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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Featured

Fr. David Friel · March 22, 2020

“Separated from the Sacraments” • Stories from Walter Ciszek, SJ

A missionary in Soviet Russia, Fr. Ciszek learned the spirituality of surrender through tremendous suffering.

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Veronica Brandt · March 13, 2020

Stella Caeli – a hymn against pestilence

Veronica Brandt has posted a beautiful antiphon reputed to keep the plague away; updated to correct a semitone variance in the first copy she made • The Cantuale Romano-Seraphicum from 1951 is mentioned • Free download of “Stella Caeli” along with the Litany of Our Lady+

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Jeff Ostrowski · January 23, 2020

Extremely Rare! • 1908 Solesmes Graduale (PDF Download)

I’ve been searching for this book for twenty years! • For the first time in history, the Graduale Romanum from 1908 (with Solesmes rhythmic markings) has been scanned and uploaded • Includes copious and detailed information about the rhythm of the Editio Vaticana (“Vatican Edition”) you won’t find anywhere else+

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Jeff Ostrowski · January 21, 2020

PDF Download • “Lucis Creator Optime” (Vespers Hymn)

I followed the “Brébeuf hymnal method,” in which every verse is written out…

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Jeff Ostrowski · September 24, 2019

Brébeuf Review! • “Society for Catholic Liturgy”

“The editors of the Brébeuf Hymnal have done a great service to the profession.” —Aaron James, Ph.D.

Jeff Ostrowski · September 7, 2019

Revealed! • A Fascinating Mass Rubric Very Few Know

“How surprised people would be next Sunday to see the direction being carried out!” —1943 article

Jeff Ostrowski · September 3, 2019

The 1961 Code of Rubrics • Pope St. John XXIII

I would not argue with someone who called this document curious, or even bizarre; it was only in effect for a few years • Also: “Should the Sanctus and Benedictus be split in the Traditional Latin Mass?” • This “Extraordinary Form” question is treated meticulously with full documentation going back 150 years+

Jeff Ostrowski · July 9, 2019

Hymn Harmony: Fifty Examples—Good and Bad!

We will not be considering musically absurd examples from the past.

Jeff Ostrowski · May 29, 2019

What Makes A “Catholic” Hymnal?

I find the following pairings reprehensible…

Jeff Ostrowski · May 17, 2019

PDF Download • Franz Liszt and Gregorian Chant

Many would ask: “What is the purpose of posting such books? Are we supposed to sing from them?” • It turns out, these editions help us understand the journey of Franz Liszt to understand Gregorian modality.

Jeff Ostrowski · January 14, 2019

“Church Music Manifesto” (2019)

Mass should be a peaceful experience for the congregation, not an opportunity to be harassed.

Veronica Brandt · December 1, 2018

PDF Download • “Easy Organ Interludes” (229 pages)

Giovanni Battista Fasolo published an enormous book of organ interludes without pedals • Pierre Gouin typed them up, bringing you this clear window into renaissance liturgical music for free! • Enjoy this treasure trove of organ music from almost 400 years ago! Plus a few highlights from along the way+

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Jeff Ostrowski · May 16, 2018

“Outer Space Hymn” (1966) • In A Catholic Hymnal

Discussion of horrible things that have (sadly) appeared in Catholic hymnals, such as: “And as we float along through outer space, | Past galaxies aglow in dark’s embrace, | Toward other worlds where brothers may await, | Do care for us now in our weightless state.” (Imprimatur 1966)+

Jeff Ostrowski · February 19, 2018

Rare Lenten Hymns You’ve Not Sung

“Our hymnbooks know nothing of such a treasure as this, and give us pages of poor sentiment in doggerel lines by some tenth-rate modern versifier.” —Fr. Fortescue

Jeff Ostrowski · January 11, 2018

PDF Download • Easy Hymn with Melody in Tenor

The Brébeuf hymnal contains carefully chosen and flexible melodies; do you see how the following tune (“Old Hundredth”) can be used in the Tenor voice?

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Corpus Christi Watershed

President’s Corner

    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“Abbat Pothier’s great accomplishment is having returned to the Catholic world—along with the traditional melody—the traditional way of performing it. The foundations laid by this providential man have been accepted by all those who practice Gregorian chant.”

— Dr. Peter Wagner (Commissionis Pontificiæ Gregorianæ Membrum)

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