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Corpus Christi Watershed

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Views from the Choir Loft

Featured

Jeff Ostrowski · February 1, 2022

“Sample Pages” • Campion Missal (2022 edition)

Sophia Institute Press has made a huge announcement regarding the 3rd edition.

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Jeff Ostrowski · January 30, 2022

“Boston Globe” features Richard J. Clark

The music of Mæstro Clark was featured in the “Metro Section,” which has a tremendous circulation.

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Jeff Ostrowski · January 19, 2022

100% Scrolling Score • “What Exactly Is Vespers?”

For those who have never experienced Vespers, an answer like that comes across as “gobbledygook.”

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Jeff Ostrowski · January 17, 2022

“Hymns for Small Choirs” • The Season of Epiphany

Destroying the season of Epiphany was in direct disobedience to Vatican II.

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Jeff Ostrowski · January 11, 2022

Small Choir Repertoire: “Of The Father’s Love Begotten” (Two Voices)

My brother immediately said: “I would never use this; it’s terrible, Jeff.” — And he was correct!

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Jeff Ostrowski · December 21, 2021

“Benedictus” (Missa Iste Sanctus) • All voices recorded by Corrinne May

Vatican II said: “The treasury of sacred music is to be preserved and fostered with great care” (SC §114).

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Jeff Ostrowski · December 18, 2021

Archbishop Roche: What the Ordinary Form “has to learn” from the Extraordinary Form

“The Extraordinary Form is another expression (older than the 1969 Missal) and is a valid expression of the Church’s liturgy.” —Arthur Roche

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Jeff Ostrowski · December 9, 2021

Archbishop Lefebvre Pushed For Vernacular Readings?

Louis Bouyer—the priest chosen to compose “Eucharistic Prayer II”—condemned the liturgical reforms when he saw the results.

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Jeff Ostrowski · November 15, 2021

Fabulous Repertoire For Tiny Choirs!

During November, our parish sings hymns to Christ the King, All Saints, and the Faithful Departed.

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Jeff Ostrowski · November 8, 2021

Missa “My Little Pony” by Dan Schutte • Its Pedigree

A USCCB statement: singing psalms at Mass “may create problems” … ?

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Jeff Ostrowski · November 3, 2021

PDF Download • “Four Easy Pieces” (Smaller Choirs)

Including more information about the “Pope Pius XII Hymnal.”

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Jeff Ostrowski · November 2, 2021

Cardinal Cupich Publicly Demands Greater Use Of Latin & Gregorian Chant At Chicago Masses

No sane person would claim that tunes by Marty Haugen, David Haas, or Rory Cooney constitute polyphony.

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Jeff Ostrowski · October 26, 2021

“Breathtaking Beauty” • Hymn for Christ the King

John Newton—who wrote “Amazing Grace”—was a slave trader, but ended up being caught and made a slave himself!

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Jeff Ostrowski · October 21, 2021

PDF Download • “Did Vatican II Reform The Mass?”

Three (3) bullet points, written on a single sheet of paper.

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Jeff Ostrowski · October 19, 2021

Huge Announcement! • “Three Voiced Polyphony”

Once these songs get into your head, they won’t leave easily—but that’s okay!

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Corpus Christi Watershed

President’s Corner

    Knox. Has. No. Equal.
    Dr. Finberg (of the University of Leicester) famously said: “No living writer possesses a greater command over the English language than Monsignor Ronald Knox.” A lifetime spent among his works would not exhaust them; always another thing to see, never once a reason to look away. Consider the marvelous way Knox Englished the famous VERBUM SUPERNUM of Saint Thomas Aquinas. The 4th verse (in Latin) means: “By being born, He became man’s companion; at this supper, He became man’s food; in dying, He became man’s ransom; in reigning, He is man’s reward.” Knox brilliantly makes the English fit the Latin meter: The manger, Christ their equal made, | That upper room, their souls’ repast, | The Cross, their ransom dearly paid, | And heav’n, their high reward at last. I believe the meaning of the French word “manger” was not absent from his thoughts when he penned that stanza.
    —Jeff Ostrowski
    Proportionalist Plainchant • (Documented)
    On this website, we believe: “If we don’t know where we came from, we can’t know where we’re going.” As a result, we often spend hours scanning old books of GREGORIAN CHANT (and organ accompaniments). We don’t claim those items are useful or desirable for today’s circumstances; the goal is understanding where we came from. Here is a fascinating musical score from the 19th century. At that time, it was believed that MENSURALISM (a.k.a. “proportionalism”) was the historically correct way to sing plainsong.
    —Jeff Ostrowski
    Garnier Alleluias • “Have They Moved?”

    We received an email asking whether the “Garnier Gospel Acclamations website” has…

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    —Jeff Ostrowski

Quick Thoughts

    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed

Random Quote

“The hostile attitude of music directors and distinguished composers prevented the reform from introducing renewal and pastoral participation into sacred music.”

— Hannibal Bugnini

Recent Posts

  • Knox. Has. No. Equal.
  • “Plainsong Propers” • Fascinating 1980s Recordings
  • Proportionalist Plainchant • (Documented)
  • “First Things First” • The Order We’ve Reversed: Seven (7) Points for Consideration
  • Garnier Alleluias • “Have They Moved?”

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