“Boston Globe” features Richard J. Clark
The music of Mæstro Clark was featured in the “Metro Section,” which has a tremendous circulation.
“Is it not true that prohibiting or suspecting the extraordinary form can only be inspired by the demon who desires our suffocation and spiritual death?” —The Vatican’s chief liturgist from 2014-2021; interview with Edw. Pentin (23-Sep-2019)
The music of Mæstro Clark was featured in the “Metro Section,” which has a tremendous circulation.
For those who have never experienced Vespers, an answer like that comes across as “gobbledygook.”
Destroying the season of Epiphany was in direct disobedience to Vatican II.
My brother immediately said: “I would never use this; it’s terrible, Jeff.” — And he was correct!
Vatican II said: “The treasury of sacred music is to be preserved and fostered with great care” (SC §114).
“The Extraordinary Form is another expression (older than the 1969 Missal) and is a valid expression of the Church’s liturgy.” —Arthur Roche
Louis Bouyer—the priest chosen to compose “Eucharistic Prayer II”—condemned the liturgical reforms when he saw the results.
During November, our parish sings hymns to Christ the King, All Saints, and the Faithful Departed.
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A USCCB statement: singing psalms at Mass “may create problems” … ?
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Including more information about the “Pope Pius XII Hymnal.”
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No sane person would claim that tunes by Marty Haugen, David Haas, or Rory Cooney constitute polyphony.
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John Newton—who wrote “Amazing Grace”—was a slave trader, but ended up being caught and made a slave himself!
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Three (3) bullet points, written on a single sheet of paper.
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Once these songs get into your head, they won’t leave easily—but that’s okay!
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