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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Search Results for: simple english propers

A Challenge for the “Big Three” — Is there a Market for the Propers?

Richard J. Clark · November 29, 2013

I have a challenge to the “Big Three” publishers. The propers are the new frontier of liturgical composition. I propose that they get ahead of the curve now.

Filed Under: Articles Tagged With: Propers, Singing the Mass Last Updated: January 1, 2020

Graduale Simplex, Archbishop Bugnini, And More

Jeff Ostrowski · September 10, 2013

I’m reminded of my years as a high school teacher. There were always 5-6 parents who had too much time on their hands, and they pestered the administration for changes.

Filed Under: Articles Tagged With: Graduale Simplex, Hymns Replacing Propers Last Updated: October 12, 2022

Ordo Cantus Missae — English Translations

Jeff Ostrowski · July 29, 2013

Who should start the “Glory to God” at Mass? Who should intone the Gloria? Ordinary Form.

Filed Under: Articles Tagged With: Bugnini ORDO CANTUS MISSAE, Ordinary Form Ordo Cantus Missæ, Ordo Cantus Missae, ORDO CANTUS MISSAE NOVUS ORDO Last Updated: September 29, 2023

Introducing the Lalemant Propers (391 Pages) — Free Download !

Jeff Ostrowski · April 23, 2013

The Lalemant Propers are extremely simple settings (in English) of the Mass Propers which make it possible for any person to sing these sacred prayers . . . even people who have no musical training whatsoever.

Filed Under: Articles, PDF Download Last Updated: January 13, 2020

“Chant Is Not a Penitential Act” • Lenten Reflection by Daniel Marshall

Daniel Marshall · February 18, 2026

…and then Easter will come, and for many parishes, the chant will disappear again.

Filed Under: Articles Last Updated: March 2, 2026

PDF Download • “Entrance Chant” for the 17th Sunday in Ordinary Time (Years ABC)

Jeff Ostrowski · July 23, 2024

Including ten (10) alternate versions!

Filed Under: Articles, PDF Download Tagged With: Carmen Gregorianum, Chaumonot Composers Group, Chaumonot Entrance Chant Collection, Rev Fr Adrian Fortescue Liturgy Last Updated: July 24, 2024

Live Recording • “Entrance Chant” (14th Sunday in Ordinary Time, Year B)

Jeff Ostrowski · July 9, 2024

In the 1970s, some musicians felt that annihilating the Mass propers would lead to “freedom”—but the opposite was true.

Filed Under: Articles, PDF Download Tagged With: Chaumonot Composers Group, Chaumonot Entrance Chant Collection, Mass Propers Proprium Missae, Suscepimus Introit Last Updated: July 9, 2024

PDF Download • “Entrance Chant” — 14th Sunday in Ordinary Time (Year B)

Jeff Ostrowski · July 4, 2024

I’d love to hear you sing this!

Filed Under: Articles, PDF Download Tagged With: 14th Sunday in Ordinary Time, Anaphora, Cantatorium For Soloists, Cardinal Ferdinando Giuseppe Antonelli OFM, Chaumonot Composers Group, Entrance Chant from Roman Gradual, Evangeliarium, Louis Bouyer Oratorian Priest, Mass Propers Proprium Missae, Simple English Mass Propers, St John Gradual Archdiocese of Boston, Urbanite Hymn Reform Last Updated: July 7, 2024

Antiphons Vs. Hymns • A “Both/And” Church

Richard J. Clark · September 21, 2023

“[T]he primordial question is centered on how the hymn or antiphon will help the assembly enter more deeply into the mystery being celebrated.” — Christopher Ferraro

Filed Under: Articles Last Updated: September 25, 2023

Huge Discovery! (Not a Joke) • Re: “Gradual Antiphons vs. Missal Antiphons”

Jeff Ostrowski · August 23, 2020

Last night I discovered something I never knew—so I immediately telephoned a priest to verify this.

Follow the Discussion on Facebook

Filed Under: Articles Tagged With: Father Adalbert Franquesa Garrós, Graduale Romanum Roman Gradual Propers, Missal Antiphons Dont Match Roman Gradual, Propers Ignatius Press by Fr Samuel Weber, Samuel Weber Propers, St Isaac Jogues Illuminated Missal, Sung Vs Spoken Propers Novus Ordo Last Updated: December 20, 2024

Clarity! • Missal vs. Gradual Text (Ordinary Form)

Jeff Ostrowski · August 19, 2020

If this problem is to be solved, we must first understand it.

Follow the Discussion on Facebook

Filed Under: Articles Tagged With: Father Adalbert Franquesa Garrós, Graduale Romanum Roman Gradual Propers, THE ADALBERT PROPERS Last Updated: January 18, 2025

Reopening our Churches – Encouragement – Resources

Richard J. Clark · May 22, 2020

Saint Cecilia and an Angel Orazio Gentileschi and Giovanni Lanfranco

As churches are working towards reopening, it is also no small change for many to concede congregational singing and choirs of any size. So many musicians have already sacrificed so much, spiritually, artistically, and economically.

Filed Under: Articles Last Updated: May 23, 2020

Announcing: Saint Rita Choral Academy!

Dr. Lucas Tappan · July 30, 2019

The parish’s new venture, the St. Rita Choral Academy, is the brainchild of Dr. Alfred Calabrese.

Filed Under: Articles Last Updated: January 1, 2020

New Resource! • Chant Videos for Treble Voices

Fr. David Friel · February 23, 2019

A new website seeks to record the full Gregorian propers each week using a treble voice.

Filed Under: Articles Tagged With: Catholic Youth Choirs, Extraordinary Form 1962 Missal, Gregorian Chant, Liturgy For Children, Resources for training in Church music Last Updated: January 1, 2020

Musical and Liturgical Life at the St. Lawrence Catholic Campus Center

Guest Author · April 6, 2016

Praising our Extraordinary God in the Ordinary Form

Filed Under: Articles Last Updated: January 1, 2020

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Corpus Christi Watershed

President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“These liturgists protest that the choir must be encouraged, but in the same breath we are told its purpose is to lead the congregation in the singing of hymns and other unison music. These directions from non-musicians who have never created a musical sound—let alone direct a choir—are the cause of consternation among practicing musicians, both instrumentalists and singers.”

— Monsignor Richard J. Schuler (30 November 1967)

Recent Posts

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  • Good Friday Flowers
  • PDF Download • “Entrance Chant” for Holy Thursday (Plainsong in English)
  • “Dies Irae” • A Monstrous Translation

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