“The Memory Will Stay With Me Forever.” —Helen Tsang, who flew 7,797 miles
“Vespers was crafted and conducted masterfully. We chanted each of the psalms in monastic style, alternating the verses between the two sides of the choir. ”
“Is it not true that prohibiting or suspecting the extraordinary form can only be inspired by the demon who desires our suffocation and spiritual death?” —The Vatican’s chief liturgist from 2014-2021; interview with Edw. Pentin (23-Sep-2019)
“Vespers was crafted and conducted masterfully. We chanted each of the psalms in monastic style, alternating the verses between the two sides of the choir. ”
In this article, I examine the elusive provenance of what some have called “the most popular piece of plainsong.”
“A year ago I knew very little about sacred music, but what a marvelous journey it’s been!” — Harrison Hoge
This SATB setting by Father Lhoumeau—although contemporary—certainly adheres to the “rule” of Pope Saint John Paul II.
“The Sacred Music Symposium was one of the most enjoyable, intense, and spiritually fulfilling experiences of my life.” — Isabella Marie
The answer surprised me!
Know of additional church music job openings? Please share them!
I write in response to the 6 July 2022 statement by Pope Francis: “Make your voices heard! If they do not listen to you, shout even louder.”
These pieces for “SAB” (Soprano, Alto, Bass) were commissioned by our organization for the National Eucharistic Revival.
This is the “pure” Vatican Edition—technically the only version of the rhythm allowed by Church documents!
Installment 3 • “How Has Nobody Done This Before?” (series)
“The symposium was like nothing I have ever experienced.” — South Dakota Participant
Installment 2 • “How Has Nobody Done This Before?” (series)
“The symposium exceeded all of my expectations.” — Pediatrician, Choirmaster, and Mother of Six Children
Ostrowski Vs. Weaver: Solesmes Rhythm, Gregorian Semiology, Dom Mocquereau, Dom Pothier, Mensuralism, and more!
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