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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Wilfrid Jones · September 6, 2020

Music as a Technology of the Soul

When you ask how a computer works, what you’re really asking is how people use it. That’s a good starting point for understanding how liturgical music works, but just as a computer trains its user to work in a particular way, liturgical music trains us to pray in particular ways.

Jeff Ostrowski · September 6, 2020

Important Message To Fathers

“Kids don’t remember this…”

Jeff Ostrowski · September 4, 2020

(Installment #6) “Catholic Hymnals” • Jeff Ostrowski

How to avoid that sickening feeling when you realize nobody—and I mean nobody—in the congregation knows the hymn you picked!

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Jeff Ostrowski · September 4, 2020

“Homily for the 14th Sunday after Pentecost” (EF) • Father Valentine Young, OFM

“If worry did any good, I would advise you to do it—but it is wasted time and energy.”

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Jeff Ostrowski · September 4, 2020

Sir Richard Terry: Hymns, Congregational Singing, and Avoiding “Violence” to the Elders

Terry was forced to resign from the Cathedral in 1924, partially due to his “inconsistent approach to congregational singing at the Cathedral.”

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Dr. Gregory Hamilton · September 3, 2020

(Installment #5) “Catholic Hymnals” • Dr. Gregory Hamilton

The word “hymn” is one of the earliest music words in all languages…

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Jeff Ostrowski · September 3, 2020

“That Image” from World War II • Further Questions

When I look more closely, I notice some very tiny (“itsy bitsy”) hand missals held by the soldiers…

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Dr. Charles Weaver · September 2, 2020

(Installment #4) “Catholic Hymnals” • Charles Weaver

On how tunes change over time, with a reflection on the sacred duty of hymn editors.

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Jeff Ostrowski · September 2, 2020

Holy Mass During World War II • (9 April 1944)

German troops included in American Easter Sunday Mass via loud-speaker.

Jeff Ostrowski · September 1, 2020

PDF Download • “Communion Antiphon” (with organ accompaniment)

An exciting new project gives me great hope for the “musical future” of the Catholic Church!

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Jeff Ostrowski · September 1, 2020

“Homily — 23rd Sunday in Ordinary Time, Year A” • Father Valentine Young, OFM

“Examining the life of Jesus, we discover that He acted differently in different circumstances.”

Keven Smith · August 31, 2020

(Installment #3) “Catholic Hymnals” • Keven Smith

Top 10 Features • “An Ideal Extraordinary Form Hymnal”

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Fr. David Friel · August 30, 2020

Bishop Sheen on Sanctifying the Moment

Wise words from Sheen’s book, “Lift Up Your Heart”

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Jeff Ostrowski · August 28, 2020

“Resplendent Beyond Reckoning” • Sherborne Missal (1399AD)

As the Isaac Jogues Missal would do 650 years later, this Missal provides pictures of the priest during the Canon!

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Veronica Brandt · August 28, 2020

(Installment #2) “Catholic Hymnals” • Veronica Brandt

“For every hymn which is unequivocally denounced as ‘schmaltzy’ expect to find someone for whom that hymn is what sustained them through a particularly bleak time.”

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Corpus Christi Watershed

President’s Corner

    “Lamb of God” (Musical Setting)
    The MASS OF SAINT ANNE LINE has been quite popular ever since ROMAN MISSAL Third Edition was released circa 2011. You can now download the musical score (PDF) for this setting, placed into five (5) different keys; i.e. “pitch levels” that are high and low. This makes it possible to adjust based upon who’s singing at which time of day.
    —Jeff Ostrowski
    PDF Download • Introit (2nd Sn. Ord.)
    This coming Sunday, 18 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT is set according to the fourth mode, which sounds ‘serious’ or ‘dark’ or ‘haunting’ or ‘mysterious’—and its English adaptation corresponds to the authentic version (“Omnis terra adóret”) found in the GRADUALE ROMANUM. In this rehearsal video (click here) I attempt to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it, because the harmonies are delightful.
    —Jeff Ostrowski
    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“The following question is asked by the Most Reverend Lord Bishop of the Diocese of Chur: May this Diocese’s ancient custom be continued of having the Celebrant in Sung Masses (excepting more solemn Masses) intone the Credo and when he is finished reciting it going on immediately to the offertory and finishing it while the credo is being sung by the choir?” (Dubium of Dec 1909)

— 11 December 1909

Recent Posts

  • “Information Requested About Hymnals”
  • “Lamb of God” (Musical Setting)
  • “Sacred Music Journal” Editor Sings w/ Our Choir
  • PDF Download • Introit (2nd Sn. Ord.)
  • PDF • “Dr. Adrian Fortescue: Priest & Musician”

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