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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Jeff Ostrowski · October 15, 2022

USCCB • “Principal Music Books for the Eucharist”

The principal books of music for the Eucharist were recently (re-)confirmed by the United States Conference of Catholic Bishops.

Corpus Christi Watershed · October 13, 2022

“Fearfully and Wonderfully Made” • New album from Richard Kelley & Richard J. Clark

Famed Boston trumpeter (Richard Kelley) and Boston Cathedral choirmaster (Richard J. Clark) explore the depths of human frailty, struggle, and dignity …

Jeff Ostrowski · October 13, 2022

PDF Download • “Salve Regina” Chant in English (Four Different Versions)

I never knew these existed until earlier today!

Jeff Ostrowski · October 11, 2022

PDF Download • 1915 “Gregorian Vesperale” … Printed On Five Lines! (651 Pages)

Father Weinmann placed plainsong on five (5) lines, yet still used Gregorian notation—including chord symbols!

Jeff Ostrowski · October 11, 2022

“Times & Locations” • Traditional Latin Masses in the Diocese of Arlington

Bishop Burbidge has forbidden eight parishes from publishing Mass times in their bulletins, parish websites, or social media channels!

Dr. Charles Weaver · October 9, 2022

The Solesmes Episema and Contemplation

Are we even singing the Solesmes rhythm at all?

Jeff Ostrowski · October 6, 2022

“Bravery!” • Schola Director Posts ‘Live’ Recording

“The portable organ shall be lowered into the quire to accompany the singers, who shall sing solos in their order of seniority…” —1604 document

Jeff Ostrowski · October 1, 2022

“Released” • A Eucharistic Hymn You’ll Love!

Installment 4 • “How Has Nobody Done This Before?” (series)

Dr. Charles Weaver · September 29, 2022

Solmization from the Inside: Part 2

What can medieval and renaissance music pedagogy offer to us now?

Jeff Ostrowski · September 28, 2022

PDF Download • SATB “Alleluia” by J.S. Bach

This short piece shimmers with beauty. The arrangement is by Monsignor René Moissenet.

Jeff Ostrowski · September 27, 2022

“What Is Polyphony?” • With Audio Examples

A professor at our conservatory always told us: “An example is worth 1,000 words.”

Jeff Ostrowski · September 26, 2022

Say “Hello” to the Villain Who Lied About You

Fulton J. Sheen told a story about a man who bumped into Abraham Lincoln yelling: “Get out of my way, you big ugly lummox!”

Corpus Christi Watershed · September 24, 2022

“North American Martyrs” • Stained Glass Window

Their feast is on Monday (in Canada and the EF)!

Jeff Ostrowski · September 24, 2022

“Nobody Cares About This” • (Except Me!)

I’ve attempted to create a recording for this coming Sunday according to the official rhythm…

Dr. Lucas Tappan · September 21, 2022

Saint Brigid’s School • New Choir School for the Cathedral of Saint Mary (San Francisco)

Thirty years ago most pastors would not have been open to inaugurating good sacred music programs in their parishes, but times have changed.

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“There are no hymns, in this sense, till the fourth century; they were not admitted to the Roman office till the twelfth. No Eastern rite to this day knows this kind of hymn. Indeed, in our Roman rite we still have the archaic offices of the last days of Holy Week and of the Easter octave, which—just because they are archaic—have no hymns.”

— Adrian Fortescue (25 March 1916)

Recent Posts

  • New Bulletin Article • “21 September 2025”
  • How do you pronounce this word in Latin?
  • Cheap! Cheap! Cheap!
  • Children’s Repertoire: “3 Recommendations”
  • PDF Download • Dom Murray Harmonies

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