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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Dr. Charles Weaver · March 13, 2023

Rhetoric, Number, Measure, and Historicism

The beginnings of a response to mensuralism from the classic Solesmes point of view.

Dr. Lucas Tappan · March 10, 2023

The Cathedral and Diocese of Leeds Expands Its Musical Outreach Yet Again

In my own diocese, “The Catholic Academy of Sacred Music” was incorporated for that very purpose last summer.

Patrick Williams · March 10, 2023

Gregorian Rhythm Wars • “Clap Your Hands!” (10 Mar 2023)

“With my questions unanswered by those objecting to rhythmic markings based on the oldest sources, it is difficult to take their arguments seriously.” —Patrick Williams

Jeff Ostrowski · March 9, 2023

PDF Download • Belgian “Ordinary of the Mass” (Organ Accompaniment) — 191 pages

This volume has been professionally scanned—and you’ll love the results!

Dr. Charles Weaver · March 7, 2023

Beauty Ever Ancient, Ever New

Every Gregorian melody is a precious gift, and every time we meet a melody again, we have a chance to consider some new aspect.

Andrea Leal · March 7, 2023

PDF Download • “Spanish Missal for the Traditional Latin Mass” (Madrid, 1961) — 860 pages!

Let me explain why this 1961 Spanish Missal is so important.

Matthew Frederes · March 6, 2023

Grant Awarded for Digitizing Over 400,000 Pages of Ancient Solesmes Manuscripts

REPERTORIUM has been awarded a large grant to scan and digitize over 400,000 ancient manuscript images from the Abbey of Saint-Pierre de Solesmes archive.

Jeff Ostrowski · March 5, 2023

Pipe Organ During Lent?

To withdraw the pipe organ no longer has the impact it once did.

Matthew Frederes · March 4, 2023

Alfred Calabrese leads choir on EWTN with Archbishop Cordileone

Sign up today to hear Band of Voices, led by Alfred Calabrese, sing eight Latin motets on EWTN on Saturday, March 11, 2023. Archbishop Cordileone will be offering commentary as a Lenten reflection.

Jeff Ostrowski · March 4, 2023

Crd. Roche Breaks His Silence Re: Cardinal Sarah

Jesus Christ “will not snap the staff that is already crushed, nor put out the wick that still smolders.”

Jeff Ostrowski · March 3, 2023

Absolute Key to a Healthy and “Renewed” Choir

What does it mean to “renew” a choir?

Patrick Williams · March 2, 2023

Patrick’s Second Response to Matthew

“Matthew Frederes is encouraging resistance and asserting that ‘progress trumps antiquity,’ without recognizing that he is resisting both!” —Patrick Williams

Corpus Christi Watershed · March 2, 2023

“Fifty-Seven (57) Sample Pages” • Brébeuf Hymnal

The last thing church musicians need is another collection of goofy, syrupy, mawkish hymns.

Matthew Frederes · March 1, 2023

Obedience In Sacred Music, Liturgy • Matthew Frederes Answers Patrick Williams

Obedience to the Church, and respect for Tradition is paramount in Sacred Music, as well as subjugation to the Liturgy. Was GR (1974) “The” Critical Edition? An incessant or insatiable thirst for variety and novelty is a vicious symptom of our modern age.

Jeff Ostrowski · March 1, 2023

Greatest Choral Piece Ever Written? • It Might Be Marenzio’s “Salve Regina”

By March 1596 Marenzio had arrived in Poland. In October of that year, he directed a Mass he’d written in the form of an “echo.”

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Corpus Christi Watershed

President’s Corner

    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski

Quick Thoughts

    Stumped by “Episcopalian Hymnal” (1910)
    Some consider Songs of Syon (1910) the greatest Episcopalian hymnal ever printed. As a Roman Catholic, I have no right to weigh in one way or the other. However, this particular page has me stumped. I just know I’ve heard that tune somewhere! If you can help, please email me. I’m talking about the text which begins: “This is the day the Lord hath made; In unbeclouded light array’d.” The book is by George Ratcliffe Woodward, and its complete title is: Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Songs. Back in 2016, Corpus Christi Watershed scanned and uploaded this insanely rare book. For years our website was the sole place one could download it as a PDF file.
    —Jeff Ostrowski
    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

The representative Protestant collection, entitled “Hymns, Ancient and Modern”—in substance a compromise between the various sections of conflicting religious thought in the Establishment—is a typical instance. That collection is indebted to Catholic writers for a large fractional part of its contents. If the hymns be estimated which are taken from Catholic sources, directly or imitatively, the greater and more valuable part of its contents owes its origin to the Church.

— Orby Shipley (1884)

Recent Posts

  • “Innsbruck Hymn” • Bach Saint Matthew Passion
  • Stumped by “Episcopalian Hymnal” (1910)
  • Dr. Tappan • Answers + Analysis: My “Inquiry” For Music Directors (3,087 words)
  • Eucharistic Hymns for Your Choir
  • Fulton J. Sheen • “24-Hour Catechism”

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