A monthly subscription fee of $4.95 gives access to the entire website. Thank you for supporting our efforts!
Here’s where to find improvisation recordings you can actually emulate.
“Nothing so arouses the soul, gives it wing, sets it free from the earth, releases it from the prison of the body, teaches it to love wisdom, and to condemn all the things of this life, as concordant melody and sacred song composed in rhythm.” —St. John Chrysostom
Should music at the Ordinary Form be identical to music at the Extraordinary Form?
A proposal: if we are going to study something as important and mysterious as Gregorian chant, we ought to be able to perform it convincingly in several different ways.
This coming Saturday (8 July) at 7:00pm, EWTN will be broadcasting …
“And yet I may live and die a true and perfect member of his holy Catholic Church without which I believe there is no salvation for me.” —William Byrd
“Hymns for the Use of the Catholic Church in America” was published in Baltimore more than 200 years ago.
Dom Mocquereau’s editions are a compromise between tradition and paleography. This explains his sometimes surprising semiological conclusions.
One priest on this committee said something I’ll never forget…
You should memorize this list.
“Unless Catholic musicians (especially priests) are careful, they may easily encourage non-Catholics in the belief that the differences between Catholics and non-Catholics are of minor importance.” —Dom Murray
The Conference of Roman Catholic Cathedral Musicians (CRCCM) has just launched a remarkable free resource offering recommendations of choral music, antiphons, propers, and more for all Sundays of the liturgical calendar, solemnities, and Ritual Masses.
Church musicians ought not proceed in a frenzied, panic-stricken manner.
We must avoid placing our website behind a paywall.
“Thanks, Richard, for another accessible and mellifluous motet!” —Chris Mueller
