My Student Singing Byrd Will Make You Weep!
Today we release polyphony by two composers: William Byrd and William Fritz.
“Is it not true that prohibiting or suspecting the extraordinary form can only be inspired by the demon who desires our suffocation and spiritual death?” —The Vatican’s chief liturgist from 2014-2021; interview with Edw. Pentin (23-Sep-2019)
Today we release polyphony by two composers: William Byrd and William Fritz.
My choir will definitely be using these settings. They’re something many have begged for!
Plainsong sung poorly—in a sluggish, lifeless manner—can leave a bad taste in people’s mouths.
Conscientious choirmasters know it’s crucial to get “as much bang for your buck” as possible.
Fulton J. Sheen considered Monsignor Knox’s English translation of the Bible to be the greatest ever created.
“If you begin by telling a man that in a word like 𝐷𝑒𝑢𝑠 the first syllable corresponds to the weak beat, the second to the strong beat of a modern bar, the only thing accomplished will be to bewilder him thoroughly.” —Father Bewerunge
Let me explain why this 1961 Spanish Missal is so important.
By March 1596 Marenzio had arrived in Poland. In October of that year, he directed a Mass he’d written in the form of an “echo.”
The word “Alleluia” changes to: “Praise be to Thee, O Lord, King of eternal glory.”
This treatise (324 pages) is a “must read” for anyone who cares about liturgical music in the Catholic Church.
Saint John Mary Vianney (d. 1859) is one of my favorite saints. Our readers will want to download this gorgeous stained glass window which depicts Father Vianney, the holy Curé d’Ars.
People often complain: “Catholic priests won’t pay a living wage for choir directors, yet gladly pay millions to purchase a pipe organ.”
“The Sacred Music Symposium was a vehicle of grace that changed my life.” —2019 Participant
We paid to have this extremely rare book scanned professionally.
The truth is stranger than fiction.
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