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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Featured

Jeff Ostrowski · October 18, 2020

Dom Pothier • “To The Eyes And To The Ears”

For years, I couldn’t understand this business about “the eyes and the ears.” What did Pothier mean? Then it hit me. • Topics include Dom Joseph Pothier, the mora vocis, Abbot Pothier’s brother (Dom Alphonse Pothier), Dom Lucien David, Dom Paul Jausions, and a truly magnificent story about Pope Pius X and Abbot Pothier, which is essential reading+

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Jeff Ostrowski · October 16, 2020

The “Mora Vocis” • What is that?

The “Pre-NOH” editions have quite an idiosyncratic way of lengthening the neumes. • Fulsome illustrations are included examining and explaining the mora vocis of the Vatican edition; also mentioned is Dom André Mocquereau, Rafael Cardinal Merry del Val, and Pothier’s Liber Gradualis (1883)+

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Keven Smith · October 6, 2020

The Real Reason Why Some People Don’t Match Pitch

(Keven Smith) • I’ve come to realize that the vast majority of “tone-deaf” people aren’t really tone-deaf at all. They just haven’t been trained to coordinate their voices with their audiation+

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Jeff Ostrowski · October 2, 2020

“Spoken vs. Sung Propers” • The Complete History

Lies containing a little truth are the most difficult to quash • Here is the definitive, final exposé on why the “Spoken Propers” don’t match the “Sung Propers.” • In October of 1972, the Bishops’ Committee on the Liturgy falsely equated the “Spoken Propers” with the “Sung Propers” and proclaimed: “These antiphons are too abrupt for communal recitation” • Several official English translations of the Roman Gradual have received the imprimatur multiple times+

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Fr. David Friel · September 16, 2020

Solesmes Publishes “Antiphonale Romanum I” for Lauds

This 2020 chant edition makes possible the chanting of Lauds according to the Liturgy of the Hours.

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Keven Smith · September 7, 2020

Introvert, Except at Rehearsal? You May Be an Ambivert

(Keven Smith) • Here are some suggestions on how to get the most out of your unusual combination of skills and traits+

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Keven Smith · August 11, 2020

Why Are You a Church Musician, Anyway?

(Keven Smith) • Now is the perfect time for us all to stop and reflect on where we came from as church musicians. What was it that first made you interested in singing, directing, or playing the organ?+

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Corpus Christi Watershed · August 8, 2020

PDF Download (2,092 pages) • “Liturgical Notes on the Roman Missal” by Archbishop Schuster

Blessed Alfredo Ildefonso Cardinal Schuster was a Benedictine monk who became the Archbishop of Milan.

Jeff Ostrowski · July 21, 2020

“Pope Pius XII Psalter” • How different was it?

If this had caught on, every chant book—along with every psalm setting of Palestrina, Victoria, Morales, Guerrero, etc.—would have become “garbage” overnight.

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Veronica Brandt · May 30, 2020

Singing the Little Office of the Blessed Virgin Mary

The Baronius Press edition is beautiful, but lacks important markings for singers.

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Jeff Ostrowski · May 21, 2020

“Jesu Nostra Redemptio” • Ancient Hymn for the Ascension translated into English!

Did you know every Mass is a celebration of our Lord’s Ascension? — Here’s proof.

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Jeff Ostrowski · May 11, 2020

How to properly sing “Alleluia” in Eastertide (1962 Missal)

The way to “repeat” Alleluia during Eastertide confuses many people.

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Keven Smith · April 27, 2020

What Spilling My Coffee Taught Me About Directing My Choir

(Keven Smith) • Yesterday morning I spilled coffee all over my desk before leaving for our live-streamed Mass. It ended up being a great move+

Jeff Ostrowski · April 14, 2020

PDF Download • “Victimae Paschali” Organ Accompaniment (Nine Versions)

Organ Accompaniments for “Victimae Paschali Laudes” • Some people love it; others hate it. Regardless, Mocquereau never backed down, and we must admire his tenacity!

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Jeff Ostrowski · March 31, 2020

Going Beyond Archbishop Fulton Sheen’s “Take”

Sheen has sometimes been criticized for avoiding mention of the sacred liturgy during his talks, but I cannot agree with such a view. • Includes about the Holy Eucharist, including a quote by Father Leslie Rumble and a quote from Pope Pius X+

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“It is very curious, rather barbarous, much too ornate, immeasurably less dignified than ours now, anything in the world rather than archaic or primitive.”

— Fr. Fortescue describing the “Sarum Use” in 1912

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