PDF Download • “Glory To God” for Congregation & Choir (Mass of Saint Noël Chabanel)
My setting begins with the entire congregation singing—but the middle section is SATB polyphony.
“Is it not true that prohibiting or suspecting the extraordinary form can only be inspired by the demon who desires our suffocation and spiritual death?” —The Vatican’s chief liturgist from 2014-2021; interview with Edw. Pentin (23-Sep-2019)
My setting begins with the entire congregation singing—but the middle section is SATB polyphony.
Including a tip on preventing choirs from ‘sinking’ the pitch lower and lower.
Perhaps you’re saying to yourself: “Jeff comes across as super ungrateful.”
Including a Eucharistic Hymn (#142) every Catholic should know!
He screamed into the telephone: “There’s no such thing as Gregorian Chant!”
Instead, Saint Francis knelt down and kissed the priest’s hands…
We must remember the lesson of the rock.
Today, I release another movement of the “Saint Noël Chabanel Mass Setting” (for use in the Ordinary Form).
As if the canonic sections were insufficiently stupendous, the composer works in stepwise ascending lines juxtaposed with lines in augmentation.
Today we release an exceedingly rare 1661 edition of the Graduale Romanum, in high resolution and in full color!
Twenty years ago, I had the opportunity to conduct a week-long interview with Dom Cardine’s former boss.
Should music at the Ordinary Form be identical to music at the Extraordinary Form?
You’re probably thinking: “Jeff, if you think Father Rossini’s narrow-mindedness was bad, get ready for a rude awakening when you see what we’re up against in 2023.”
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