Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”
Why do hymns in the Saint Jean de Brébeuf Hymnal give so many optional “text only” versions of the hymns? It’s easier to demonstrate than explain. Consider Hymn #24, which allows the director to choose a wonderful melody and easily apply it to the text. Hymnal editors knew about the value of “text only” versions […]
If you enjoy eavesdropping, here’s a rehearsal excerpt (mp3) of my volunteers singing the exercise I posted last week. This is the second time we’ve used it, and I can definitely hear improvement. You can download this choral warm-up for free.
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In graduate school, one is taught a valuable lesson: if you emphasize everything, nothing is emphasized. In other words, putting every other word in bold or italic (or both) wrecks your paper. I never to use the word “best”—but today I make an exception. The book of organ interludes released today by my colleague is […]
Last week, I posted an SATB choral setting of the SANCTUS in a ‘contemporary’ style. You might want to consider this piece for two reasons: (1) It’s extremely brief; (2) Free rehearsal videos are available for each individual part. The piece is by Father Lhoumeau.
In spite of its imperfections, creating this (draft) booklet required much more effort than I had anticipated.
Someone who heard the CCW plainsong recordings with NOH accompaniment says: “For years I have travelled the continents and crossed the oceans of Gregorian chant in search of a composition and interpretation as sublime as this. The text and the melody are interwoven in a game of mirrors with the interpreters, the singer and the […]
I’m dumbstruck (with joy) to see that my recent video presentation on plainsong rhythm has garnered quite a number of “views” on VIMEO. I also made the full presentation available on YouTube, and—as I write these words—it has collected 700+ views. How cool is it that folks are still interested in the rhythm of Cantus […]
From Asia: “I held choir rehearsal yesterday and one of the choir members (singing Alto) was just raving about how she loved the layout of the Brébeuf Choral Supplement because she didn’t have to look up and down for both music and verse—and she loved the ease with which she could sing her part because […]
We received this evaluation of Symposium 2022 from an Alabama participant: “Oh, how the Symposium echoed the words of Cardinal Merry Del Val: …choosing only what is most conformed to Thy glory, which is my final aim. In one short and fast paced week, the faculty and attendees showed me the hand of God and […]
Feel free to download this Organ Accompaniment Booklet for Trinity Sunday (Second Vespers). Notice how the modes progress by number. Psalm 1 is mode 1; Psalm 2 is mode 2; Psalm 3 is mode 3; Psalm 4 is mode 4; Psalm 5 is mode 5. I am told by an expert that other feasts (such […]
I continue to search for the most beautiful way to present the “pure” Editio Vaticana scores. (Technically, the “pure” rhythm of the official edition is what everyone is supposed to use.) You can download my latest attempt, which is the Introit for this coming Sunday: Feast of the Most Holy Trinity. Because this is not […]
From Chelan, Washington: “CCWatershed is a God-sent resource that I can’t function without! Such great work by the team to bring beauty back to our liturgy!” From Gainesville, Florida: “I am so appreciative of the work, of my brothers and sisters in music!” From Troutman, North Carolina: “Keep up the excellent work in service of the Liturgy!”
I created this organ accompaniment booklet for organists who will accompany Vespers on Pentecost Sunday. Feel free to download it; it might give you some ideas or inspiration. Be warned: It looks pretty sloppy. (The organist is the only one who sees it.)
A very intelligent singer admitted that only yesterday did he finally come to understand what a “melismatic mora vocis” is. Only yesterday did he come to understand the “white notes” (blank spaces). You can see the Introit for Pentecost Sunday only has two instances of MMV (“melismatic mora vocis”).
