections. I created music list with repertoire suggestions for Catholic weddings. Please feel free to download it if you believe it might give you some ideas or inspiration.
    —Jeff Ostrowski
    Beginning a Men’s Schola
    I mentioned that we recently began a men’s Schola Cantorum. Last Sunday, they sang the COMMUNION ANTIPHON for the 3rd Sunday of Easter, Year C. If you’re so inclined, feel free to listen to this live recording of them. I feel like we have a great start, and we’ll get better and better as time goes on. The musical score for that COMMUNION ANTIPHON can be downloaded (completely free of charge) from the feasts website.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

For the most part, a “good pope” is defined as someone who does what the critic would do if he were pope.

— William F. Buckley Jr. (6 September 1978)

Recent Posts

  • Cardinal Prevost (Pope Leo XIV) “Privately Offered the TLM in His Private Chapel”
  • “Entrance Chant” • 4th Sunday of Easter
  • Reader Feedback • Mendelssohn’s “Wedding March” at a Nuptial Mass?
  • Music List • “Repertoire for Weddings”
  • We (Will) Have A Pope!

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.