Gregorian Rhythm Wars • “Jeff’s First Response to Patrick” (12 Nov 2022)
Mr. Williams, today I challenge you (please) to provide direct responses for two questions.
“Is it not true that prohibiting or suspecting the extraordinary form can only be inspired by the demon who desires our suffocation and spiritual death?” —The Vatican’s chief liturgist from 2014-2021; interview with Edw. Pentin (23-Sep-2019)
Mr. Williams, today I challenge you (please) to provide direct responses for two questions.
I will not insult your intelligence by telling you what I suspect happened.
Including two (2) documents translated into English for the first time!
“Missa Back-To-The-Future” (a recent OCP offering) isn’t part of the treasury mandated by Vatican II; nor do I belong on the basketball court with Michael Jordan.
My colleague, Patrick Williams has agreed to enter into a “colloquy” with me vis-à-vis Gregorian rhythm.
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Our Lord said that if men withheld their praise of Him, “the very stones would cry out…”
There’s something truly ‘haunting’ about this melody by Flor Peeters—and once it’s in your head, it’s hard to banish!
The principal books of music for the Eucharist were recently (re-)confirmed by the United States Conference of Catholic Bishops.
Father Weinmann placed plainsong on five (5) lines, yet still used Gregorian notation—including chord symbols!
Installment 4 • “How Has Nobody Done This Before?” (series)
A professor at our conservatory always told us: “An example is worth 1,000 words.”
Fulton J. Sheen told a story about a man who bumped into Abraham Lincoln yelling: “Get out of my way, you big ugly lummox!”
I find this hymn quite beautiful—and singers love it!
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