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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Featured

Fr. David Friel · March 22, 2020

“Separated from the Sacraments” • Stories from Walter Ciszek, SJ

A missionary in Soviet Russia, Fr. Ciszek learned the spirituality of surrender through tremendous suffering.

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Veronica Brandt · March 13, 2020

Stella Caeli – a hymn against pestilence

Veronica Brandt has posted a beautiful antiphon reputed to keep the plague away; updated to correct a semitone variance in the first copy she made • The Cantuale Romano-Seraphicum from 1951 is mentioned • Free download of “Stella Caeli” along with the Litany of Our Lady+

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Jeff Ostrowski · January 23, 2020

Extremely Rare! • 1908 Solesmes Graduale (PDF Download)

I’ve been searching for this book for twenty years! • For the first time in history, the Graduale Romanum from 1908 (with Solesmes rhythmic markings) has been scanned and uploaded • Includes copious and detailed information about the rhythm of the Editio Vaticana (“Vatican Edition”) you won’t find anywhere else+

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Jeff Ostrowski · January 21, 2020

PDF Download • “Lucis Creator Optime” (Vespers Hymn)

I followed the “Brébeuf hymnal method,” in which every verse is written out…

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Jeff Ostrowski · September 24, 2019

Brébeuf Review! • “Society for Catholic Liturgy”

“The editors of the Brébeuf Hymnal have done a great service to the profession.” —Aaron James, Ph.D.

Jeff Ostrowski · September 7, 2019

Revealed! • A Fascinating Mass Rubric Very Few Know

“How surprised people would be next Sunday to see the direction being carried out!” —1943 article

Jeff Ostrowski · September 3, 2019

The 1961 Code of Rubrics • Pope St. John XXIII

I would not argue with someone who called this document curious, or even bizarre; it was only in effect for a few years • Also: “Should the Sanctus and Benedictus be split in the Traditional Latin Mass?” • This “Extraordinary Form” question is treated meticulously with full documentation going back 150 years+

Jeff Ostrowski · July 9, 2019

Hymn Harmony: Fifty Examples—Good and Bad!

We will not be considering musically absurd examples from the past.

Jeff Ostrowski · May 29, 2019

What Makes A “Catholic” Hymnal?

I find the following pairings reprehensible…

Jeff Ostrowski · May 17, 2019

PDF Download • Franz Liszt and Gregorian Chant

Many would ask: “What is the purpose of posting such books? Are we supposed to sing from them?” • It turns out, these editions help us understand the journey of Franz Liszt to understand Gregorian modality.

Jeff Ostrowski · January 14, 2019

“Church Music Manifesto” (2019)

Mass should be a peaceful experience for the congregation, not an opportunity to be harassed.

Veronica Brandt · December 1, 2018

PDF Download • “Easy Organ Interludes” (229 pages)

Giovanni Battista Fasolo published an enormous book of organ interludes without pedals • Pierre Gouin typed them up, bringing you this clear window into renaissance liturgical music for free! • Enjoy this treasure trove of organ music from almost 400 years ago! Plus a few highlights from along the way+

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Jeff Ostrowski · May 16, 2018

“Outer Space Hymn” (1966) • In A Catholic Hymnal

Discussion of horrible things that have (sadly) appeared in Catholic hymnals, such as: “And as we float along through outer space, | Past galaxies aglow in dark’s embrace, | Toward other worlds where brothers may await, | Do care for us now in our weightless state.” (Imprimatur 1966)+

Jeff Ostrowski · February 19, 2018

Rare Lenten Hymns You’ve Not Sung

“Our hymnbooks know nothing of such a treasure as this, and give us pages of poor sentiment in doggerel lines by some tenth-rate modern versifier.” —Fr. Fortescue

Jeff Ostrowski · January 11, 2018

PDF Download • Easy Hymn with Melody in Tenor

The Brébeuf hymnal contains carefully chosen and flexible melodies; do you see how the following tune (“Old Hundredth”) can be used in the Tenor voice?

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

The Latin language, “far from being held in little regard, is certainly worthy of being vigorously defended.”

— Pope Saint Paul VI (15 August 1966)

Recent Posts

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