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Corpus Christi Watershed

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Views from the Choir Loft

Articles

Mark Haas · May 12, 2026

Inspiring Paper from a Graduating High School Senior

Such fantastic scholarship from a young contributor provides hope to our Church.

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Jeff Ostrowski · May 11, 2026

Entrance Chant • Before or After Opening Hymn?

I share my thoughts on whether the Introit should come before or after the procession hymn.

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Corpus Christi Watershed · May 9, 2026

“Unfair Characterization” • (But Good Question)

It’s been a while since we printed any reader feedback.

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Jeff Ostrowski · May 5, 2026

“Reminder” — Month of May (2026)

Since a new month has arrived, it’s my pleasure to remind you that…

Jeff Ostrowski · May 5, 2026

“Englished” Gregorian Chant • 5 Considerations

This is the closest I’ve come to putting down on paper exactly what I heard in my head.

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William J. Fritz · May 2, 2026

“Regina Caeli” • More Than You Wanted To Know

To my knowledge, this is the first online recording of the simple Norbertine “Regina Caeli.”

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Jeff Ostrowski · April 28, 2026

“Translating the Bible” • Msgr. Ronald Knox (1953)

There’s no question Knox sometimes enjoyed “pushing the envelope” or stepping outside the box.

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Veronica Moreno · April 27, 2026

Re: The “Correct” Way To Sing Gregorian Chant

A choir member’s visit to find Dom Pothier in Normandy’s Abbaye Saint-Wandrille de Fontenelle. She finds beauty and peace.

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Jeff Ostrowski · April 24, 2026

PDF Download • Ascension “Entrance Chant”

More than once, Father Valentine told me: “When I sing this beautiful Introit, I can almost see the apostles standing there.”

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Richard J. Clark · April 23, 2026

Every Artist Needs a Refuge

Every artist must enter into the interior life. In doing so one becomes a finer musician and a better servant of God and of each other.

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Jeff Ostrowski · April 20, 2026

“The Unselected Hymn” • Do You Recognize It?

I fought for this one—but lost the battle.

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Mark Haas · April 17, 2026

2026 Sacred Music Pilgrimage (Washington DC) • With Richard J. Clark

This choir pilgrimage is more than a trip—it is a sacred journey.

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Jeff Ostrowski · April 15, 2026

“Gregorian Chant Isn’t a Platform for Your Personal Theories, Jeff” • (A Letter We Received)

“My desire, Leroy, is to answer your question in a rigorously straightforward way.” —Jeff Ostrowski

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Corpus Christi Watershed · April 15, 2026

Request From Australia

“This is an exquisite setting and I know my singers would very much enjoy singing it.” —Mary

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Jeff Ostrowski · April 13, 2026

PDF Download • “Rarer Than a Blue Moon” — Side-by-Side English Translation (Pius XII Psalter)

Very Rev’d Father Charles J. Callan called it “the most recent critical edition of the Hebrew Massoretic text.”

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Corpus Christi Watershed

President’s Corner

    “Singers’ Booklet” (15 Nov.)—26 pages

    Readers have expressed interest in examining my “music list” for this coming Sunday.

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    —Jeff Ostrowski
    “Reprehensible Rhymes” • (1955 Hymnal)

    It really does seem as though this gentleman was only considered an ‘expert’ in Roman Catholic hymnody when compared to others…

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    —Jeff Ostrowski
    PDF Download • “Singers’ Booklet”

    The Communion antiphon this week is the powerful “Parable of the Ten Bridesmaids.”

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    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

Some are called not to much speaking, | nor to conversations about the Church, | but, rather, to a deep silence | and to a life hidden in the heart of the Church, | far from wrangling tongues, from speculations, and discord. […] This is the essence of a Eucharistic monastic life.

— Fr. Mark Daniel Kirby (Meditation on Colossians 3:3)

Recent Posts

  • “Singers’ Booklet” (15 Nov.)—26 pages
  • “Five (5) Clarifications” • Fr. Campesato’s Article
  • Seven (7) ‘Ad Libitum’ Antiphons • “Gateway to the Gregorian Propers”
  • “Reprehensible Rhymes” • (1955 Hymnal)
  • Brief Thoughts on a Dissertation-Length Article on Gregorian Chant

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