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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Jeff Ostrowski · June 30, 2020

Draft Document • “Church Music Manifesto” (2020)

We’re living in darkness—but, like the phoenix, authentic Church music can rise from the ashes!

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Keven Smith · June 29, 2020

Real Life in a Large Church Choir Program (Part IV of IV)

We come now to the final installment in my series on our music program at St. Stephen the First Martyr Catholic Church in Sacramento, California.

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Guest Author · June 29, 2020

Chanting and Spiritual Health

In a time of contagion and social unrest, we need plainchant more than ever, even when we stay home.

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Veronica Moreno · June 27, 2020

Homeschool Snapshots: Take 1

Summer planning brings homeschooling mother to poetry by Robert Frost and St. Thomas Aquinas. “Poems are the food of faith.”

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Veronica Brandt · June 27, 2020

New Catholic Hymns: 24 Hymns for the Liturgical Year

New compositions in the timeless style of great Catholic hymns for all the major feasts, plus insights into the hymnodist’s creative process.

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Jeff Ostrowski · June 27, 2020

Sister Goodchild • “Gregorian Chant for Church and School”

This 130-page book can be downloaded for free.

Richard J. Clark · June 26, 2020

Best Practices with Current Restrictions • New Resource from Detroit

Best practices and a new antiphon project from the Archdiocese of Detroit

Dr. Lucas Tappan · June 25, 2020

Six Points • The Church and Patronage of the Arts

If we want great artists, we must have places to train them in the best of the tradition and be able to crown their studies with a deeply imbued Catholic ethos.

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Jeff Ostrowski · June 24, 2020

PDF Download • “Saint Edmund Jennings Mass”

Today comes the third setting. A total of five Masses will be released.

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Jeff Ostrowski · June 23, 2020

More on the subject of “Mutual Enrichment”

My previous post on this subject was misunderstood in some quarters.

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Keven Smith · June 23, 2020

Real Life in a Large Church Choir Program (Part III)

Far from being a mere complement to our parish choir, our young Choristers are, quite frankly, its core.

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Veronica Brandt · June 20, 2020

Coloring 3rd Sunday after Pentecost

Coloring Calendars – Liturgical Art

Print an illustrated liturgical calendar with seasonal Gregorian chant excerpts.

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Jeff Ostrowski · June 19, 2020

Important • Watershed Will Never Be The Same!

On the feast of the Sacred Heart, we present an important memorandum from Corpus Christi Watershed’s president.

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Richard J. Clark · June 19, 2020

Silence and The Thoughts of His Heart

Our souls are hurting and in crisis. I have no words.

Jeff Ostrowski · June 18, 2020

“Society of Saint Bede” • Free Liturgical Resources

From what I can tell, the website has been around since 2012.

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Corpus Christi Watershed

President’s Corner

    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“When we force a boy to be a mediocrity in a dozen subjects we destroy his standards, perhaps for life.”

— C. S. Lewis

Recent Posts

  • Comm. Fauxbourdon • “What does it sound like?”
  • “Ad Te Levavi” • Variant
  • Spectacular Communion Setting!
  • Now That You’re Shunning Bad Hymns … Stop Announcing Them!
  • Bach’s Psychotically Awesome Walking Bassline

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