Neuberg Abbey Graduale

A Graduale from the Neuberg Abbey, a monastery in Austria, published in the XV Century.

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About Matthew Frederes

Mr. Frederes is a software engineer, pilot, served as an organist for 31 years, and directed small parish choirs/scholas for 22 years. He and his wife have 12 children. —(Read full biography).

“Music List” • 3rd Sunday of Lent

Some have expressed interest in perusing the “ORDER OF MUSIC” I prepared for the 3rd Sunday of Lent (23 March 2025). If such a thing interests you, feel free to download it as a PDF file. During Lent, the pipe organ is greatly reduced. Therefore, I marked a red “X” on all the pieces we’re singing a cappella.

—Jeff Ostrowski

“Reader Feedback” • 22 March 2025

From a reader in New York City: “Your website is truly an outstanding beacon of hope. I consider your monumental feasts website to be the best kept secret in church music. So many online voices seem capable only of tearing down and attacking others, whereas you are doing the hard work of building things up. Never allow yourself to be dragged into online disputes; people who constantly complain show an unhappiness (jealousy?) in their own heart. Remember the old adage: misery loves company. Just continue doing what you’re doing.”

—Corpus Christi Watershed

“Entrance Chant” • 3rd Sunday of Lent

You can download the ENTRANCE ANTIPHON in English for the Third Sunday of Lent (23 March 2025). Corresponding to the vocalist score is this free organ accompaniment. The authentic version is called “Óculi Mei” and comes from Psalm 24. (That same psalm was used by the ENTRANCE ANTIPHON for the 2nd Sunday of Lent.) If you’re someone who enjoys rehearsal videos, this morning I attempted to sing it while simultaneously accompanying my voice on the pipe organ.

—Jeff Ostrowski

The Funeral Rites of the Graduale Romanum

Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.

—Daniel Tucker

Antiphons Don’t Match?

A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music).

—Corpus Christi Watershed

The Lofty Nature of This Goal

It is important above all that we never lose sight of our true goal as church musicians: the right worship of Almighty God. This is not a pious sentiment that should cause us to be lax about technical elements of music. Rather, the lofty nature of this goal is should motivate and inspire us to pursue the techne of musicianship with even greater zeal.

—Dr. Samuel Backman