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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Jeff Ostrowski · May 4, 2021

(Live Recording) • “Jesus My Lord, My God, My All”

There is a “hidden rule” about Roman Catholic Hymnals.

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Keven Smith · May 4, 2021

“Are You God?” On the Impact We Have as Church Musicians

How a small child’s innocent question underscored the significance of what we do as church musicians.

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Jeff Ostrowski · May 3, 2021

“No hymn deserves more to be reintroduced in our catholic tradition.” —Dom Ermin Vitry

A live recording of the Church’s oldest Latin Eucharistic hymn.

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Fr. David Friel · May 2, 2021

Summer Course in the Ward Method

CUA is pleased to announce that this week-long intensive course will be offered in person this summer.

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Jeff Ostrowski · May 2, 2021

Calling All Church Musicians!

Is this normal? (Answer: “yes”)

Veronica Brandt · April 30, 2021

Salve Joseph

Spanish Australian Setting of Salve Joseph

A Latin hymn to St Joseph with a popular tune – a unison chorus with 4 two part verses.

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Jeff Ostrowski · April 29, 2021

“Days Of The Week In Latin” • Feria II, Feria III, Feria IV, Feria V, Feria VI

“Feria Quinta” — which day is that? … Be honest.

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Jeff Ostrowski · April 28, 2021

“Are They Ugly?” • May 1st Propers For Saint Joseph

I fail to see how such a position can be defended…

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Keven Smith · April 28, 2021

Hidden Gem: In Te, Domine, Speravi (Hassler)

This simple canon makes a great “anytime” Offertory motet for developing choirs and experienced ensembles alike.

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Jeff Ostrowski · April 27, 2021

Paul Inwood Attacks Jeff Ostrowski’s Harmonies

Paul Inwood has unwittingly committed a rookie’s error here…

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Fr. David Friel · April 25, 2021

The Greater Litanies & the Meaning of Liturgical Processions

Processing is one way in which we express who we are as wayfarers en route to heaven.

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Veronica Brandt · April 24, 2021

An Interview with Veronica Brandt

How exactly does one get from electrical engineering to writing hymnbooks and making videos on singing Gregorian chant?

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Jeff Ostrowski · April 21, 2021

“The Fifteen Best Catholic Hymns” • Wait……

Church musicians: Is this what we’re doing wrong?

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Jeff Ostrowski · April 20, 2021

Do You Know This Easter Hymn?

We did both versions: One is quite popular, the other less so.

Jeff Ostrowski · April 19, 2021

Why does this repeat four times?

Folks, this is pretty cool.

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Corpus Christi Watershed

President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“As liturgical art, church music is obliged to conform to ecclesiastical law. But to construct artificial polarities here, between legalistic order and a dynamic church music, demanded by the alleged needs of the day, would be to forsake the foundation of a music rooted in liturgical experience. What is in fact the pastoral value of the shoddy, the profane, the third-rate?”

— Dr. Robert Skeris (1996)

Recent Posts

  • Good Friday Flowers
  • PDF Download • “Entrance Chant” for Holy Thursday (Plainsong in English)
  • “Dies Irae” • A Monstrous Translation
  • PDF Download • “Holy, Holy, Holy”
  • Music List • (3rd Sunday of Lent)

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