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Corpus Christi Watershed

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Views from the Choir Loft

Articles

Jeff Ostrowski · May 19, 2022

“Gregorian Chant Not In Danger Pope Tells French”

Actual headline from 9 April 1964.

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Jeff Ostrowski · May 18, 2022

PDF Download • “O Salutaris” (Modern Setting)

If there’s a more beautiful setting of this text, I don’t know what it could be.

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Fr. David Friel · May 17, 2022

Summer Ward Method Courses • CUA 2022

Study the Ward Method this summer in Washington, DC.

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Jeff Ostrowski · May 17, 2022

PDF Download • 2022 “Vespers Booklet” (99 Pages)

If you spot typos, please let us know!

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Jeff Ostrowski · May 16, 2022

“Playing the Pipe Organ” • By Richard Nixon

Does the music of Franz Liszt belong to Adolf Hitler?

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Richard J. Clark · May 15, 2022

Prayer of Abandonment,  Saint Charles de Foucauld

This will be sung at the Basilica of Saint John Lateran, Rome and at the Basilica of Saint Francis Assisi.

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Jeff Ostrowski · May 14, 2022

Worst Chanting I’ve Ever Heard

The Supreme Court has been in the news lately.

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Daniel Tucker · May 13, 2022

Musician-Saints Throughout the Ages

Short biographical sketches of men and women who were church musicians themselves and who can empathize with the joys and struggles of our profession.

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Jeff Ostrowski · May 10, 2022

“Big Reveal” by the Symposium Committee

We are so pleased to welcome this priest!

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Corpus Christi Watershed · May 9, 2022

Quote: “A weekend our choir will not soon forget!”

St. Mary’s: “Our singers experienced an incredible weekend working with Mr. Kevin Allen, the world-renowned composer.”

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Dr. Charles Weaver · May 7, 2022

A Curious Rhythmic Detail in Tomorrow’s Jubilus

Occasionally the Solesmes rhythmic markings are surprising, as in one of tomorrow’s alleluias. Can we make sense of this?

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Jeff Ostrowski · May 7, 2022

“Yes or No?” • Thoughts On Singing The Creed

If his choir sounds terrible, why would you trust his advice?

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Corpus Christi Watershed · May 3, 2022

“Repertoire Page” • Sacred Music Symposium 2022

Sign up today! A few voice parts still have openings.

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Jeff Ostrowski · April 30, 2022

A “Dirty” Word (For Musicians)

Around the year 1955, “transcription” became a dirty word.

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Jeff Ostrowski · April 23, 2022

Choir Directors • “Is It Worth The Struggle?”

The choir director’s vocation is chock-full of difficulties.

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Corpus Christi Watershed

President’s Corner

    Proportionalist Plainchant • (Documented)
    On this website, we believe: “If we don’t know where we came from, we can’t know where we’re going.” As a result, we often spend hours scanning old books of GREGORIAN CHANT (and organ accompaniments). We don’t claim those items are useful or desirable for today’s circumstances; the goal is understanding where we came from. Here is a fascinating musical score from the 19th century. At that time, it was believed that MENSURALISM (a.k.a. “proportionalism”) was the historically correct way to sing plainsong.
    —Jeff Ostrowski
    Garnier Alleluias • “Have They Moved?”

    We received an email asking whether the “Garnier Gospel Acclamations website” has…

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    —Jeff Ostrowski
    Absolutely ‘Perfect’ Voice-Leading?

    This brief passage seems (in my humble opinion) to be a delightful specimen.

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    —Jeff Ostrowski

Quick Thoughts

    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed

Random Quote

These prayers were not peculiar to Good Friday in the early ages (they were said on Spy Wednesday as late as the eighth century); their retention here, it is thought, was inspired by the idea that the Church should pray for all classes of men on the day that Christ died for all. Duchesne is of opinion that the “Oremus” now said in every Mass before the Offertory—which is not a prayer—remains to show where this old series of prayers was once said in all Masses.

— Catholic Encyclopedia (1909)

Recent Posts

  • “Plainsong Propers” • Fascinating 1980s Recordings
  • Proportionalist Plainchant • (Documented)
  • “First Things First” • The Order We’ve Reversed: Seven (7) Points for Consideration
  • Garnier Alleluias • “Have They Moved?”
  • PDF Download • 1950s Hand Missal including “Priest Photographs” at Mass (944 pages)

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CONTACT • Corpus Christi Watershed

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Corpus Christi Watershed
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