ShowingoftheCross

Richard J. Clark · April 2, 2024

About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

PDF Download • “Order of Music” (Funerals)

A wise priest once said: “It’s good to give people options, but if you give them too many options they become confused and/or resentful.” I’ve made some improvements to the ORDER OF MUSIC (PDF) we use for funerals at my church here in Michigan. Last time I posted such a list, the feedback was very positive. Family members of the deceased are encouraged to choose a COMMUNION HYMN from that sheet, and about 65% do. (Others don’t care, so I choose for them.)

—Jeff Ostrowski

‘Live’ Audio Sample (Dec. 2024)

If I can find the time, I’d love to share recordings of my choir here in Michigan. We’ve only just begun—our choir is literally in its infancy—yet they’re already starting to sound wonderful. Last week we had a fabulous cantor, as this brief mp3 shows. Somebody took a recording of us singing the OFFERTORY HYMN at Mass. It’s ‘live,’ which means you can hear babies crying, the sound of the priest incensing the altar, and so forth. Click here if you want to listen.

—Jeff Ostrowski

CCW • Appeal at Year’s End

We’re a tiny 501(c)3 public charity. We exist solely by the generosity of small donors. We have no endowment; we have no major donors; we run no advertisements; we have no savings. As 2024 comes to a close, we could really use your financial support—especially if you have never donated before. Click here to securely donate with any major credit card. Thank you very much!

—Jeff Ostrowski

Epiphany Proclamation 2025

Each year, without fail, someone asks me to typeset the Epiphany Proclamation, an announcement of moveable feasts chanted each year on the feast of the Epiphany. As a result, you may now find an archive of 23 such proclamations in PDF ready to print HERE.

—Veronica Brandt

The Breviary in the Life of the Laity

Recently I have been enjoying looking through the inaugural (1927) edition of a 20th-century liturgical magazine called Orate Fratres. The July 1927 issue included an excellent article by a Chicago laywoman named Ellen Gates Starr entitled “The Delights of the Breviary: From the Point of View of a Lay Woman.” As we in the 21st century have recently undergone a (blessed!) re-translation of the missal into English, and as we await with joyful hope (please God, before Jesus comes back!) a similar re-translation of the breviary, the opening of her article reminded me of that old saying, “the more things change, the more they stay the same.” Nearly a hundred years ago, she penned words that could just as easily have been written today: “It is indeed a privilege to be allowed any participation, however slight, in the liturgical movement in the Church – the movement to bring back the classics of devotion, the Missal and the Breviary, into general use by the laity. The wonder is that they should ever have fallen into disuse. Nothing can take the place of these great universal prayers of the Church, the prayers of the Mass and the divine Office. One has only to know them to find them indispensable. And alas, how few of the laity know them!” I know that I have been tremendously nourished by regular praying of the breviary as of late, and my wish is that you and I, dear reader, may continue to nourish our interior lives with the official prayer of the Church, which present to us (in the Mass) and extend (in the Office) the fullness of Christ’s greatest gift to us – the gift of Himself – in the Most Holy Eucharist.

—Daniel Tucker

Principles vs Preferences

I ran into this idea recently: principles vs. preferences in planning out a curriculum or music lineup. In this idea, it is imperative to not misconstrue personal preferences into principles—that the music (or subject matter) is great because: “I have good taste, and I like it.” De gustibus… Education, study and docility to the Magisterium of the Church on matters of liturgical music must be present in those who make the music at the Holy Sacrifice of the Mass and the Hours. Who knows? Maybe you might start to prefer the music that is fitting according to the principles Catholic Sacred Music?

—William J. Fritz