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Views from the Choir Loft

Articles

Jeff Ostrowski · December 16, 2025

Should Catholics Sing Protestant Christmas Carols?

Including the “music list” I have prepared for Christmas Midnight Mass.

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Corpus Christi Watershed · December 16, 2025

“He never had a single day of conflict with anyone.”

Upon the death of of the Very Reverend Canon Edgard De Laet.

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Jeff Ostrowski · December 14, 2025

PDF • “Standard Gregorian Chants for Schools, Churches, Seminaries, & Convents” (1946) —123 pages

Until a few days ago, I knew nothing of this (extremely rare) book. Now it’s been scanned and uploaded—free to all.

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Mark Haas · December 13, 2025

The “Word of the Father” Chord: Theology and Harmony Meet at Christmas

It is fitting that the most exquisite chord in Adeste Fideles coincides with the most profound line of theology.

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Jeff Ostrowski · December 10, 2025

Crucial Tips • “Teaching Children How to Sing”

When it comes to the children, I help them memorize each word…

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Jeff Ostrowski · December 10, 2025

Soloists in Gregorian Chant?

An “ensemble of soloists” will never sound the same as a true choir.

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Jeff Ostrowski · December 7, 2025

“Alma Redemptóris Mater” • Everything There Is To Know About This Marian Antiphon

Including a new harmonization for the pipe organ.

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Corpus Christi Watershed · December 5, 2025

(5 Dec. 2025) • Pope Leo XIV Speaks on Liturgical Music

“In the liturgy, in particular, singing is never a ‘soundtrack’, a simple backdrop, but is intended to lift the soul…” —Pope Leo XIV

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Mark Haas · December 3, 2025

PDF Downloads • 5 Simple Palestrina Pieces

A collection of Palestrina works that are not only stunningly beautiful but also surprisingly accessible.

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Dr. Alfred Calabrese · December 2, 2025

Dr. Alfred Calabrese • “My Invitation To You”

EWTN will broadcast the Mass later on that same evening.

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Jeff Ostrowski · December 1, 2025

PDF Download • Agnus Dei Polyphonic “Choral Extension” (Simple Round by Ravenscroft)

It’s hard to banish that round once it enters your ears!

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Guest Author · November 27, 2025

“Sacred Music Pilgrimage to Italy” with Grace Feltoe

Including a tour of the Pontifical Institute of Sacred Music with Father Robert Mehlhart, OP.

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Jeff Ostrowski · November 25, 2025

Kid’s Repertoire • “Jeffrey’s 3 Recommendations”

Growing up, I remember hearing this adage…

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Jeff Ostrowski · November 25, 2025

A Quote Worth Reading

From a mother of 11 children whose brother-in-law is a Catholic priest.

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Jeff Ostrowski · November 24, 2025

PDF Download • ‘Choral Extension’ for the Sanctus (especially useful in the Ordinary Form)

It’d be easier to accept if they admitted they were explicitly contradicting Vatican II … but instead, they lied egregiously.

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Corpus Christi Watershed

President’s Corner

    “Hidden Chant” • For the Ordinary Form

    Not even “GregoBase”—which is incredibly comprehensive—knows that music for this antiphon was published by the Vatican in the 1930s.

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    —Jeff Ostrowski
    “Citation Needed” • Dom Foote of ICEL
    Father Basil Foote, OSB, was organist at WESTMINSTER ABBEY MISSION (British Columbia, Canada). In 1984 he published an article called “Chanting in the Vernacular.” Twenty years later, it was republished by ADOREMUS—and that’s how it came to my attention. In that article, Dom Foote makes a claim I consider somewhat outlandish. At the very least, his statement with regard to the Latin accent needs some sort of citation. He has served on the Music Sub-Committee of the International Commission on English in the Liturgy (ICEL).
    —Jeff Ostrowski
    Music List • “Corpus Christi” (Year A)

    The 28-page Singers’ Booklet is included. Our children’s choir will join us for this Mass.

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    —Jeff Ostrowski

Quick Thoughts

    Time and Again We Are Asked…
    John Baptist Singenberger (d. 1924) was a central figure of Catholic Church music. In this utterly fascinating excerpt (Single-Page PDF), Singenberger writes: Time and again we are asked: “Is the Gregorian chant to be accompanied by the organ?” As a young student in Saint Gall, Singenberger befriended SEBASTIAN GEBHARD MESSMER, the future Archbishop of Milwaukee (Wisconsin). The two graduated together in 1861. The school they attended (Saint George’s Seminary) was a “seminary”—but in the older European sense. In other words, it provided a classical education without necessarily leading to ordination. Singenberger remained a layman his whole life, but Messmer was eventually made archbishop—by Pope Saint Pius X—of the very archdiocese in Wisconsin where Singenberger would spend his American career, giving him a powerful ecclesiastical ally.
    —Jeff Ostrowski
    “Reminder” — Month of June (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). Since we were founded in 2006, not one of our board members has ever accepted any remuneration whatsoever—not a penny. We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski

Random Quote

Saint Phillip Neri founded a religious congregation called the Oratory. Animuccia was involved from early on and remained “maestro di capella” of the Oratory until his death. The Oratory was able to attract many musicians who volunteered their services, including the famous singer Francesco Soto de Langa from the Capella Sistina, the composer Palestrina, and probably the composer Tomás Luis de Victoria who lived in the same house as St. Phillip Neri for five years.

— Source Unknown

Recent Posts

  • “Hidden Chant” • For the Ordinary Form
  • PDF Download • “Simple Organ Interludes for Use in the Catholic Church” (108 pages)
  • Dr. Tappan in Rome • “Ubi Caritas”
  • Time and Again We Are Asked…
  • “Citation Needed” • Dom Foote of ICEL

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