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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download

Jeff Ostrowski · October 20, 2025

“Can Choral Music Survive?” • 3 Reasons It Will

You may think I’m crazy, but I have a belief when it comes to choral music.

Jeff Ostrowski · October 18, 2025

“Music List” • 29th in Ordinary Time (Year C)

Readers have expressed interest in examining the “music list” I prepared for this coming Sunday.

Keven Smith · October 14, 2025

Children’s Repertoire • Three More Recommendations by Keven Smith

Don’t give up. Your work with young singers today will continue to bear fruit for decades after you die.

Jeff Ostrowski · October 14, 2025

Liturgical Round (“Canon”) in C-Major

I have provided an accompaniment, but it’s only for use during rehearsal.

Jeff Ostrowski · October 14, 2025

PDF Download • Liturgical Round (“Canon”) for your Children’s Choir

An example that’s truly great art, yet still within their reach.

Corpus Christi Watershed · October 13, 2025

Latin Liturgy Association

The newsletter of the “Latin Liturgy Association” is definitely something worth looking at!

Jeff Ostrowski · October 11, 2025

“Music List” • 28th in Ordinary Time (Year C)

Readers have expressed interest in examining the “music list” I prepared for this coming Sunday.

Mark Haas · October 10, 2025

Every Diocesan Music Commission Should Do This

“To assist this process, I have compiled links to the documents…” —Mark Haas

Jeff Ostrowski · October 9, 2025

PDF Download • “Offertory” for this Sunday

Anyone know why the Book of Esther was chosen? That same section of Esther was chosen for last Sunday’s Introit.

Jeff Ostrowski · October 8, 2025

Why A “Fugue” Here?

I think you will agree about this.

Daniel Marshall · October 7, 2025

“Three Reasons To Shun Bad Hymns” • Daniel B. Marshall

Ever wonder why the Church is so particular about sacred music? There’s more at stake than you think.

Jeff Ostrowski · October 4, 2025

“American Catholic Hymnal” (1991)

This one book contains and memorializes every horrible idea from the 1980s.

Jeff Ostrowski · October 4, 2025

Involving Women in the Communion?

Not long ago, I received a weird telephone call from a man appointed “director of music” for a large USA diocese.

Jeff Ostrowski · October 3, 2025

“Music List” • 27th in Ordinary Time (Year C)

Readers have expressed interest in examining the “music list” I prepared for this coming Sunday.

Corpus Christi Watershed · October 2, 2025

“Fulfilled!” • Bride’s Musical Request

Sophia Institute Press has been generous in this regard.

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Corpus Christi Watershed

President’s Corner

    “Reminder” — Month of December (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron). It would be difficult to phrase things more clearly than the pope: viz. the ADALBERT PROPERS are for recited Masses, the GRADUALE PROPERS are for Masses with singing.
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“Participation” in the Mass does not mean hearing our own voices. It means God hearing our voices. Only He knows who is “participating” at Mass. I believe, to compare small things with great, that I “participate” in a work of art when I study it and love it silently.

— Evelyn Waugh

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