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Views from the Choir Loft

Featured

Jeff Ostrowski · February 1, 2022

“Sample Pages” • Campion Missal (2022 edition)

Sophia Institute Press has made a huge announcement regarding the 3rd edition.

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Jeff Ostrowski · January 30, 2022

“Boston Globe” features Richard J. Clark

The music of Mæstro Clark was featured in the “Metro Section,” which has a tremendous circulation.

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Jeff Ostrowski · January 19, 2022

100% Scrolling Score • “What Exactly Is Vespers?”

For those who have never experienced Vespers, an answer like that comes across as “gobbledygook.”

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Jeff Ostrowski · January 17, 2022

“Hymns for Small Choirs” • The Season of Epiphany

Destroying the season of Epiphany was in direct disobedience to Vatican II.

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Jeff Ostrowski · January 11, 2022

Small Choir Repertoire: “Of The Father’s Love Begotten” (Two Voices)

My brother immediately said: “I would never use this; it’s terrible, Jeff.” — And he was correct!

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Jeff Ostrowski · December 21, 2021

“Benedictus” (Missa Iste Sanctus) • All voices recorded by Corrinne May

Vatican II said: “The treasury of sacred music is to be preserved and fostered with great care” (SC §114).

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Jeff Ostrowski · December 18, 2021

Archbishop Roche: What the Ordinary Form “has to learn” from the Extraordinary Form

“The Extraordinary Form is another expression (older than the 1969 Missal) and is a valid expression of the Church’s liturgy.” —Arthur Roche

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Jeff Ostrowski · December 9, 2021

Archbishop Lefebvre Pushed For Vernacular Readings?

Louis Bouyer—the priest chosen to compose “Eucharistic Prayer II”—condemned the liturgical reforms when he saw the results.

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Jeff Ostrowski · November 15, 2021

Fabulous Repertoire For Tiny Choirs!

During November, our parish sings hymns to Christ the King, All Saints, and the Faithful Departed.

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Jeff Ostrowski · November 8, 2021

Missa “My Little Pony” by Dan Schutte • Its Pedigree

A USCCB statement: singing psalms at Mass “may create problems” … ?

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Jeff Ostrowski · November 3, 2021

PDF Download • “Four Easy Pieces” (Smaller Choirs)

Including more information about the “Pope Pius XII Hymnal.”

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Jeff Ostrowski · November 2, 2021

Cardinal Cupich Publicly Demands Greater Use Of Latin & Gregorian Chant At Chicago Masses

No sane person would claim that tunes by Marty Haugen, David Haas, or Rory Cooney constitute polyphony.

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Jeff Ostrowski · October 26, 2021

“Breathtaking Beauty” • Hymn for Christ the King

John Newton—who wrote “Amazing Grace”—was a slave trader, but ended up being caught and made a slave himself!

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Jeff Ostrowski · October 21, 2021

PDF Download • “Did Vatican II Reform The Mass?”

Three (3) bullet points, written on a single sheet of paper.

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Jeff Ostrowski · October 19, 2021

Huge Announcement! • “Three Voiced Polyphony”

Once these songs get into your head, they won’t leave easily—but that’s okay!

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Corpus Christi Watershed

President’s Corner

    Absolutely ‘Perfect’ Voice-Leading?

    This brief passage seems (in my humble opinion) to be a delightful specimen.

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    —Jeff Ostrowski
    Calling Dr. Weaver!

    A remarkable exposition of the “mora vocis” (published in 1953 in the Netherlands) which doesn’t shy away from a certain item!

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    —Jeff Ostrowski
    SLANE • “Simplified” Keyboard Arr.

    Do you know ‘SLANE’ the hymn tune?

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    —Jeff Ostrowski

Quick Thoughts

    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed
    Time and Again We Are Asked…
    John Baptist Singenberger (d. 1924) was a central figure of Catholic Church music. In this utterly fascinating excerpt (Single-Page PDF), Singenberger writes: Time and again we are asked: “Is the Gregorian chant to be accompanied by the organ?” As a young student in Saint Gall, Singenberger befriended SEBASTIAN GEBHARD MESSMER, the future Archbishop of Milwaukee (Wisconsin). The two graduated together in 1861. The school they attended (Saint George’s Seminary) was a “seminary”—but in the older European sense. In other words, it provided a classical education without necessarily leading to ordination. Singenberger remained a layman his whole life, but Messmer was eventually made archbishop—by Pope Saint Pius X—of the very archdiocese in Wisconsin where Singenberger would spend his American career, giving him a powerful ecclesiastical ally.
    —Jeff Ostrowski

Random Quote

“The renewal also showed clearly that the formulas of the Roman Missal had to be revised and enriched. This was begun by Pope Pius XII in the restoration of the Easter Vigil and the Holy Week services, which formed the first stage in accommodating the Roman Missal to contemporary mentality.”

— Pope Paul VI (1974 Sacramentary)

Recent Posts

  • Absolutely ‘Perfect’ Voice-Leading?
  • “The Choirmaster Survey” • Update on 29 July 2026
  • “Progress Report” (With Samples) • Forthcoming Roman Catholic Hymnal In Spanish
  • PDF Download • “Roman Catholic Music in England from 1850–1962” — Lengthy Dissertation (402 pages)
  • Why I Never Write Articles for Corpus Christi Watershed Anymore

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