“Pope Pius XII Psalter” • How different was it?
If this had caught on, every chant book—along with every psalm setting of Palestrina, Victoria, Morales, Guerrero, etc.—would have become “garbage” overnight.
“Is it not true that prohibiting or suspecting the extraordinary form can only be inspired by the demon who desires our suffocation and spiritual death?” —The Vatican’s chief liturgist from 2014-2021; interview with Edw. Pentin (23-Sep-2019)
If this had caught on, every chant book—along with every psalm setting of Palestrina, Victoria, Morales, Guerrero, etc.—would have become “garbage” overnight.
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Religious instruction from Fr. Robert Nash, SJ. (1943 Imprimatur)
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The fourth installment—“Mass settings that work well, even with a single cantor + organist.”
I doubt the Divine Office in the vernacular could have been more beautifully sung.
One common place for musicians to feel wear and tear is in the neck. Here’s how to release it.
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When we pray from a book which is special, beautiful, and dignified, it helps us focus.
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There is an illusion of permanence in the Church. We are changing often and changing right now.
During my 9 years as president, you know I never ask for assistance unless it’s absolutely necessary.
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This remarkable piece by Father Victoria contains a mind-blowing canon between upper voices!
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GIA’s 2004 article Re: “masses of yesteryear” seems absurd on this 13th Anniversary of Summorum Pontificum.
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On those days when you can’t quite put your heart into singing, improvising at the organ can be comforting and rewarding.
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It’s interesting to compare the literal translations in the Brébeuf Hymnal to those done by Solesmes Abbey during the 1950s.
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