Hidden Gem: In Te, Domine, Speravi (Hassler)
This simple canon makes a great “anytime” Offertory motet for developing choirs and experienced ensembles alike.
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Articles
Paul Inwood Attacks Jeff Ostrowski’s Harmonies
Paul Inwood has unwittingly committed a rookie’s error here…
The Greater Litanies & the Meaning of Liturgical Processions
Processing is one way in which we express who we are as wayfarers en route to heaven.
An Interview with Veronica Brandt
How exactly does one get from electrical engineering to writing hymnbooks and making videos on singing Gregorian chant?
“The Fifteen Best Catholic Hymns” • Wait……
Church musicians: Is this what we’re doing wrong?
Do You Know This Easter Hymn?
We did both versions: One is quite popular, the other less so.
Why does this repeat four times?
Folks, this is pretty cool.
Not. Just. Catholics.
Talk about whatever subject you desire…except musical “style”—because doing so might get you killed.
Did Solesmes Abbey Drink The 1960s Kool-Aid?
…you be the judge…
Fr. Thomas Reese • “Young People Should Not Be Allowed To Attend” Latin Mass
Currently, 759 people dislike his article, while only 73 support it.
10 Examples • “Diversity of Musical Styles” at the Traditional Latin Mass
Ten ways to make your musical selections during Mass a delight for all present.
“The Great Reset” • For Your Choir?
Consider using this time of disruption as an opportunity to make long-overdue changes in the way your choir operates.
“Adze” • Do you know this word?
William F. Buckley speaking on television about Monsignor Ronald Knox.
PDF Download • Vespers for Holy Thursday?
“Custom preserves many things in liturgy after their first reason has ceased.” —Father Adrian Fortescue
PDF Download • “Sanctus for Three Voices” (Soprano, Alto, and Bass)
Can Gregorian Chant be harmonized? Does it work? Monsignor Jules Vyverman demonstrates for us!