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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

“Matri Divinæ Gratiæ” • 3-voice Motets (SAB)

Cynthia Ostrowski · September 14, 2016

EVIN ALLEN’S magnificent collection for three voices—Soprano, Alto, Bass—can now be purchased directly from Amazon, and we have greatly reduced the price. Depending on how the psalm verses are sung (which is a decision left to each choirmaster) these pieces can be as long or short as necessary to match the liturgical action. If your choir has more females than males, this collection will thrill you—because all the pieces are written for SAB!

*  MATRI DIVINAE GRATIAE • Purchase this book!
$8.99 per copy • Eligible for Amazon Prime! • 44 pages.

Click here to download a sample page.

Contemporary Harmonies: Composer Kevin Allen has produced a true masterpiece, make no mistake about it. Some of these pieces are somber and stately. An example would be “Aufer A Me,” and observe how each voice enters on a different scale degree—a superb touch! One way to find out whether a composition is excellent is to take away one or more voices and examine the result. Mr. Allen’s creation certainly passes that test with flying colors, as you can see by listening to a version missing one voice (i.e. with one voice removed). The result is both interesting and pleasing. This is contemporary music, so the “RRR” (Rigid Renaissance Rules) are not followed…yet each voice is eminently singable—an absolute joy!

Rehearsal videos for each individual voice:
“Aufer A Me” • SOPRANO • ALTO • BASS

Small Groups: Some of the pieces are extremely bright—and the following example demonstrates that—and they are very “tuneful” or “catchy.” Once these pieces get into your head, they won’t leave! And that’s okay, because the sacred liturgy is supposed to be something in which we take delight. They sound very good sung by even a handful of singers. Below is a live recording from our 9:00am Sunday Mass—which is sung by a very small group of singers:

Large Groups: On the other hand, these piece sound absolutely spectacular when they are sung by a large group of singers. By the way, in terms of the layout (which includes solfège markings), few books compare in elegance to Matri Divinae Gratiae. Below is live recording from our 11:00am Sunday Mass—which is sung by a large group of volunteer singers:

Rehearsal videos for each individual voice:
“Quam Dilecta” • SOPRANO • ALTO • BASS

Si Ambulavero: The following rehearsal videos (for each individual voice) were created by Jeff Ostrowski to help volunteer choirs master these pieces:

Rehearsal videos for each individual voice:
“Si Ambulavero” • SOPRANO • ALTO • BASS

And here’s a live recording by a volunteer choir:

Here’s the direct URL link.

Justorum Animae: The following rehearsal videos (for each individual voice) were created by Jeff Ostrowski to help volunteer choirs master these pieces:

EQUAL VOICES : YouTube
SOPRANO : YouTube
ALTO : YouTube
BASS : YouTube

*  Mp3 Excerpt • “JUSTORUM ANIMAE”
—This comes from “Matri Divinæ Gratiæ,” a collection by composer Kevin Allen.

*  Mp3 Download • “Justórum ánimae” (Live Rec.)
—This comes from “Matri Divinæ Gratiæ,” a collection by composer Kevin Allen.

Memento Verbi:

EQUAL VOICES : YouTube
SOPRANO : YouTube
ALTO : YouTube
BASS : YouTube

This 44-page collection contains:

1. QUAM DILECTA |+ Psalm verses
2. JUSTORUM ANIMAE |+ Psalm verses
3. ERIPE ME |+ Psalm verses
4. SI AMBULAVERO |+ Psalm verses
5. MEMENTO VERBI |+ Psalm verses
6. AUFER A ME + Psalm verses

Supporting The Composer: This collection was commissioned by CORPUS CHRISTI WATERSHED and published in September of 2016. In accordance with our customs, all proceeds which exceed production costs (printing, shipping, and so forth) go directly to the Catholic artist, who maintains copyright. Therefore, when you purchase these books, you are directly supporting Roman Catholic artists who produce works for the Church. We are a 100% volunteer organization.

Complete Title:   Matri Divinae Gratiae, Opus Mariae Dedicatum

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: 3-Voice Music, Matri Divinae Gratiae, Music for Three Parts, Polyphony For Three Voices, Soprano Alto Bass Choral Last Updated: January 30, 2025

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About Cynthia Ostrowski

Cynthia Ostrowski holds a bachelor's degree (2005) in Geographic Information Science and a minor in Computer Science from Texas A&M University Corpus Christi.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski
    “Entrance Chant” • 4th Sunday of Easter
    You can download the ENTRANCE ANTIPHON in English for the 4th Sunday of Easter (11 May 2025). Corresponding to the vocalist score is this free organ accompaniment. The English adaptation matches the authentic version (Misericórdia Dómini), which is in a somber yet gorgeous mode. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski
    Music List • “Repertoire for Weddings”
    Not everyone thinks about sacred music 24/7 like we do. When couples are getting married, they often request “suggestions” or “guidance” or a “template” for their musical selections. I created this music list with repertoire suggestions for Catholic weddings. Please feel free to download it if you believe it might give you some ideas or inspiration.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

[on Latin] “No change in Mass: people have missals and can read. More vernacular can be useful in the Sacraments: Baptism, Confirmation, Extreme Unction, Matrimony.”

— Cardinal Spellman (one of the Vatican II fathers)

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