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Corpus Christi Watershed

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Views from the Choir Loft

Articles

Daniel Tucker · July 24, 2023

Unanswered Questions on the Liturgy of the Hours

On some finer details of the project that, as far as I’m aware, have not been definitively settled…

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Corpus Christi Watershed · July 24, 2023

(Clip) • Fr. Mike Schmitz endorses “Ad Orientem”

Is celebration “versus populum” a good idea? Father Mike’s answer might raise some eyebrows…

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Corpus Christi Watershed · July 22, 2023

Our Editorial Policy

Over the years, we’ve received beautiful messages of encouragement.

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Jeff Ostrowski · July 21, 2023

Why Is Catholic Music So Embarrassing? • Four “Levels” To Fix The Problem!

In 1994, the most powerful mainstream Catholic music organization published a song about the “enlightenment of Buddha.”

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Dr. Charles Weaver · July 20, 2023

Stomping Feet, Clattering Hooves, and Other Chant-Related Matters

Did you know that St. Augustine described the sound of one hand clapping?

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Jeff Ostrowski · July 19, 2023

Gregorian Rhythm Wars • “Jeff’s Fourth Response to Patrick” (19 July 2023)

Twenty years ago, I had the opportunity to conduct a week-long interview with Dom Cardine’s former boss.

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Corpus Christi Watershed · July 18, 2023

Corrinne May on EWTN (July 2023)

Platinum singer-songwriter Corrinne May, our contributor, recently appeared on EWTN.

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Jeff Ostrowski · July 18, 2023

Rude Priests, Rude Deacons, Rude Ushers, Rude Parishioners, Rude Choristers, Etc.

Unless I’m mistaken, this charming piece can be played on organ manuals alone.

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Keven Smith · July 15, 2023

Finding Realistic Inspiration for Organ Improvisation

Here’s where to find improvisation recordings you can actually emulate.

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Dr. Charles Weaver · July 14, 2023

Gregorian Rhythm Wars • “Weaver Responds to Williams”

“Nothing so arouses the soul, gives it wing, sets it free from the earth, releases it from the prison of the body, teaches it to love wisdom, and to condemn all the things of this life, as concordant melody and sacred song composed in rhythm.” —St. John Chrysostom

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Jeff Ostrowski · July 13, 2023

PDF Download • 3-Voice “Agnus Dei” + Suggestions to Improve Music at Ordinary Form Masses

Should music at the Ordinary Form be identical to music at the Extraordinary Form?

Dr. Charles Weaver · July 8, 2023

In Praise of Adaptability

A proposal: if we are going to study something as important and mysterious as Gregorian chant, we ought to be able to perform it convincingly in several different ways.

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William J. Fritz · July 7, 2023

EWTN Broadcast • Sacred Music by MacMillan + Eight Emerging Composers

This coming Saturday (8 July) at 7:00pm, EWTN will be broadcasting …

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Dr. Lucas Tappan · July 6, 2023

William Byrd: Quatercentenary of Death

“And yet I may live and die a true and perfect member of his holy Catholic Church without which I believe there is no salvation for me.” —William Byrd

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Jeff Ostrowski · July 5, 2023

“A Patriotic Hymnal” • (Not Kidding!)

“Hymns for the Use of the Catholic Church in America” was published in Baltimore more than 200 years ago.

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Corpus Christi Watershed

President’s Corner

    “Holy, Holy, Holy” transposed lower

    A simple setting based on a work by Canon Jules Vyverman.

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    —Jeff Ostrowski
    Music List • (27th Sund. Ordinary Time)

    Readers have expressed interest in examining my “music list” for this coming Sunday: 4 October 2026

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    —Jeff Ostrowski
    A Mystery! — Re: the “Liber Usualis”

    Even after all these years, nobody has been able to explain this.

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    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

“To me it is a most inspiring reflection that, while empires and kingdoms have tumbled down, while language and custom of every kind have changed beyond recognition, still day by day the humblest Catholic priest in the remotest mission stands at his altar dressed in the garb of old Rome.”

— Father Adrian Fortescue (8 February 1912)

Recent Posts

  • “Holy, Holy, Holy” transposed lower
  • Music List • (27th Sund. Ordinary Time)
  • A Mystery! — Re: the “Liber Usualis”
  • A Popular “Gloria” … in Dutch?
  • From Rome • “International Week of Sacred Music”

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