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By March 1596 Marenzio had arrived in Poland. In October of that year, he directed a Mass he’d written in the form of an “echo.”
The Vatican Edition, as well as St. Gregory’s work were both a Cento built on tradition to unify the Church. Semiological editions are archaic reversions. A close look at the Puer Natus Est in both forms is offered.
“Our hymnbooks know nothing of such a treasure as this, and give us pages of poor sentiment in doggerel lines by some tenth-rate modern versifier.” —Father Fortescue
What bishops need to know!
It seems to me that our responsibility of teaching the Faith through music is much more serious than is commonly perceived.
NEW CD from the Saint Paul’s Choir School, Harvard Square with the Sophia Music Group label
“One person I spoke to frequently—although I never met him…” (?)
If we destroy our mental health, we will be no good to anybody.
Let St. Augustine’s wisdom guide you through the most important season for Church musicians.
The word “Alleluia” changes to: “Praise be to Thee, O Lord, King of eternal glory.”
I’m much more comfortable in a baritone’s range than a soprano’s range!
If an hour at the keyboard is an hour well-spent, how much more an hour of silent prayer before Our Lord present in the Most Blessed Sacrament? If fifteen minutes of score study is a productive use of my time, how much more a daily rosary for the intentions of my family and friends?
We would like to learn more about this priest!
Ponder this statement by the prefect for the Dicastery for Divine Worship and the Discipline of the Sacraments (a.k.a. “CDW”).
This treatise (324 pages) is a “must read” for anyone who cares about liturgical music in the Catholic Church.
