PDF Download • 3-Voice “Agnus Dei” + Suggestions to Improve Music at Ordinary Form Masses
Should music at the Ordinary Form be identical to music at the Extraordinary Form?
“Is it not true that prohibiting or suspecting the extraordinary form can only be inspired by the demon who desires our suffocation and spiritual death?” —The Vatican’s chief liturgist from 2014-2021; interview with Edw. Pentin (23-Sep-2019)
Should music at the Ordinary Form be identical to music at the Extraordinary Form?
Church musicians ought not proceed in a frenzied, panic-stricken manner.
You’re probably thinking: “Jeff, if you think Father Rossini’s narrow-mindedness was bad, get ready for a rude awakening when you see what we’re up against in 2023.”
Years ago, I struggled with being a “people pleaser.” (That means saying whatever will please the person standing in front of you.)
With a digression on Corrinne May’s upcoming presentation.
“Gentlemen: Nobody is going to follow the archaic and quack ideas on Chant you are trying to propagate.” Mr. John Sandar
My colleague, Patrick Williams, has given me permission to share with our audience a recording his choir made.
I find this melody hauntingly gorgeous.
Certainly the most beautiful capital “Q” I’ve ever seen!
Including an “added bonus” I discovered while researching Julius Bas (an Italian musicologist and organist).
If we truly believe what we say we believe, how can we allow goofy, off-Broadway, secular, casual music at Mass?
To recruit, teach, inspire, and retain volunteer choir members is no easy task!
As late as 1924, Dom Mocquereau mentioned Dom Desrocquettes “whose beautiful and discreet accompaniments I hear every day at Solesmes.”
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